(The glockenspiel in Munich. The bells are chiming and a whole crowd
on the street is watching the little figures dance .around each other.
Part of that crowd is Amanda, Dotty, and the two boys. They're all grinning
with awe and snapping pictures. Amanda sighs.)
Amanda: I just love Munich. This is really amazing.
Dotty: Oh, god. I tell you, this is what winning contests is
all about.
Amanda: Oh, well, Mother, you know, you really should have won.
You enter every contest the grocery store ever has.
Dotty: I know, plus fifteen sweepstakes, don't forget, no luck.
You walk in, you buy one can of coffee and do you imagine, you have the
winning ticket.
Amanda: Oh, it is fun, isn't it?
(Jamie takes a break from his camera to look over at Phillip.)
Jamie: You watch, this time he's gonna lose.
Phillip: No, he's not! (They watch two mechanical knights,
one black, one white, jousting on the clock.) We've been here in Germany
for four days and the same thing always happens! Look! (He points at
the figures just as the black one knocks the white one down with his lance.)
See? The knight fell.
(He shakes his head. Jamie takes another picture.)
Dotty: The glockenspiel is so beautiful.
Amanda: Oh, yes, Mother, I just love the glockenspiel. (They
watch a mechanical rooster crow.) They look real.
Dotty: But so are the stores.
Amanda: Oh, Mother --
Dotty: Let's go shopping, come on.
Amanda: Mother --
Dotty: Come on, let's go!
Amanda: Mother, I don't --
Dotty: Come on!
(Amidst all the protesting, Phillip gets loose and runs to the glockenspiel.)
Amanda: Phillip, Phillip! Come here. (Phillip returns and
the two boys look at her.) If we go shopping one more time with your
grandmother, we'll come back here tomorrow. (Phillip groans.) Okay,
come on.
Dotty: Thank you.
(The group moves out, Dotty literally pushing Amanda along.)
Amanda: Let's go, let's go, let's go.
(Once out of the crowd, Dotty unfolds her map and studies it, still
walking.)
Dotty: Let's go to the market area, which is the Balka-- the
Balkay--
(She shakes her head. Amanda reaches for the map.)
Amanda: Here, let me see it.
Dotty: It's number ten on your tour map.
Amanda: Uh-huh.
Dotty: How do you pronounce that?
Amanda: Um, let's pronounce it number ten on the tour map, Mother.
(She chuckles.)
Dotty: Amanda, you know, I counted every little coffee bean
in that coffee can --
Amanda: Oh, you did?
Dotty: -- and do you know what your lucky number is?
Amanda: No, what is it?
Dotty: One thousand, six hundred and thirty-eight.
Amanda: Gee, you know, I always kind of hoped my lucky number
would be seven.
(Dotty abruptly stops and turns around to face Amanda.)
Dotty: Amanda.
Amanda: Hmm?
Dotty: It was more than luck when you picked out that coffee
can. I mean, that was intuition. Your grandmother had the same thing! She
had a special touch.
Amanda: Oh, Mother.
Dotty: You are very blessed, Amanda.
Amanda: Mother, that's very sweet of you, but I just happened
to pick up the right coffee can at the right time.
Dotty: Well, I'm glad, because here we are in Germany.
Amanda: Yep.
Dotty: Come on, sweetie. (She herds the boys along. Amanda
stays behind, gazing around at her surroundings. Suddenly her jaw drops
when she sees Lee looking back at her, then he turns away and vanishes
into the crowd. Amanda gasps. Dotty runs back.) Amanda, what
is it?
Amanda: Nothing, Mother, I just ó oh, look! (Dotty looks
in the direction Amanda is pointing, confused.)ÝWell, I just thought
I saw someone that I know, but ó
Dotty: Oh, that happens all the time when you're traveling.
Come on.
Amanda: It's silly. . . . (Dotty walks off. Amanda stares
at the spot where she saw Lee. Now there is nothing there. She looks up
to see her mother walking away.) Mother!
(A little later, they are all walking down the sidewalk, Phillip
and Jamie in front, followed by Amanda and Dotty.)
Phillip: You know what I miss most? Hamburgers.
Jamie: And milkshakes.
Phillip: Fries!
Jamie: Yeah.
Dotty: Don't worry about them, they are having a wonderful time.
(Amanda pauses to peer at something through a window.)
Amanda: Fellas, if we get separated, go back to the hotel, don't
wander all over Munich by yourselves! (She looks up to see the rest
of her family way ahead. She runs after them.) And wait for me! (Suddenly,
an arm reaches out from an alley and grabs her. She screams. After a couple
of moments, Lee comes out from the alley and looks at Dotty and the boys
disappear in the crowd. Amanda walks out and hides behind Lee to look.
When she sees that they are far enough away, she steps out and faces Lee.
She sighs.)ÝCan't you ever just say hello?
Lee: Hello.
Amanda: What are you doing here?
Lee: Be at the Friedensengel in one hour. Come alone, and be
sure to bring your camera, you're a tourist.
Amanda: The Frieden what?
Lee: Friedensengel. Angel of Peace. Tall, gold statue.
Amanda: Tall, gold statue. Right.
(She takes out her tourbook and flips the pages.)
Lee: Number eleven.
(He walks away. As usual, Amanda has no clue and continues talking.)
Amanda: Right, number eleven in my book. Number eleven in my
book. Uh, the ó (She looks up and sees Lee gone.) Lee? (She glances
around, then runs after her family.)ÝMother!
(One hour later at the tall, gold statue. Amanda is standing at the
base, looking up. She closes her tourbook and turns around. She waits a
few seconds and glances at her watch. Still no Lee. Casually, she walks
over to the railing and gazes down at the city of Munich below. Just then,
Lee trots up the stairs and saunters over to Amanda. His camera is swinging
around his neck. Amanda grins and looks at him.)
Lee: Look, if anyone should come too near, just, you know, be
yourself. You're a tourist.
Amanda: Yes.
Lee: Amanda, we need you for one simple assignment.
Amanda: Oh, I'm sorry, I can't. (Lee stares at her.)
I'm on vacation with Mother and the boys.
Lee: Uh, not really.
Amanda: Yes, really. (She smiles proudly.) I won a trip.
Lee: No you didn't.
Amanda: Yes, I did!
Lee: No, the contest was rigged, we wanted you to win. (Amanda's
smile fades.) Billy had set it all up.
Amanda: You mean I'm not blessed?
Lee: You're not what?
Amanda: Mother said that I had a special -- never mind.
Lee: Ah.
Amanda: Well, it's just that, you know, I was so excited about
it. I mean, I've never won anything before.
Lee: Uh, look, this could be a very simple conversation. Why
don't I talk and you listen?
Amanda: I don't think I like this.
Lee: What?
