Madame de Pompadour

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Madame de Pompadour, portrait by François Boucher circa 1750
Madame de Pompadour, portrait by François Boucher circa 1750

Madame de Pompadour (December 29, 1721April 15, 1764) was a well known courtesan and the famous mistress of King Louis XV of France.

Contents

[edit] Early life

Madame de Pompadour was born Jeanne-Antoinette Poisson on December 29, 1721 in 18th century Paris. It is suspected that her biological father was the rich financier Le Normant de Tournehem, who became her legal guardian when her official father was forced to leave the country in 1725 after a scandal. Her younger brother was Abel-François Poisson de Vandières (who would later become the Marquis de Marigny). She was intelligent, beautiful, and educated; she also learned to dance, engrave and play the clavichord.

She was married in 1741 (at the age of 19) to Charles-Guillaume Le Normant d'Étiolles, nephew of her guardian. With him, she had two children, a boy who died the year after his birth in 1741 and Alexandrine-Jeanne (nicknamed "Fanfan"), born August 10, 1744. Contemporary opinion supported by artwork from the time considered Poisson to be quite beautiful, with her small mouth and oval face enlivened by her wit. Her young husband was soon mad about her and she reigned in the fashionable world of Paris.

Mme de Pompadour, pastel by Maurice Quentin de La Tour, shown at the Paris Salon, 1755 (Louvre Museum)
Mme de Pompadour, pastel by Maurice Quentin de La Tour, shown at the Paris Salon, 1755 (Louvre Museum)

Poisson caught the eye of monarch Louis XV in 1745. A group of courtiers, including her father-in-law, endorsed her as courtesan to Louis XV, who was still mourning the death of his second mistress, the Duchess of Châteauroux. In February 1745, Jeanne-Antoinette was invited to a royal masquerade ball that celebrated the marriage of the king's son. By March, she was a regular visitor and king's mistress, and the king installed her at Versailles. He also bought her Pompadour, the first of six residences. In July, Louis made her a marquise and had her legally separated from her husband; on September 14 she was formally presented at court.

[edit] Political role

Contrary to popular belief - and contemporary opinion - she never had much direct political influence, but she supported Belle Île and endorsed the Duke of Choiseul to the king. However, she did wield considerable power and control behind the scenes, which was highlighted when another of the king's mistresses, Marie-Louise O'Murphy, attempted to replace her around 1754. The younger, less experienced O'Murphy was arranged to be married off to a lesser noble and out of the royal court's inner circle.

Her importance was such that she was even approached in 1755 by Wenzel Anton Graf Kaunitz, a prominent Austrian diplomat, asking her to intervene in the negotiations which led to the 1756 Treaty of Versailles (1756). This was the beginning of the so-called Diplomatic Revolution, which ended long antagonism between France and Austria. This alliance eventually brought on the Seven Years' War, with all its disasters, the Battle of Rosbach and the loss of New France (Canada). After the defeat of France at Rosbach in 1757, she is alleged to have remarked après nous, le déluge. France emerged from the war diminished and virtually bankrupt.

However, Pompadour persisted in her support of these policies, and, when Bernis failed her, brought Choiseul into office and supported him in all his great plans: the Pacte de Famille, the suppression of the Jesuits, and the peace of Versailles that lost Canada.

[edit] Position at court

Madame de Pompadour was an accomplished woman with a good eye for Rococo interiors. She had a keen interest in literature. She had known Voltaire before her ascendancy, and the playwright apparently advised her in her courtly role. She also discreetly endorsed Diderot's Encyclopédie project. After the War of the Austrian Succession, when economy was the thing the French state needed most, she drew more and more resources into the lavish court. Her influence over Louis increased markedly through the 1750s, to the point where he allowed her considerable leeway in the determination of policy over a whole range of issues, from military matters to foreign affairs.

Her memorial portrait finished in 1764 after her death, but begun from the life, by her favorite portraitist, François-Hubert Drouais
Her memorial portrait finished in 1764 after her death, but begun from the life, by her favorite portraitist, François-Hubert Drouais

Pompadour was a woman of verve and intelligence. She planned buildings like the Place de la Concorde and the Petit Trianon with her brother, the Marquis de Marigny. She employed the stylish marchands-merciers, trendsetting shopkeepers who turned Chinese vases into ewers with gilt-bronze Rococo handles and mounted writing tables with the new Sèvres porcelain plaques. Numerous other artisans, sculptors and portrait painters were employed, among them the court artist Jean-Marc Nattier, in the 1750s Francois Boucher, Jean-Baptiste Réveillon and Francois-Hubert Drouais (illustration, right).

Pompadour suffered two miscarriages in the 1750s, and she is said to have arranged lesser mistresses for the king's pleasure to replace herself. Although they did not sleep together after 1750, Louis XV remained devoted to her until her death in 1764 at the age of 43. At the time, she was publicly blamed for the Seven Years' War.

[edit] Assessment

In many ways Madame de Pompadour was a quite extraordinary woman, a commoner and a member of the Third Estate, who grew to be one of the most powerful political figures in eighteenth century France. She established her position by beauty; and when beauty started to go, she maintained it by intelligence. She gave an added brilliance to the court of Louis XV that might otherwise have sunk under the diffident character of that unimaginative and melancholy man. Yet, in the long-term, the 'Pompadour effect' was damaging for both the monarchy and for France. By the time of Pompadour's death in 1764 the waters were already pushing hard against the walls of the dam.

[edit] In popular culture

[edit] See also

[edit] References

  1. ^ a b Holmes, Richard (2002). Redcoat (paperback), London: HarperCollins, p. 43. ISBN 0-00-653152-0. 
  2. ^ Adams, Cecil. "Were champagne glasses modeled on the breasts of Madame de Pompadour?", Straight Dope, 1985-09-27. Retrieved on 2007-05-06. 
  3. ^ Pixley, Andrew (2006-11-06, cover date). "Episode 4: The Girl in the Fireplace". Doctor Who Magazine — Series Two Companion (Special Edition 14): pp. 44–50. 

[edit] External links

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