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Large Format: The new addiction...
      I finally decided to make the move to large format. Why? Because something about measuring the negative size in inches rather than centimeters or milimeters appealed to me. On a more serious note, I wanted to learn perspective control and perfect my technique in the most challenging of mediums. After some researching and discusion with the pros in rec.photo.equipment.large-format, I decided that I would get either a press camera or an old field camera. What I ended up with is a bit of both.

Is it a strange musical instrument, or a camera??? Here's my Busch Pressman Model D in all it's glory - note the rise, tilt, shift, and dropped bed for fall. My camera also has the typical top mounted viewfinder, but is a bit unusual in also having the side mounted Kalart rangefinder. The maximum bellows extention is about 10 inches, so the maximum lens on this camera with enough room for close focusing is a 210mm. The minimum is a 90mm.

      The Busch Pressman Model D camera is just what the name implies - a press camera from the late 1940's or early 1950's. However, the design of the camera goes beyond that of the Crown or Speed Graphics. The camera has perhaps the widest range of movements of a press-type camera, with excellent rise, fall (with the drop bed), tilt, and shift. Unlike the Graphics, the Pressman has a revolving spring back - no turning the camera for a vertical shot. I lose the flexability of the Graflok back of the later Graphics and field cameras, but as my main use for the camera is 4x5, I don't mind losing this advantage, especially since there are C2-type rollfilm holders available designed to work with spring backs. In terms of construction, the Busch again outclasses the Graphics. While the Speed and Crown Graphics use wood bodies, the Busch boasts all metal construction and weighs less than the all metal Super Speed Graphics (however, they do weigh slightly more than a standard Crown or Speed). The only true disadvantage of this camera is the lens board - rather than using a simple flat board like most 4x5 cameras, Busch uses their own design which is not easily copied - making a replacement out of a peice of scrap wood is a little difficult. Thus the general advice for owners of Busch cameras is to snag any and every lensboard you come across. Overall, I am extremely impressed with the Busch Pressman, and I would highly recommend it to anyone looking for a good starter 4x5 camera (or a solid 4x5 field camera).
     Thus far I have not actually shot very many negatives with the camera - I am currently using mostly a Polaroid 545 back with various B&W; and color Polaroid instant films. This is largely to give me instant feedback as I learn to use the camera. Here, it all its glory, is the first photo I took with the camera:

I'll admit that it's not the greatest of photos - uninspired composition aside, I forgot my meter so I was guessing exposure based on the Sunny 16 rule, and to make matters worse I developed the film for 2 minutes rather than the 60 seconds on the instructions. However, in taking the picture, I learned a great deal on how the camera worked and also learned what *not* to do (only ruining 2 sheets of film in the process...). The picture was taken at 1/50 sec @ f16 with a moderate amount of rise to adjust composition. Overall, I'm pleased with my initial results and hope to continue experimenting. I'll post more as my technique and photographs improve.


Back to Equipment Reviews

Medium Format Cameras - User's Guide to Buying and Shooting
by Peter Williams is now available from Amherst Media!! [1/2001]

Large Format Photography (F/32 Pages)
Large Format Discussion Group
Large Format Mailing List
[Ed. note: thanks to Clive Warren for suggesting these links!]