Amanda: I think that by now, you should probably trust me. You
should have told me that I was coming to Europe on assignment. It would
have been simple, fair, and honest.
Lee: No, the simple thing to do is not to tell you anything
more than you need to know. That way, there are no suspicious moves on
your part and no mistakes. I don't want you getting yourself into trouble,
okay?
(Amanda nods, subdued.)
Amanda: I'll just be a tourist.
Lee: Good, good. Now, a man will be contacting you with a message.
Just bring that message to me.
Amanda: That's all?
Lee: Yeah.
Amanda: We got a free trip to Europe for that?
Lee: The man who is contacting you with the message is Hatfield
Kemp. You might remember him as --
Lee and Amanda: Haddy Kemp.
Lee: Yes.
Amanda: He was a student radical in the sixties.
(Lee looks past Amanda suspiciously.)
Lee: Uh, one and the same.
(He leads her away. They walk together down the stairs.)
Amanda: Yeah. I heard one of his speeches once. Very serious.
Lee, I don't think he has much of a sense of humor.
Lee: Well, he's still on the Wanted list back in the states.
He's been in Europe for fifteen years, connected with a ruthless terrorist
group.
Amanda: And you're going to arrest him?
Lee: No. No, he contacted the Agency. He wants to come home.
It's our job to get him back.
Amanda: Why would you want to get a person like that back?
Lee: Well, Amanda, we're making a trade here. See, he's bringing
with him some vital information on this terrorist organization, the Riebaden
group. They're not fun people, believe me. They're threatening widespread
violence if the U.S.-Western European trade pact is ratified.
(Amanda chuckles nervously.)
Amanda: This kind of sounds like a job for Francine.
Lee: Now, now, don't worry, you're not in any danger from Haddy.
He's a speechmaker, not a bomb-thrower. A terrorist would smell an agent
in a second. But not a tourist.
Amanda: What about a nervous tourist?
Lee: Look, everything is set. München Brauhaus Beer Garden
tonight. Haddy will not contact you unless he feels safe. (He hands
her a small key.) This key unlocks the door to an exclusive beer stein
collection where each member has his own stein. It also has a code number
to a special mug which you must use. This is how Haddy will know who to
approach. (Amanda nods.)ÝAny questions?
Amanda: What in the world am I going to tell my mother?
(Lee shrugs.)
Lee: Be inventive.
(Amanda smiles and looks down. at the key then back up. Lee walks
away. Amanda looks from the key to her map.)
(A big, fancy house somewhere in Munich. A very dignified man called
Baron Klaus van Eiger is carrying a container of liquor. He comes from
around the corner and walks past the butler, chuckling.)
Eiger: It will be interesting to see how the Countess Ruvyetska
(?) gets along with the avant-garde filmmaker Hellerstadt. They despise
each other!
(His smile fades and he walks into the other room, where Inga, a
blond woman, is sitting and Ortiz, a dark-haired man in his 30s, is holding
a very big, very expensive-looking vase. Eiger walks past them, but turns
when Ortiz calls.)
Ortiz: Nice. You put flowers in this?
(Eiger yanks it from his hands and carries it carefully to the other
side of the room. He looks down on Ortiz with some disdain.)
Eiger: This is artistry from the Ming dynasty. If you drop it,
Ortiz, you'll be old and gray by the time you pay it off. (He places
the vase carefully on a stand and turns to face Ortiz, with his hands in
his pockets.)ÝMy orders were clear. Never meet here in the presence
of others.
Inga: This couldn't wait.
Ortiz: It's Haddy. He's getting a little edgy.
Inga: He's abandoning our course. I can feel it. He knows too
much. Maybe we should kill him now.
Eiger: You never understood the value of patience, my dear.
The plan remains intact. Haddy will perform the assassination of the American
as intended. Then I, as a loyal citizen, will kill Haddy. And to the world
we can say that our Riebaden organization will have a new brave martyr
for the cause. (Ortiz and Inga exchange glances.) I still want you
to follow Haddy closely, though.
Inga: And if Haddy goes to the other side before your great
plan?
Eiger: Well, then, Christmas comes early for you, my dear Inga.
Kill him.
(He turns and leaves the room. Ortiz looks at Inga, smiling. She
just stares forward, stone-faced.)
(Later that night at the Bierhaus. Lee is dressed out of his usual
suit and instead in a jacket and Hawaiian shirt, attempting to look like
a tourist. Amanda is standing in front of him, nervous.)
Lee: Haddy will be here any minute! Remember your code words
and get your stein.
Amanda: Where is it?
(Lee motions with his head to the door. Trying to look like she
belongs there, she bounces a little to the music. Lee gestures for her
to do more. Still bouncing and swaying, she walks off to where he pointed.
Squeezing through the dancing crowd, she makes it to a locker-type thing
and uses her key to unlock it. Lee watches her pull out a big stein and
holds it up, grinning and still swaying to the music. Lee smiles. Amanda
takes her stein over to the bar.)
Bartender: Do you want beer?
Amanda: Ja, ja, ja, ja.
Bartender: That's a big cup.
(The bartender hands it back full. She almost drops it because of
the weight. The bartender catches her.)
Amanda: Thank you. (She bounces back to Lee. As she almost
hits someone with her cup, she whirls around.) Oh, I'm so sor-- (The
beer in the glass flies into Lee's face. He just looks at her. She gasps.)
Oh, I'm so sorry.
(She brushes back his wet hair.)
Lee: Will you please, please sit down?
(Amanda puts the top back on her stein.)
Amanda: I'm trying, I really am.
(She smiles broadly and goes bouncing off to find a table. Once
she reaches one, she puts her coat on the back and sits down. The man opposite
her raises his glass.)
Man: Cheers.
(Amanda raises hers.)
Amanda: Cheers.
(As she sips her beer, a man walks up. Staying behind her, he leans
on a column. It is Haddy.)
Haddy: This music's not exactly Bob Dylan, is it?
(Startled, Amanda puts down her glass and looks up. She recites
her half of the code.)
Amanda: I like the Beatles more.
Haddy: Yeah. (He walks around to take a seat opposite her.)
Especially the White Album. Remember, "Happiness ó"
Amanda: "-- is a warm gun."
Haddy: You really are a tourist.
Amanda: Yes, I really am. I'm here with my mother and my two
boys. Well, I don't mean here, they're not here here, they're back at the
hotel, the Hilton. I am a tourist. . . . Would you like some beer?
(She holds out her stein.)
Haddy: No, I can't stand the stuff. (Amanda nods and takes
her stein back.) The Agency's got to get me out quickly, before I'm
forced to kill someone.
Amanda: Forced? To kill someone?
Haddy: I'm not into that stuff. But the Riebaden gang has drawn
up a hit list of prominent Americans. I don't know who's on it, but I know
that I've been elected to complete the first hit.
