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Around the States in Eighty Days
Being an irregular and erratic account by the Greedy Bastard himself as he sets out to traverse America on a comedy tour.

Day Seventy. Victoria's Secret.

Wednesday, December 10, 2003 - Fillmore, San Francisco.

My wife came to visit me here in San Francisco. I had to run out to Victoria's Secret and buy lots of sexy lingerie. It's amazing what I have to wear to attract her attention these days…

Of course she doesn't stay for the show tonight. She goes scuttling off this morning with the Williams's. I hope she gets private jet lag. Seriously she is a very nice chap. And she is coming to Vegas this weekend. We had a lovely dinner with Robin and Marsha last night at Aqua and they kept bringing us endless tasting courses. Lots of great laughs, none of which I can remember. [Not much fucking use mentioning it then is it? Ed.] Sorry. It was something to do with Bush standing next to a turkey, and saying 'I'm still President," even though the turkey got more votes. Robin formally welcomed me into the Comedians League, and officially paid for my dinner. So thanks pal.

Yesterday we pulled in to San Fran and were met by a TV crew who filmed me off my Tour bus and on to a Trolley, where a couple of game ladies dressed as Santa's helpers were very amused by me. The return trip was crammed with British tourists who were very friendly. Then an interview for the local news and a car to the much postponed Vanity Fair shoot.

CALL SHEET
Project: Monty Python
Shoot Date: Tuesday, December 9, 2003
Location: Blue Sky Studio 2325 3rd Street. Suite 434, San Francisco, CA 94107
Call Time: Talent @4:00pm

After all my kvetching the Vanity Fair shoot was a lot of fun. I thought the curse of Python was going to strike again when the Limo company called up and said the car they were sending had crashed en route, but they soon had a replacement. I don't know how top secret all this stuff is, but suffice it to say the "costume" turned out to be a coffin. It should be quite a funny spread when it's all done and I was impressed by the speed and efficiency of their whole team. They stuck me in a night shirt and a dressing gown designed by an incredibly expensive designer whose name I have already forgotten. I know, I know. I'd make a terrible gay man. I'd like to join. It's all the rage but I think I'm just too old. Who wants to read "60 year old British virgin, seeks to swap sides. 1 previous wife, 1 current. Looking for similar in the Bristol area." It just doesn't have the appeal does it?

"What a pity we don't have a night cap" I said as we admired me in my name-forgotten expensive designer night-gown. Instantly Kim Meehan, the stylist, whipped an expensive shirt off the rack, grabbed a pair of scissors and hacked it into an elegant night cap complete with tassel (pulled from a ski hat) in just a few minutes. Then she raced for the airport to fly to London to prepare wardrobe for Mike and the Terrys on Friday. The other costume I wore was a fabulous three-quarter length coat with teddy-boy velvet lapels. Very Rutles. Then they threw a bowler hat on me and handed me a furled umbrella so I suddenly looked like I was auditioning for a remake of the Remake of The Avengers. In the end the effect is kinda Renee Magritte meets Patrick McGee.

The amazingly swift and efficient photographer Art Streiber had been reading my Tour diary and opined I must write it at night since I sound so grumpy, but no, I replied, "I can be very sweet at night. I am naturally grumpy in the mornings." We immediately decide that I should have a guitar with me in my last resting place, and so one swift cell phone call to the unflappable Skip and he pulls my Baby Taylor off the bus and throws it into the back of a limo and voila we have a guitar. (It's the one Clint Black sent me to celebrate the birth of his daughter Lily Pearl.)

Diana Schmidtke, the "groomer" does her best to make me look attractive after-life and she herself is very attractive and actually quite breathtaking when she finally takes her coat off. Fabulously shaped as a matter of fact. She has a fascinating tattoo which disappears tantalizingly into her… Good job the wife was there. The trouble and strife [1] arrived at the hotel just as I was leaving and we almost made our mistiming a classic. Tania was about to enter the "up" elevator as I stepped out of the "down" elevator. Another two seconds and we'd have missed each other. I think our lives are like that. It's amazing we ever met. But she came with me to the shoot so I was able to be the target of her dry comments as they groomed me. "Stay" I say. "I can't" she says "I have workmen in."

Now the day has all gone pear shaped, as they say in England. It's 3.25 and I'm waiting for a car that hasn't shown up to take me to a live radio show which begins in five minutes at a radio station I know not which in a location I know not where. And my feeling? Anxiety? Panic? Anger? Mounting frustration? Nah Relief. Somebody screwed up somewhere, so I can sit and have a cup of tea in peace. So how was it writing Monty Python.....? Another chance not to have to answer that question.

OK, after many calls betwixt Wendy the PR person, Skip, the Concierge and the Radio Station, not one of which is actually interesting, they finally figure out the fuck up. The car was waiting downstairs for Mr. X [2], my super secret identity which they give to the hotel to protect me from the legion of panty throwing women, who would otherwise be unable to resist the impulse to call me up in the middle of the night and offer me blow jobs. So when the Bellman asked the car driver if they were waiting for Mr. Idle the man naturally enough said no. So there you go. I always thought these pseudonym things were bollocks. They largely prevent my family calling me…


Footnotes:

  • [1] Wife. Cockney Rhyming slang. Trouble and strife = wife.
  • [2] Mr. X. Not a real pseudonym but a phony pseudonym intended to conceal the real pseudonym. Which is Mr. Y. No. Shit. Bollocks. Dammit.