On
deck for a little while now, Steve Niles and Kieron
Dwyer’s Remains finally gets up to bat in May from IDW. We
tracked ‘em both down for a quick chat and look at some of issue #1.
If
you’ve read the press release for the five issue miniseries, you’ve
already got the gist of things – the world’s been overrun by zombies,
and two people in Reno, Nevada may just be the only normal humans
left.
“In this particular chapter of the story
we’re focusing on what is happening in Reno Nevada and the relationship
between a blackjack dealer and a stripper who had a one night stand
and are now forced to survive together in a world - you guessed
it- overrun by zombies,” Niles said. “We have these two lovely people;
Tom the blackjack dealer who is at best working at half speed, not
the brightest bulb, or as I like to say ‘not a reader’. Tori
is a stripper/waitress who finally gives
in to Tom’s awkward advances and because of this survives an earth-shattering
radioactive accident.”
Unlike
say, a 28 Days Later or The Walking Dead, Niles and
Dwyer are going to go into detail about “the other side of the story.”
That other side being,
of course, the zombies.
“We’re also going into detail about how the accident happened, who
was the cause and what will happen as a result,” Niles said. “It’s much
more than the typical story because we’re telling the zombie’s side
of the story.”
For Niles, Remains extends his envisioning
of another horror staple, this time into zombies and the undead,
and like his other dances with classic horror archetypes (vampires
in 30 Days of Night and the monster created by science in
Wake the Dead), he feels that these creatures and larger
story speak to the unconscious.
“Zombies can represent two
sides of our fear,” Niles said. “One is that helpless
end of the world fear, the ‘I’m alone and the world is gone’ fear
and then there’s also the ‘beaten, disemboweled and eaten by a mindless
mob’ fear. I think zombie represent true loss of control whether
as one of the living dead or a victim. Either way it’s pretty scary.”
While
the upswing in zombie fiction and entertainment hasn’t gone unnoticed
recently by pop culture pundits, Niles puts aside the
idea that the culture is embracing zombies as a means of confronting
a particular fear, while espousing that the current times are ripe
for both horror and fantasy.
“We as humans like to confront our fears on some
level whether it’s through extreme sports, rollercoaster or watching
a horror movie,” Nile said. “We’re living through times like that right now and
there’s a surge in horror and fantasy in the mainstream.”
Press him, and Niles does go for the
idea that zombie entertainment in particular may be popular right
now as we’re seeing larger and larger groups within the culture
– people who are, in a sense, becoming “zombies” in that they no
longer think for themselves, but rather accept what is told to them.
But then again, that may be over examination.
Niles found a kindred
spirit in artist Kieron Dwyer, for whom
Remains will mark a return to horror – a genre he hasn’t
revisited in years, since he last painted a story for Hellraiser.
“Steve was really
into Last of the Independents, my 2003 AiT
graphic novel, written by Matt Fraction, and we wanted to work on
something together, and then he said he had an idea for a zombie
book. That sounded like something up my alley, so we were off. When
I did the original promo piece for the series so IDW could promote
it at San Diego last year, I had a blast, and I knew we were going
to do something that kicks ass. Before I began drawing the book,
I watched a bunch of zombie movies to get into the mood. Dawn
of the Dead is still the best one I've seen. The remake looks
interesting too, but I think Romero's stuff has the right blend
of horror and humor. Hopefully the black humor element of Remains
will be apparent to readers, too. And, of course, I hope it creeps
the bejeezus out of them at the same time.
“I'm
trying to pay homage to what's gone before, especially Romero's
seminal work, but I'm also trying to go as gruesome as possible,
especially as the series goes on. One of our twists on the whole
zombie thing will ultimately lead to some pretty horrific looking
things walking around, so hopefully people will dig that. It's certainly
fun for me, because I like drawing people who aren't Hollywood good
looking like Superman and the like. I like characters with age lines
and life on their faces. Zombies are about the most weathered, decayed
looking creatures around so there can almost never be too many lines
on them. I like that. And Harper Jaten
is doing a kick ass job on the coloring. Really emphasizing the
gory, desiccated feel of the story and the gritty art style I'm
using for this book.”
The working relationship
between artist and writer for Remains…well, given the preferred
subjects the two like to work on, it kind of resembles a touch of
zombie one-upsmanship, something that,
when completed, will fit in somewhere between being burned by churches
and the Nevada Gaming Commission.
“We
had a number of conversations at the start where we just shot ideas
around and talked about what zombie stuff we liked and what worked
and what didn't,” Dwyer said. “Then Steve sent me the basic outline
and we talked a bit more. Next thing I knew, he had the script to
issue #1 and I got rolling. Steve's got a big bag of ideas and tricks,
so it's easy to work with what he gives me. Always lots of cool things to draw. I hope we do rub PC people
the wrong way, because I hate stuff that plays it safe, as folks
might guess from my LCD:
Lowest Comic Denominator work. But to piss off the godless folks
of Nevada would be a real coup.”
Back to the story itself, as Niles
explained, the story picks up well after the zombie plague
has started to spread. “When we first visit Reno
we see a city that has been taken over by the zombie hordes, but
we also see a Reno that has been completely
taken over by Tom and Tori,” Niles said.
“They’ve sealed the doors and locked out the dead. They’ve also
created ways of getting around town without having to get too close
to the dead.”
So already, the two have gone to some pretty extreme
lengths to stay alive.
“Survival
is second nature and I think zombie movies play that out,” Niles said. “You can always
rely on the fact that people with kick and scream and try to stay
alive well passed the point where other animals would have just
laid down and taken their beating. In Tori’s
case I don’t think the zombie plague has affected her world view
at all. She’s been fighting for survival her whole life. The fact
that men now want to eat her flesh instead of just gawk at it or
touch it hasn’t affected her that much. Basically, Tori
and Tom are just trying to figure out how to get through a day without
killing each other and part of the story is about how they decide
what to do next and when to do it.
“Remains
is a constantly growing snowball of
zombie infestation. Everything changes; Tom, Tori and the living dead themselves all go through major changes
throughout the story and none of them – even the zombies - will
be the same.”
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