Amanda: Can't you say no?
Haddy: I've been doing a tap dance with these crazies for fifteen
years. Up till now, I've managed to avoid their violence. If I don't go
through with this now, they'll kill me. For disloyalty, you know? These
people play for keeps over here.
Amanda: Who are you supposed to kill?
Haddy: I won't know until just before. That way I can't warn
anyone or back out. All I know is it's an American, here in Munich, forty-eight
hours, when the night falls.
Amanda: Well, I can see why you'd want to leave.
Haddy: There's another reason. I just learned . . . I have a
son. He's seven years old, I've never seen him before. I met his mother
over here. I didn't even know we had a child. And now I've just been told
she's been killed in a car accident back in the States. He's going to need
somebody. I'm his father.
Amanda: Oh, well, I --
Haddy: People can change, you know! Sometimes even for the better!
(Amanda
looks at her beer, smiling warmly. Haddy looks around. He sees Ortiz and
Inga walk in.) Give me the Agency's answer tomorrow. Ten o'clock. St.
George's church.
(Amanda starts digging for her tourbook.)
Amanda: St. George's church. Ten o'clock tomorrow. (Haddy
stands up and leaves, not wanting to be caught by either Ortiz or Inga.)
Yes, do you happen to know what number that is in my --
(She looks up to find herself talking to nobody. She looks around,
then begins flipping. Across the room, Haddy goes and greets Ortiz and
Inga. He kisses Inga's cheek and puts his arm around Ortiz. They go off
like buddies. Suspicious, Inga doesn't follow. Instead, she just looks
around. Her eyes focus on Amanda, flipping through her guidebook frantically.
Inga tears her eyes away and goes after the two men. Amanda takes a big
gulp from her stein, wipes off her upper lip and goes back to her book.)
(Next morning on the streets of Munich. Amanda and her family walk
up. It appears that they have been shopping again. The boys run ahead.
Dotty looks around.)
Amanda: Why don't we, uh. . . .
Dotty: Now, which way do we go?
Amanda: Boys! Let's go -- I'm sorry. (She lowers her voice
and points off in a direction.)ÝLet's, uh, would this --
Phillip: Mom, can we go swimming in the hotel pool now?
Jamie: Yeah, it's hot.
Amanda: Okay.
Dotty: All right.
Amanda: What do you say, Mother?
Dotty: Okay, yes.
Amanda: Would you take them back to the hotel?
Dotty: I'll take them.
Amanda: I'm going to get a few more pictures. (She hands
Dotty her bags. Dotty juggles them with her own.) I'll be right back.
Dotty: Here, let me have this.
Amanda: There are those bags. (Jamie takes a couple of her
bags.)ÝThank you, sweetie. Stay with your grandmother!
Dotty: I love you. (She hugs Amanda, then chases after the
boys as they take off down the block.) Wait a minute, wait a minute,
we're going to take the subway over here!
(They all run off. Amanda glances at her watch.)
(A bit later somewhere in Munich. Amanda is walking beside Billy.
Lee and Francine follow behind.)
Billy: If what you're saying is true, Amanda, then the clock
is really ticking! Not only do we have to get Haddy Kemp out of this country,
but now we have an assassination to stop and it's going to be pretty difficult
because we don't know who is going to be assassinated!
Amanda: Mr. Kemp seemed very nervous.
Francine: I wonder why.
(They all stop walking. Lee turns to Billy.)
Lee: Listen, Billy, I think the two people that he greeted on
the way out were some of the terrorists.
Billy: Well, that's your department, Scarecrow. Francine, I
want you to compile a list right away of all the prominent Americans who
might be in Munich in forty-eight hours.
Francine: This could change our priorities.
Amanda: Can't you just stop these terrorists?
Francine: Now why didn't we think of that?
(Billy glares at her.)
Lee: The trouble is, Amanda, nobody knows who's in the Riebaden
group.
Francine: It's not a large group, there's only about thirty
members, and they're spread all over Europe. The only problem is they attack
in small groups.
Lee: And they're totally ruthless.
Amanda: They could kill Mr. Kemp and he would never see his
little boy again and that would be just awful.
Billy: We will still get Haddy Kemp out of this country as planned.
Now I'm arranging for a United States Army transport plane to be put on
standby alert. That leaves just you, Amanda.
Amanda: Yes, sir. That makes things quite a bit different, doesn't
it?
(Lee smiles comfortingly.)
Lee: Hey. Amanda, your part in this is still safe. You just
deliver the second message and continue to act like a tourist.
Amanda: Because they would never do anything to hurt a tourist,
would they?
(Lee chuckles.)
Lee: No. No, they wouldn't.
(Amanda nods.)
Amanda: Right.
(Ten o'clock, St. George's church. Inside, the organ is playing.
A nun walks down the aisle and out the door just as Amanda walks in. She
walks slowly to the front, looking around in all the pews. She settles
in the first row and waits, watching the organ player. Haddy walks in a
little later and sits a few rows behind her.)
Haddy: Don't turn around. Someone might be watching.
Amanda: In a church?
Haddy: They blew up four churches last year.
Amanda: Oh, my gosh.
Haddy: What's the Agency's answer?
Amanda: They'll take you out tomorrow by Army transport.
(Haddy chuckles.)
Haddy: That's funny.
Amanda: No, no, it's the best way.
Haddy: No, I believe you. It's just ironic. All those times
I've protested against the Army and now they're going to save my hide.
Amanda: Do you have any further information about the intended
assassination victim?
Haddy: No, no. If they could postpone getting me out of here
by a couple of days, I might be able to come up with something. I could
call it a way of making up for past mistakes.
Amanda: No, you can't wait. They might kill you and you have
valuable information.
Haddy: Yeah. I know. Tell the Agency Emmerams Mueller in Bogenhausen
tomorrow at ten o'clock.
(He stands up and leaves.)
Amanda: Right. Your son can be very proud of you. You're a very
brave man. . . . Mr. Kemp, are you there?
(She waits a few moments, then turns. Haddy is gone. The priest
walks up to her. It is Lee.)
Lee: He's gone, Amanda.
Amanda: Thank you, Father -- You were up there?
Lee: Yes.
(He takes Amanda's arm. She stands up and walks with him toward
the door.)
Amanda: You were up there?
Lee: Is it all set?
Amanda: Yes. Um, tomorrow at Emmerams . . .
Lee: Emmerams Mueller.
Amanda: . . . in Bogenhausen at ten o'clock.
Lee: Good.
Amanda: Yes.
Lee: Billy's got the plane all arranged. So I guess you can
go back to the hotel and have a happy vacation.
Amanda: Will you take it from here?
Lee: Yes, Amanda, I will take it from here. I'm doing what I
do.
