Calypso

LP mono RCA LPM-1248  
LP pseudostereo RCA LPE-1248  
LP RCA AYL1-3801  
LP RCA 741.006 France
LP RCA 430.212 France
LP RCA Int. NL-13801 The Netherlands
LP Victor SHP-5095 Japan
LP Victor RCA-5119  
LP Victor LS-550 10"
LP RCA A10V-0102 10"
LP RCA RD-27107 UK
LP RCA L-10244 Australia
CD BMG 7863-53801-2  
CD BMG BVCP-8001  
MC RCA NK-13801 The Netherlands
MC RCA PK-1982 Canada
Reel to reel RCA BP-48  

lpm1248.jpg (21445 bytes)
LPM-1248


430.212


741.006

NL-13801

PK-1982
 
All A10V-
0102
LS550    
A1 A1 A1 Day O 3:02
A2 A2 - I Do Adore Her 2:48
A3 A3 A2 Jamaica Farewell 3:02
A4 A4 - Will His Love Be Like His Rum? 3:02
A5 A5 - Dolly Dawn 2:48
B1 B1 B1 Star O 3:31
B2 B2 B2 The Jack-Ass Song 2:52
B3 B3 B3 Hosanna 2:34
B4 B4 B4 Come Back Liza 3:03
B5 - A3 Brown Skin Girl 2:43
B6 B5 A4 Man Smart 3:31
With Tony Scott and his Orchestra and Millard Thomas on guitar. Back cover text written by William Attaway.
This is the album that made Harry Belafonte's career. Up to this point, calypso had only been a part of Belafonte's focus in his recordings of folk music styles. But with this landmark album, calypso not only became tattooed to Belafonte permanently, it had a revolutionary effect on folk music in the 1950s and 60s. The album consists of songs from Trinidad, mostly written by West Indian songwriter Irving Burgie (aka "Lord Burgess"). Burgie's two most successful songs are included: "Day O" and "Jamaica Farewell" (which were both hit singles for Belafonte), as are the evocative ballads "I Do Adore Her" and "Come Back Liza" and what could be the first feminist folk song, "Man Smart (Woman Smarter)." Calypso became the first million-selling album by a single artist, spending an incredible 31 weeks at the top of the Billboard album charts, remaining on the charts for 99 weeks. It triggered a veritable tidal wave of imitators, parodists, and artists wishing to capitalize on its success. Years later, it remains a record of inestimable influence, inspiring many folk singers and groups to perform, most notably the Kingston Trio, which was named for the Jamaican capital. For a decade, just about every folk singer and folk group featured in their repertoire at least one song that was of West Indian origin or one that had a calypso beat. They all can be attributed to this one remarkable album.

Despite the success of Calypso, Harry Belafonte refused to be typecast. Resisting the impulse to record an immediate follow-up album, Belafonte instead spaced his calypso albums apart, releasing them at five-year intervals in 1961, 1966, and 1971. ~ Cary Ginell, All Music Guide