Master film editor Walter Murch, whose 16-month edit of the movie version of “Cold Mountain” cut a compelling throughline across half a million feet of accumulated footage, talks about how he approaches film editing and why he chose to cut this $80 million picture on Final Cut Pro.
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“In ‘Indiana Jones,’ we removed dirt from every frame or two,” says master digital restorer John D. Lowry. “But for a typical old movie, you’re talking millions of pieces of dirt.” |
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| Most of the time, “The Splendid Table” is produced in Minnesota Public Radio studios in St. Paul. But sometimes technical producer Nick Kereakos takes the studio to the field. |
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