Amanda: Right. (A blond German woman walks up to them. She
speaks some German in a low voice to Lee. He answers her and she walks
to the front of the church.) What did she say?
Lee: She wants me to hear her confession.
Amanda: You wouldn't!
Lee: No, I wouldn't. (He looks over his shoulder at the woman
waiting for him.) It might be pretty interesting.
(Amanda whacks him with her guidebook and walks away. He glares
at her back. As Amanda leaves the church, she walks past a car by the sidewalk.
Inside, Ortiz is playing a penny whistle and Inga is sitting in the driver's
seat, annoyed. They both watch Amanda walk by, oblivious.)
Inga: Now I know I'm right. She's the same one that was
with Haddy at the Bier Hall.
Ortiz: We should notify the baron.
Inga: She must be Haddy's contact. (Ortiz goes back to his
whistle. Inga whirls around and glares at him.) How would you like
that thing sticking out of your ear?
Ortiz: There is something wrong with someone who doesn't like
music.
(Inga gazes at Amanda's back.)
Inga: We'll kill her now.
Ortiz: No! Not without the Baron's permission.
Inga: We'll kill her first and get the Baron's permission later.
(She starts the car. Ortiz sighs and looks forward. Inga floors
the gas pedal and hops onto the sidewalk after Amanda. Amanda hears the
engine and turns. Seeing the car coming after her, she runs and ducks into
an alley just before the car hits her. Inga gives up and drives away on
the street. Amanda looks up an sighs in relief. A bright red car drives
up and parks. The driver, Klaus van Eiger, gets out and takes Amanda's
shoulders.)
Eiger: It's all right, it's all right.
(Amanda looks up at her savior, still shaking.)
(A little later at the München Hilton. The red car drives up
with Amanda in the passenger seat.)
Amanda: The duchess and the ambassador got married even though
they hated each other?
Eiger: Oh, yes. I've never seen two people despise each other
more.
Amanda: You were telling me about their wedding toast. So what
happened?
(The car stops by the entrance. The man turns to face Amanda.)
Eiger: Well, so the duchess pulled the ambassador's belt off
and poured the rest of her champagne down the inside of his pants!
(They both laugh.)
Amanda: I guess that did sort of put a damper on things.
Eiger: To say the least, Amanda.
(He gets out, walks around, and holds Amanda's door open for her.
He takes her hand and helps her out of the car.)
Amanda: Oh, thank you.
Eiger: I may call you Amanda?
Amanda: Oh, yes, please.
Eiger: We've had a terrible problem with teenagers and drunk
driving lately. But enough of this talk. I'm having a little soirée
tonight, it's for charity. Black-tie. I would like you to come.
Amanda: Oh, well, thank you very much, I--
Eiger: There will be other Americans there.
Amanda: Oh. Well, I'm here with my mother and my two boys, Phillip's
ten, but Jamie's only eight, so I really should see what they're doing.
Eiger: Well, I just hope you can make it. Here's my address.
(He takes a card from his pocket and hands it to her.)
Amanda: Oh. Thank you.
Eiger: The bone structure of your face is most beautiful, Amanda.
(He
pauses to pick something off her jacket.) Lint. (Then he takes her
hand, raises it to his face, and kisses it.) Amanda, goodbye.
(He clicks his heels. Amanda glances down, then back up at his smiling
face. He walks away to his car and drives off. Amanda waves.)
Amanda: Bye.
(She enters the revolving doors of the hotel. They continue turning
and she comes right back out again, with Lee pulling her away. They walk
down the sidewalk.)
Lee: Come on, we don't have much time.
Amanda: Lee, it scares me when you come around like that.
Lee: Who was that guy?
Amanda: He's a baron.
Lee: Ah.
Amanda: He's Klaus van Eiger.
Lee: Oh, Klaus van Eiger? Yeah, I've heard of him. He's a playboy
type. All right, what did he tell you?
(They stop walking. Lee turns to face Amanda. She blushes.)
Amanda: Well, he told me that the bone structure in my face
is lovely.
Lee: Oh. Well, that's really vital information. Anything else?
Amanda: Well, he did tell me that he's having a little soirée
at his home tonight and he invited me. He said that there will be other
Americans there, too.
Lee: Good, good. We'll have to find out who they are. (Amanda
nods.) Amanda, you've got to be more careful, I'm telling you.
Amanda: Oh, you saw the accident.
Lee: Accident? Yeah. Yeah, I saw it. I was too far away to do
anything about it, though.
Amanda: Oh. But you were worried?
Lee: Well, unofficially, yes. I was hoping you'd run a little
faster, you know.
Amanda: Well, I was hoping I could run a little faster, too,
but I don't have my running shoes on.
Lee: The people that tried to run you down were pros.
Amanda: You mean you think they were trying to kill me?
Lee: Well, maybe they saw you with Haddy, I don't know.
Amanda: Does this mean I'm in trouble?
Lee: No. No, you're not in trouble. That is why we are here.
(Amanda
nods.) Okay?
Amanda: Right.
Lee: Okay, now. Billy and Francine are waiting for an update
--
Amanda: No, no. I should get back to Mother and the boys.
Lee: Don't worry, they couldn't be better. Believe me.
(Amanda chuckles.)
Amanda: You're looking after them, you're looking after me.
(Lee smiles and shrugs. They look at each other for a few minutes,
then Lee takes her arm and leads her to a car a few feet away.)
Lee: Come on.
(He holds the door open for her and she climbs in.)
Amanda: Got it, thank you.
(Lee closes the door once she is in and walks around to the other
side.)
(A bit later at Eiger's estate. He comes walking around the corner
angrily, followed by Inga and Ortiz.)
Eiger: Stupid! Your pathetic attempt at Mrs. King made me sick
to my stomach. I can't believe I've associated myself up with the likes
of you. (He turns to them. They stop walking and he walks in between
them, then turns again.) If I hadn't suspected your stupidity, I wouldn't
have followed you two all day. (He walks up to Inga. She avoids his
gaze.) I knew you'd try something ridiculous.
(Inga looks up, indignant.)
Inga: But she met Haddy at the Bier Hall and then at the church.
She could be jeopardizing our whole operation.
Eiger: I know that! (He directs his gaze to Ortiz and walks
closer. Ortiz refuses to look his way.) What I'm really surprised at
is you, Ortiz. Why did you let her do it?
Ortiz: I'm not sure.
(Angry, Eiger turns away and walks over to Inga.)
Eiger: Well, that is a reassuring answer.
Inga: Why don't we kill both? The King woman and Haddy?
Eiger: Because, my dear Inga, I want her to come to my soirée
tonight. (She purses her lips and looks away. Eiger walks past her.)
As to our friend Haddy, he's gone underground for your botched attempt
to kill Mrs. King. And now you are going to find him. Either you find him
or I'll find you.
