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Neal Town Stephenson (b. October 31, 1959 in Fort Meade, Maryland) is known primarily as a science fiction writer in the postcyberpunk genre with a penchant for diverting into explorations of mathematics, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired Magazine, and works part-time as an advisor for Blue Origin, a company (funded by Jeff Bezos) developing a manned suborbital launch system [1].

Contents 1 Background 2 Literary Works 3 Style 4 Quote 5 Bibliography 6 External links

Background

Born in Fort Meade, Maryland — home of the National Security Agency — Stephenson comes from a family composed of engineers and hard scientists he dubs "propeller heads". His father is a professor of electrical engineering whose father was a physics professor and his mother worked as in a biochemistry laboratory while her father was a Biochemistry professor. Stephenson's family moved to Champaign-Urbana, Illinois in 1960 and then to Ames, Iowa in 1966 where he graduated from Ames High School in 1977. Stephenson furthered his studies at Boston University, first as a physics major, then, when he found that it would allow him to spend more time on the university mainframe, Stephenson became a geography major. He graduated in 1981 with a B.A. in geography and a minor in physics. His first novel, The Big U, was published in 1984. The Big U was never popular, and for a while, was out of print. It has only recently been republished. Since 1984 he has lived mostly in the Pacific Northwest and currrently resides in Seattle with his family.

Literary Works

Although he wrote earlier novels such as the eco-thriller Zodiac, he came to fame in the early 1990s with the novel Snow Crash (1992), which fuses memetics, computer viruses, and other high-tech themes with Sumerian mythology. Averaging one novel every four years, he has written several subsequent novels:

• The Diamond Age: or A Young Lady's Illustrated Primer (1995), which deals with a future with extensive nanotechnology and dynabooks
• Cryptonomicon (1999), a novel concerned with concepts ranging from computing and codebreaking during the Second World War to a modern attempt to set up a data haven
• The Baroque Cycle, a three volume work consisting of Quicksilver (2003), The Confusion (2004) and The System of the World (2004), making a very long historical novel cycle that is in some respects a prequel to Cryptonomicon.

Though it can be argued that neither Cryptonomicon nor The Baroque Cycle constitute works of science fiction, booksellers have tended to classify these books as such.

With the 2003 publication of Quicksilver, Stephenson debuted The Metaweb, a wiki (using the same software as Wikipedia) annotating the ideas and historical period explored in the novel.

Style

Stephenson, at least in his earlier novels, deals heavily in pop culture-laden metaphors and imagery, and in quick, hip dialogue, as well as in extended narrative monologues. The tone of his books generally is more irreverent and less self-serious than in previous cyberpunk novels, notably those of William Gibson. His novels are also notable in that they are usually written in the present tense.

Stephenson's books tend to have elaborate, inventive plots drawing on numerous technological and sociological ideas at the same time. This distinguishes him from other mainstream science fiction authors who tend to focus on a few technological or social changes in isolation from others. This penchant for complexity and detail suggests a baroque writer. His book The Diamond Age features "neo-Victorian" characters and employs Victorian-era literary conceits. In keeping with the baroque style, Stephenson's books have gotten longer as he has gained recognition. (Cryptonomicon is nearly a thousand pages long and contains various digressions, including a lengthy erotic story about antique furniture and stockings).

A characteristic aspect of his books is the "breakdown in events", an acceleration in plot development, typically about three quarters into the novel, accompanied by a marked increase in violence and general confusion among the characters (and often the readers), and abrupt endings without strong conclusions, which sometimes leave the reader hanging. While many readers consider this an annoyance, there is a contingent that admires the author's ability to tie up loose ends and transact a great deal of novelistic business within the space of 20 or 30 pages. This pattern holds for all of the Stephenson-penned books except perhaps Quicksilver. However, on the evidence of The Confusion (2004), that rule may still hold if one considers The Baroque Cycle as a single work.

Quote

"The science fiction approach doesn't mean it's always about the future; it's an awareness that this is different." - Neal Stephenson

Bibliography

• Fiction:
  • The Big U (1984)
  • Zodiac (1988)
  • Snow Crash (1992)
  • Interface (1994) as Stephen Bury with J. Frederick George
  • Short story: "Spew" (1994)
  • Short story: "The Great Simoleon Caper" (1995)
  • The Diamond Age: or A Young Lady's Illustrated Primer (1995)
  • The Cobweb (1996) as Stephen Bury with J. Frederick George
  • Short story: "Jipi and the paranoid chip" (1997)
  • Cryptonomicon (1999) (Website)
  • Quicksilver (2003), volume I of The Baroque Cycle (annotated in the Metaweb wiki)
  • The Confusion (2004), volume II of The Baroque Cycle
  • The System of the World (2004), volume III of The Baroque Cycle

• Non-fiction:
  • Smiley's people. 1993.
  • In the Kingdom of Mao Bell. 1994. A billion Chinese are using new technology to create the fastest growing economy on the planet. But while the information wants to be free, do they?
  • Mother Earth Mother Board. 1996. In which the Hacker Tourist ventures forth across three continents, telling the story of the business and technology of undersea fiber-optic cables, as well as an account of the laying of the longest wire on Earth.
  • Global Neighborhood Watch. 1998. Stopping street crime in the global village.
  • In the Beginning...was the Command Line. Perennial. 1999. ISBN 0380815931. (Homepage)

External links

• Neal Stephenson's official website
• Neal Stephenson's older personal website
• Neal Stephenson Sees the Light – By David Chute, LA Weekly
• Jipi and the Paranoid Chip as it appeared in Forbes Magazine
• The Great Simoleon Caper as it appeared in Time Magazine
• Spew as it appeared in Wired Magazine
• In the Kingdom of Mao Bell 1994 Wired article
• Global Neighborhood Watch article
• HyperDig collection of Neal Stephenson links.
• Slashdot interview with Neal Stephenson
• A Conversation With Neal Stephenson
• Op-Ed Piece on Star Wars in the New York Times
• Neal Stephenson at the Internet Speculative Fiction Database