Issue 14.07 - July 2006 Subscribe to WIRED magazine and receive a FREE gift! |
Director General
Story Tools
Story Images
Rants + Raves
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START
- MLB.com levels baseball’s playing field
- The 1,350-hp, jet-turbine Beetle really flies
- Phew! The best apocalyptic near-misses.
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PLAY
- Sufjan Stevens’ avalanche of odes to Illinois
- A mecha makeover for Japanese monster flicks
- Online craft faire – Linux blankie, anyone?
- Meet your next favorite game guru
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POSTS
- Monk ebusiness
- Superheroes go ape for Stan Lee
- Lessig examines Al Gore’s Inconvenient Truth
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In Matthew Barney’s universe, petroleum jelly is the new duct tape. The shape-shifting substance with a million uses has been integral to the multimedia artist’s 20-year exploration of transformation and sexuality. Most recently, Barney – a chameleon in his own right – appears as General Douglas MacArthur, the American shogun of occupied Japan, in the short film Drawing Restraint 13. It plays this summer at SFMOMA’s full survey of his ongoing Drawing Restraint project, the source for his iconic Cremaster series. The vignette is an extension of Drawing Restraint 9, the recently released epic in which Barney and partner Björk portray the “guests” on a supernatural odyssey aboard a Japanese whaling ship. It features a soundtrack by the avant-pop diva. Barney, whose crew works on f/x blockbusters like King Kong, is editing one of his live SFMOMA performances into yet another film for the show, which runs from June 23 to September 17.
- Todd Jatras