(He turns and leaves the room. Inga and Ortiz exchange glances and
shift uneasily.)
(The Nümfenburg castle. Amanda and Lee walk by it, with Amanda
gazing around in awe and taking in all the sights. Lee is stiff and businesslike.)
Amanda: The Nümfenburg castle. Now I'll have to remember
to bring Mother and the boys here, it's one of the most beautiful places
I've ever seen. (She turns to Lee.) You hardly even looked at it.
Lee: Huh? Oh, I spent the summer here once.
Amanda: At the castle?
Lee: Yeah.
Amanda: Doing what? (Lee just looks at her and they continue
walking.) I know, I know. I guess I don't want to know.
(Lee and Amanda walk right up to Billy and Francine, who have been
waiting patiently.)
Lee: Billy? (Billy and Francine turn to him.) What's
up?
Francine: Matthew Hearns is supposed to be at the baron's party
tonight.
Amanda: Ooh, the symphony conductor.
Billy: Except he left his baton at home this trip. Now he's
traveling Europe as an American goodwill ambassador.
Francine: And he's not the only prominent American in Munich
right now. Randolph Benton --
Amanda: Aid to the president.
(Francine clearly does not enjoy being interrupted by a mere civilian.)
Francine: Right -- is also going to be in town tonight, and
--
Amanda: Uh, Jason Steiron, the playwright. (The three agents
stare.) Well, I--I read about it.
Billy: All right, listen up, people. There's going to be an
attempted assassination sometime tomorrow. Possibly before nightfall, that's
the only clue we have.
Lee: And Haddy Kemp is still in a lot of danger. We don't have
much time left to get him out.
Amanda: Yes, and let's not forget that he does have a little
boy at home waiting for him.
Lee: I'm sure none of us are forgetting that fact, Amanda.
Amanda: Well, I'm sure we're not, but I just wanted to remind
us because family is very important.
Billy: All right, we're going to have to cover all the bases
we have here. Scarecrow, you and Amanda go to the Baron's party. (Lee
nods. Amanda looks to Lee, somewhat shocked.) Keep an eye on Matthew
Hearns. I'll cover Randolph Benton and Francine, you stay close to Jason
Steiron. Any questions?
Amanda: Uh, sir, I have a problem. I can't go to the party.
Billy: Why not?
Amanda: Well, I assume it's black-tie and I --
Francine and Amanda: Didn't bring a gown.
Amanda: No, sir, I didn't.
(Francine stares at her.)
Francine: How can you come to Europe without bringing a gown?
Amanda: Well, I didn't expect to meet a baron. You see, I didn't
know that I was here on Agency business. If I had known that I was here
on Agency business, I probably would have brought a gown, but I. . . .
(She shrugs. Francine smiles smugly at Billy.)
Francine: Well, it's okay because I'm here on business and I
brought a gown. Good thing, huh? Because I'm ready for anything.
Billy: It is a good thing, too, because you're going to lend
your gown to Amanda.
Francine: Uh, no, Billy, I don't think that's a good idea, I
mean, we're talking about an original gown here. I mean, this is three
months' salary and besides, it wouldn't fit Amanda at all.
Amanda: Yes, sir, I really --
Billy: Nonsense, a few nips and tucks here and it will fit fine.
And Amanda will take good care of it, won't you, Amanda?
Amanda: Yes, sir.
(Billy takes Francine off. Amanda turns to Lee and shrugs. He leads
her off in the other direction.)
(That evening in Amanda's hotel room. As the boys lounge in the couch
watching TV and Dotty is at the table, Amanda runs in, wearing Francine's
gown and finishing with her earrings. She sits opposite Dotty and pulls
on her shoes.)
Dotty: Who did you say the friend was that lent you that wild
outfit?
Amanda: Oh, uh, I didn't, Mother.
Mother: Was this that friend from home that you met in Munich?
Amanda: Well, she's not a close friend.
Dotty: You see? First you meet a businessman friend, then you
meet a friend that lends you a wild outfit, and then you meet a baron.
(Phillip
and Jamie lean over the back of the couch. Jamie hands Amanda a video camera.
Amanda holds up the pieces and attempts to put them back together.)
You do have the touch, Amanda. Your grandmother, she met a lot of men.
(Amanda, chuckles, embarrassed.)
Amanda: Well . . .
Phillip: Mom, can we go see the glockenspiel tomorrow again?
Amanda: You want to see it again tomorrow?
Phillip and Jamie: Yeah!
Amanda: We can see it again tomorrow. (The boys cheer. Amanda
puts the camera down on the table.) I'll fix this for you tomorrow,
sweetheart. (She kneels on the floor and faces the boys.) Good night.
Give me a kiss. (They smooch loudly.) Look, I want to tell you something.
I am very lucky to have you both. And I love you very, very much.
Phillip: Ma?
Amanda: Hm?
Phillip: How come you're getting so mushy?
Amanda: That isn't mushy. This is mushy!
(She grabs them and wraps them in a big hug and kiss. Dotty looks
up.)
Dotty: Amanda, can I ask you something? Do you think they have
stamps this late at night?
(Amanda cranes her neck and catches sight of the address. Her jaw
drops and she waddles over on her knees.)
Amanda: Mother! You're writing Beatrice Norton? I thought you
couldn't stand Beatrice Norton.
Dotty: You're right. I can't. That is why I'm writing her, telling
her that I won a contest, sending my whole family to Munich. (Amanda
turns away, hiding a smile.) That's why I'm doing it. She'll be so
terribly jealous. I mean, you don't mind if I tell a little white lie and
say that I won the contest?
Amanda: No, Mother.
(Dotty turns back to her letter.)
Dotty: I'm also telling her that you're engaged to a baron.
(Amanda whips her head around.)
Amanda: Mother!
(Dotty raises up her hands, surrendering.)
Dotty: All right! All right. Just . . . dating a baron.
(She smiles. Amanda stands up, collecting the postcards and letters
on the table.)
Amanda: Of course. Goodnight.
Dotty: Goodnight.
(She gives her mother a kiss on the cheek and walks out.)
Amanda: Goodnight, fellas!
Phillip and Jamie: Goodnight!
Dotty: Don't lose Beatrice's card!
(Eiger's estate. Amanda walks in with Lee on her arm. She nods to
the butler)
Amanda: Thank you very much. (She accepts a drink from a
maid.) Oh, thank you.
(Eiger strides up to them.)
Eiger: Amanda!
Amanda: Hello!
Eiger: You look enchanting.
Amanda: Oh, how wonderful to see you, baron. (She offers
Eiger her hand. He takes it and kisses it.) Baron Klaus van Eiger,
this is my friend Lee Stetson. He's a businessman from America.
(The men shake hands.)
Eiger: How do you do?
Lee: Nice to meet you. Baron, this is quite a beautiful home
you have here.
Eiger: How nice of you to say, Mr. Stetson. You must see my
collection of antique vases.
Amanda: Oh.
(He leads them off a little way to a vase, which he holds up to
show them.)
Eiger: I traded three horses and a backpack for this beauty
in a small town at the tip of the Ivory Coast. (He reaches for Lee's
jacket and picks something off it.) Lint.
(He places the vase back on its stand.)
Lee: Don't know how I could have missed it.
(Amanda raises her glass and picks out the piece of lint which fell
into it when Eiger picked it off of Lee.)
Eiger: You must excuse me. Madame Dupris has arrived. I must
see to her. Mr. Stetson, Amanda, my house is your house.
Amanda: Uh, thank you very m-much, Mr. Baron. (Eiger smiles
at her and walks away. Amanda turns to Lee.) What did you think of
the baron?
Lee: A little compulsive.
(He leads her around the corner.)
Amanda: He notices even the tiniest piece of lint.
Lee: Yeah.
Amanda: Mm-hmm.
(All of a sudden, Lee stops and stares straight ahead.)
Lee: Hold it, hold it, hold it. There he is. Matthew Hearns.
(Amanda
follows his gaze to a gray-haired, dignified man speaking to a small group
of people. An elaborately-dressed woman is on his arm.) Look, Amanda,
why don't you get rid of the woman?
Amanda: Get rid of the woman?
Lee: Just get rid of the woman.
(Amanda nods, a little uneasy.)
Amanda: I'll get rid of the woman.
Lee: All right.
(Amanda turns, takes a deep breath, and marches off toward Hearns
and the woman. The woman is deep in a conversation with him in German.
Amanda waits a few seconds, then interrupts.)
Amanda: Excusez-moi? (The woman keeps talking. Lee rolls
his eyes.) Excusez-moi?
(The woman stops and smiles pleasantly at her.)
Woman: Achtung?
Amanda: Hello.
Woman: Hello.
Amanda: Oh, English.
Woman: Yes.
Amanda: Well, there is a very handsome man in the hall and I
think he's looking for you.
Woman: For me?
Amanda: I think so.
Woman: Oh, how wonderful!
Amanda: In the hallway, there's a small group of people.
Woman: Thank you.
Amanda: Yes. You're welcome. Goodbye. (The woman walks off,
nodding to Lee as she passes him. Lee walks over to join Amanda and Hearns.)
Mr. Hearns? Please forgive me, I'm such a great admirer of yours. Amanda
King.
(She shakes his hand.)
Hearns: It is my pleasure, I assure you, Amanda.
Amanda: Oh, thank you very much. (Lee clears his throat.)
Oh! And, this is a friend of mine, Lee Stetson.
(They shake hands.)
Hearns: How are you? Good to see you, sir. I have to tell you,
it's nice to hear American voices, and by the way, thanks for rescuing
me from the Countess.
Lee: It's always a pleasure to help a fellow American in trouble.
Hearns: Well, I appreciate it.
Amanda: Oh! Uh, well, you're the goodwill ambassador to Europe
now, aren't you, sir?
Hearns: That's right.
Amanda: Well, that must be wonderful.
Hearns: Well, as the song says, it's nice work if you can get
it. (Amanda chuckles.) But unfortunately, one of the drawbacks is
that there's so much to do, so little time to do it. As a matter of fact,
I have to prepare a speech for tomorrow night. So if you'll excuse me,
I'll say goodnight to the baron.
Amanda: Certainly.
Lee: If you don't mind my asking, just how is your schedule
for tomorrow?
Hearns: Well, in the morning I'm making a speech at the glockenspiel,
after the puppets' dance.
Amanda: Oh, my boys just love the puppets' dance.
Hearns: So do I. I guess I'm still a kid at heart. (Amanda
and Lee chuckle.) Well, again, many thanks. Nice to see you.
(He holds out his hand. Amanda shakes it.)
Amanda: Oh, very nice to meet you, sir, Mr. Hearns.
(Lee takes his hand next.)
Hearns: Mr. Stetson.
Lee: Good luck.
Hearns: Thank you, sir.
(Hearns walks away.)
Amanda: Oh, he's a nice man, isn't he?
Lee: Yes, yes he is. Now, look, Amanda, I want you to stay here
and mingle with the crowd. I'm going to take a look around.
Amanda: Mingle?
Lee: Yes, mingle.
Amanda: All right, I'll mingle. (Lee smiles and walks away.
Amanda looks around. She raises her glass to someone.) Hello.
(Just outside the party, Lee enters the hallway and shuts the door
behind him. He glances around, then quietly climbs the stairs. He is greeted
at the top by Inga and her gun.)
Inga: Lost your way?
(Behind him at the bottom of the stairs, Ortiz emerges and watches
from his angle.)
Lee: No, no, I was looking for the little boys' room.
(Ortiz motions with his pistol.)
Ortiz: It's down here.
(As Lee turns to look, Inga raises her gun and brings it down on
his head, sending him flying into the wall. He tumbles down the stairs
and lands in a heap at the bottom.)
Inga: Ortiz, get the King woman.
(She steps down a little bit, a cold, cruel look on her face.)
(The next morning at the estate. Lee and Amanda are tied up to chairs,
back to back. Ortiz is guarding them, playing his penny whistle. Lee groans.)
Amanda: Does your head still hurt?
Lee: Hurt is not quite the word I'd use.
Amanda: How about throb?
Lee: Yeah, good word.
(He glances over at Ortiz, relentlessly playing the same tune.)
Amanda: What am I going to tell Mother? She must be worried
sick. I didn't come home all last night.
Lee: Yeah, I know that.
Amanda: I didn't even call.
Lee: Tell her you were tied up.
Amanda: That's not funny.
Lee: But it's true.
(Suddenly the door opens and in stalks Eiger.)
Eiger: Ortiz, silence the flute. (Ortiz instantly stands
and puts the flute away. Lee and Amanda look up at Eiger.)ÝI'm so sorry,
my dear, for the inconvenient way you had to spend the night.
Amanda: Then maybe you'd consider letting us go. (She looks
up at him, hopeful. He just stares back. She sighs and drops her head.)
But I doubt it.
(Inga walks up briskly behind Eiger. He turns to her.)
Inga: We've located Haddy. He was seen in Bogenhausen.
(Amanda and Lee look up. Ortiz motions to them.)
Ortiz: What about them? I don't know if we should leave them
unguarded.
Inga: Let me kill them.
Eiger: Inga, you're truly amazing. Did it ever occur to you
that we might get some valuable information from them first? I assure you,
when the time has come to kill them, you may have the pleasure. (to
Ortiz:) Make sure their binds are tight, Ortiz, and lock the door from
the outside. They won't be going anywhere in the short time we're gone.
(He leaves, with Inga close behind. Ortiz walks around the chairs,
examines the ropes, and then jogs after Eiger and Inga, making sure to
close and lock the door behind him. When he's gone, Lee frantically looks
around for something to use.)
Lee: All right.
Amanda: Lee, I'm scared.
Lee: I know, I know. (He catches sight of the antique vase
that Eiger had shown off to them.) We're going to get out of here.
Do you see that vase?
Amanda: Ming dynasty, probably very expensive.
Lee: Yeah, well, not anymore. You think you can wiggle over
there with me?
Amanda: Yes.
Lee: Okay. Go! (They both start wiggling and jerking, inching
over to the vase.) Yeah. That's it. Come on. Keep going. Keep going.
Closer.
Amanda: Jamie and I did the three-legged race in potato sack
bags.
Lee: Come on, closer.
Amanda: Almost like this.
Lee: Come on, a little more. A little more! Closer, that's it.
(They
stop inches away from the vase.) All right, now, look at me. Press
your head against the pedestal, come on. (They both place their heads
against the base.) All right. Now squeeze hard. Squeeze against me.
All right? Now pull. (Amanda does so, moaning about the pain in her
head.) Pull towards us! (The stand tilts and the vase slowly slides
off.)ÝHold it! (They stop and the vase falls to the floor, shattering.
Lee watches it, then gazes forward.) All right, now brace yourself.
We're going to tip over. Try to soften the blow with your shoulder.
Amanda: Soften the blow with my shoulder?
Lee: Here we go! (They fall. Amanda shouts. When they land,
Lee tries to prop himself up.) Are you okay?
Amanda: I think so. I heard something rip.
(Lee is scanning the floor around him.)
Lee: Let's see if I can get a sharp piece here.
Amanda: I'm glad I wore the pants instead of the gown. (Lee manages
to grab onto a sharp piece of porcelain. He twists his arm around and begins
sawing at the rope.) Is this going to take long?
(Lee stops and looks at her.)
Lee: I'm trying as fast as I can.
Amanda: Oh.
(He resumes cutting the rope.)
Lee: There, I think I can get it. There, it's going. (The
rope frays and finally comes apart.) There.
(He frees one hand and uses it to untie the other.)
Amanda: I suppose I'm next.
Lee: Yeah.
(A little later, a taxi pulls up outside Emmerams Mueller, which
is a little outdoor German cafe. The door opens and Lee and Amanda climb
out. Lee leans in the window and says some German to the driver. Then he
turns to Amanda.)
Lee: You, too.
Amanda: What?
Lee: Wait here. I'm going to go get Haddy. (Amanda nods and
watches him go. Just then, a black car arrives and parks. Ortiz and Inga
get out. They casually walk, looking around. Back at the cab, the driver
looks over at Amanda. She shrugs and they both go back to watching Lee.
Lee stops and gazes around at all the tables, searching. He spots Haddy
at one in the background. He walks over.) Haddy, come on.
(Haddy stands up. Lee takes his arm and begins walking him to the
cab.)
Haddy: Lee?
Lee: They know you're in Bogenhausen, we've got to move fast.
(Haddy has heard enough. He walks faster than Lee. Unfortunately,
Ortiz and Inga spot them. They whip out their guns. People scream and dive
out of the way as shots are fired. Lee drops to the ground, yanking Haddy
with him. Amanda ducks behind the cab. The driver gets in and shuts the
door. Ortiz and Inga just stand there, steadily shooting bullets. Lee and
Haddy poke their heads up from behind a table. They see everybody running
away, screaming. The cab driver also speeds away as Amanda pleads with
him, jumping out of the way before he drives over her toe. Lee and Haddy
use the distractions to stand and run away. Amanda hides behind a dumpster.
Ortiz and Inga lower their guns and split up. Inga hides behind a pile
of barrels, waiting for Lee and Haddy to turn the corner. Ortiz chases
right after them. Amanda, trying to watch Lee, loses her footing. The dumpster
starts to roll. She shouts and jumps off. Inga looks up at the dumpster
that is headed straight for her. It crashes through the barrels and slams
against the wall. At that moment, the police arrive, lights and sirens
going. Amanda goes to the second dumpster and grabs onto that one, more
careful this time. Lee hears the sirens and pauses.)
Lee: Haddy, hold it!
(Haddy does. They turn and look as Ortiz appears from around the
corner. He looks around. Lee seizes the opportunity to pull Haddy down
behind a rock. Around the front, Billy steps out of a cruiser and looks
around. Back to Lee and Haddy, Ortiz, holding out his gun, creeps closer.
They try not to make a sound. Lee shifts his weight. Just before Ortiz
is about to find them, Billy runs out from the other direction, followed
by two policemen. Ortiz runs. The men hold out guns.)
Billy: Halt!
(Of course, Ortiz doesn't. Lee stands up, glances back at Billy,
and then runs after Ortiz. He chases him back to the front of the cafe,
where Ortiz jumps on a police motorcycle and speeds off. In the back, Haddy
has stood up and he watches Billy and the men race past him. They get to
the front in time to see Lee mount his own hog and ride off after Ortiz.
The police scatter. A couple of them retrieve an unconscious Inga from
between the dumpster and the wall.. Meanwhile, Lee and Ortiz are speeding
on a dirt road. Lee turns a precarious corner and then follows Ortiz off
the road and up a skinny trail into the woods. They go bumping down some
stairs, Ortiz wobbling a little bit. Lee is right on his tail. Ortiz soars
over a bump and lands a clearing, still zooming. Lee follows suit, getting
even more air and never losing sight. Ortiz glances over his shoulder and
sees Lee gaining on him. The chase continues into a field, the gap between
them widening and then shortening again, until Lee is neck and neck with
him. He leaps off his bike and tackles him, pulling him to the ground.
He stands up, pulls Ortiz to his feet, gives him a couple good punches
and sends him down again. Just he is lifting him to his feet to do it again,
a siren screams. A police car screeches to a halt beside the field. The
officers rush out to Lee to apprehend Ortiz.)
Lee: I'm an American agent. Hold him for me. I'll be back.
(He leaves Ortiz with the men and rushes back to his bike, which
is lying on its side nearby. He mounts it and rides back to Billy and Amanda.)
(At the cafe, officers are still cleaning up when Lee comes zooming
into view. He stops, gets off, and marches over to Billy. They both walk
over to where Amanda is standing nearby with Francine and Haddy.)
Lee: Everybody okay?
Billy: Yeah. What happened to Ortiz?
Lee: Don't worry, he's in good hands.
Billy: All right, listen up, everybody. Jason Steiron left Munich
last night. Now, Matthew Hearns leaves before nightfall. Now, that means
the assassination victim has got to be Randolph Benton, the aid to the
president.
Haddy: That's exactly what the baron wants you to think. It's
the obvious choice, but it's not right. I'm convinced that Matthew Hearns
is the target. The goodwill ambassador?
Lee: His Royal Neatness is the backup assassin, then.
Haddy: Sure. The baron, above all, has a sick sense of humor.
Nothing would please him more than to kill a goodwill ambassador. Please,
trust me on this.
Lee: Matthew Hearns is at the glockenspiel right now. He's supposed
to make a speech right after the puppet dance.
Francine: Yeah, but then he leaves Munich.
Haddy: Yeah, yeah, I know the timing's not right. But I know
that Matthew Hearns is the target.
Billy: Can you tell us anything else before you get on the army
transport plane?
Haddy: I was forced to go underground ó
(All of a sudden, Amanda speaks up.)
Amanda: It's not the kind of night that falls when it gets dark!
It's the kind of knight that wears armor!
(They all stop and stare at her. Lee understands.)
Lee: The glockenspiel!
Amanda: Yes!
Lee: That's it! That's it, the jousting knights! He's going
to be assassinated when the Bavarian knight knocks over the red and white!
Amanda: Mother and the boys are there and the chimes are so
loud you could never hear a gunshot.
Lee: Okay. (He turns to leave. She follows him. He stops
her.) No, no, no!
Amanda: Lee! (She takes a breath and looks at him, speaking
slowly and deliberately.) Mother and the boys are there.
(Francine drops her arms, stunned. Billy stares.)
Lee: Oh, all right, all right. Come on.
(He runs off to his motorcycle, dragging Amanda behind him. He climbs
on and she gets on behind. With her clutching his waist, they speed off
to prevent the coming assassination. Amanda shouts when Lee pops a wheelie.)
Amanda: Gosh, put it down!
Lee: Just hang on!
(At the glockenspiel, a crowd is assembled on the street, watching
the puppets dance. Hearns is standing at the podium, shaking hands with
people, preparing to give his speech. Eiger is standing nearby, glaring
at Hearns. As Lee and Amanda approach, the end of the puppet dance gets
closer and closer. People honk at the speeding motorcycle. Hearns checks
his watch. Eiger pulls off the tip of his cane, revealing a gun. Lee rides
into the center of the crowd. They climb off the bike just as the knights
in the clock ride toward each other. Lee scans the crowd. Amanda spots
Eiger in a corner of the glockenspiel above Hearns. She points.)
Amanda: Lee!
(Lee sees him too. He runs off. Eiger concentrates on the knights.
As one starts to fall, he raises his cane and aims at Hearns. Just as he
is about to fire, Lee climbs up to the balcony where Eiger is standing
and grabs the gun. He shouts to the innocent bystanders on the balcony.)
Lee: Get out of the way! (At this point, Hearns and the other
gentlemen turn around to see what's going on. They watch as Lee throws
the gun to the floor and punches Eiger a few times in the stomach and face,
then delivers a nice high kick to the chin. Eiger goes down. Lee lifts
him up by the lapels of his jacket.) Nothing to worry about, old boy.
(He carefully removes something from his jacket.) Just a piece of
lint. (German police officers show up and they grab Eiger from Lee.)
Take him. (He walks off. As the knights disappear from view, he saunters
up behind Amanda.) Well, did you spot your mother and the boys?
(Amanda points.)
Amanda: They're right over there.
(She watches Dotty gather up the boys and leave, the excitement
over. Lee turns to where she is pointing.)
Lee: Where? (All he can see is a empty spot in the crowd.
While he is turned, Amanda ducks away and runs after them. Confused, Lee
turns back to find her gone. He stares for a second, then turns around
and grins.) Hey, I'm supposed to do that.
(Later that day, Amanda is back in normal clothes and walking with
her family around Munich, Dotty carrying enormous shopping bags. They walk
into an outdoor restaurant.)
Amanda: Mother, there really is a good reason why I didn't come
home last night.
(Dotty calls to Phillip, who is running ahead. She leads them all
to a table.)
Dotty: Come here, honey. (to Amanda:) I'm sure there
is, dear.
Amanda: Well, there really is.
Dotty: Yes, honey, you're a big girl, you don't owe me any explanation.
Amanda: Thank you, Mother.
Dotty: You could have called.
Amanda: I should have.
Dotty: Yeah, but you didn't.
Amanda: I was tied up.
(They sit at the table. Dotty sighs and turns to Amanda.)
Dotty: Amanda, look. If you don't have your memories, you don't
have anything.
(She folds up her newspaper.)
Amanda: Mother, it's not what you're thinking.
(Dotty folds her arms and looks her in the eye.)
Dotty: You're too young to know what I'm thinking. (She looks
up and tries to signal a passing waiter.) Could I get something?
(Amanda sighs and looks away. Something catches her attention. She
turns back to Dotty and holds up her camera.)
Amanda: Mother, I'm just going to grab a couple of pictures
of that statue over there, I'll be right back. Would you order some mineral
water for me?
Dotty: I sure will. All right, what do you want, boys?
(Amanda stands up and walks away, strolling past the tables. She
turns a corner and walks past one man sitting by himself at a table. The
man stands up and walks with her. It's Lee.)
Lee: I just thought you'd like to know that Haddy got off all
right.
Amanda: Oh, that's good.
Lee: He's back in the States right now with his little boy.
Amanda: Great.
Lee: Yeah, and some of the information that he's giving us is
turning out to be pretty valuable.
Amanda: What about the baron?
Lee: Ah, yes, the baron. Our good friend and lint-picker. Turns
out he was a major financier for terrorist activities all over the world.
I hope he and his friend enjoy prison food. They're going to be eating
a lot of it.
(Amanda laughs.)
Amanda: Could I ask you one question?
Lee: Yeah.
Amanda: How did you rig it so that I would pick the right coffee
can off the right shelf at the right time?
Lee: Uh, you didn't.
Amanda: I didn't?
Lee: No, we did.
Amanda: How?
Lee: Well, you remember the boxboy dropping the can and it rolled
under the counter? (Amanda nods.) Well, he switched it with the
contest can. You see, we know what brand of coffee you buy, so we had a
substitute can ready.
Amanda: You mean the boxboy is an agent?
Lee: And the cashier.
Amanda: Gosh. That used to be a simple neighborhood grocery
store. Well. . . . Look, would you do me a favor? Would you not put any
more winning contest tickets in my coffee cans?
Lee: You got a deal.
Amanda: Thanks very much.
(She turns to leave, but stops when Lee speaks.)
Lee: But I'd keep my eye open for the breakfast cereal boxes.
(Amanda glares at him. He bursts out laughing.)