The Once and Future King
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 Early Fontana paperback edition |
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| Author | T.H. White |
|---|---|
| Country | United Kingdom |
| Language | English |
| Genre(s) | Fantasy, Novel |
| Publisher | Collins |
| Publication date | 1958 |
| Media type | Print (Hardback & Paperback) |
| ISBN | ISBN 0-441-00383-4 (paperback edition) |
The Once and Future King is an Arthurian fantasy novel written by T.H. White. It was first published in 1958 and is mostly a composite of earlier works.
The title comes from the supposed inscription of the marker over King Arthur's grave: HIC IACET ARTORIVS REX QVONDAM REXQVE FVTVRVS — "Here lies Arthur, the once and future king."
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[edit] Plot introduction
T.H. White uses The Once and Future King as his own personal view of the ideal society. The book, most of which "takes place on the isle of Gramarye," chronicles the raising and education of King Arthur, his rule as a king, and the romance between his best knight Sir Lancelot and his Queen Guinevere (which he spells Guenever). It ends immediately prior to King Arthur's final battle against his illegitimate son Mordred. Though White admits his book's source material is loosely derived from Sir Thomas Malory's Le Morte d'Arthur (The Death of Arthur), he creates a personal reinterpretation of the epic events, filling them with renewed meaning for a world enduring the Second World War.
The book is divided into four parts:
- The Sword in the Stone (1938)
- The Queen of Air and Darkness (1939) (published separately in somewhat different form as The Witch in the Wood)
- The Ill-Made Knight (1940)
- The Candle in the Wind (First published in the composite edition, 1958)
A final part called The Book of Merlyn was published separately (ISBN 0-292-70769-X) following White's death. It chronicles Arthur's final lessons from Merlyn before his death, although some parts of it were incorporated into the final editions of the previous books.
One often quoted passage from the book is the story which the badger calls his "dissertation," a retelling of the Creation story from Genesis.
[edit] Plot summary
The story starts in the last years of the rule of king Uther Pendragon. The Sword in the Stone chronicles Arthur's raising by his foster father Sir Ector, his rivalry and friendship with his foster brother Kay, and his initial training by Merlyn, a wizard who lives through time backwards. Merlyn, knowing the boy's destiny, teaches Wart (which is Arthur's nick name) what it means to be a good king by turning him into various kinds of animals: fish, hawk, ant, owl, goose, and badger. Each of the transformations is meant to instill a lesson onto Wart, which will prepare him for his future life.
In fact, Merlyn instills in Arthur the concept that the only justifiable reason for war is to prevent another from going to war then, and that contemporary human governments and powerful people exemplify the worst aspects of the rule of Might.
In The Queen of Air and Darkness, White sets the stage for Arthur's demise by introducing the Orkney clan and detailing Arthur's seduction by their mother, his half-sister Morgause. While the young king suppresses initial rebellions, Merlyn leads him to envision a means of harnessing potentially destructive Might for the cause of Right: the Round Table.
The third part, The Ill-Made Knight, shifts focus from King Arthur to the story of Sir Lancelot and Queen Guenever's forbidden love and its effect on the mother of Lancelot's son, Elaine, and the King.
The Candle in the Wind unites these narrative threads by telling how Mordred's hatred of his father and Agravaine's hatred of Sir Lancelot caused the eventual downfall of King Arthur, Queen Guenever, Sir Lancelot, and the entire ideal kingdom of Camelot.
The book begins as a quite light-hearted account of the young Arthur's adventures, Merlyn's incompetence at magic, and King Pellinore's interminable search for the Questing Beast. Parts of The Sword in the Stone read almost as a parody of the traditional Arthurian legend by virtue of White's prose style, which relies heavily on anachronisms. However, the tale gradually becomes darker until Ill-Made Knight loses much of the original humor and The Candle in the Wind is mirthless.
[edit] Characterisation in the work
Perhaps most striking about White's work is how he reinterprets the traditional Arthurian characters, often giving them motivations or traits more complex or even contradictory to those in earlier versions of the legend. For example:
Arthur is a well-intentioned king as trained by Merlyn, but it seems that his greatest flaw is his inability to adapt once Merlyn leaves him. As such, he comes off as well-meaning yet rather ineffectual.
Lancelot is no longer the handsome knight typical in the romantic legends but is instead portrayed as the ugliest of that lot. He is also a sadist, a trait he represses, but which leads to bouts of self-loathing. He seeks to overcome his flaws through full devotion towards becoming Arthur's greatest knight.
Merlyn lives through time backwards, making him a bumbling yet wise old man who is getting younger.
It is also interesting to note that White allows Thomas Malory to have a cameo appearance towards the end of the final book. Also of note is White's treatment of historical characters and kings as mythological within this world that he creates. In addition, due to his living backwards, Merlyn makes many anachronistic allusions to events in more recent times; of note are references to the Second World War, telegraphs, tanks, and "an Austrian who … plunged the civilized world into misery and chaos" (i.e. Hitler).
[edit] Usage of Political Ideals in Once and Future King
Underscoring the story of Arthur's life, from his youth and education to the end of his reign, is a well thought out commentary on how mankind should govern itself, written in the context of the Second World War.
When Arthur first ascends to the throne, the country is ruled by what he calls Fort Mayne, or the rule of the strongest. The barons and nobles ride around the countryside doing whatever they wish--being unpleasant, exploitative, and sometimes murderous. Despite the ongoing question of whether humanity is naturally evil, through most of the book King Arthur is optimistic that there is a means to curb humanity's tendency toward violence and cruelty. The latter three parts of the book show the progression of his search for a solution. His first solution to the rule of power is to crush it with power. As a young king, he conquers rival barons in a war in which Arthur dispenses with gentlemanly protocols so as to force the barons to experience the horrors of war firsthand. However, this is clearly not a permanent solution, but merely perpetuates the problem.
His next move is to channel power into something worthy. He reinvents Chivalry, and forms the Round Table, making it a goal for his knights to use their Might to rescue maidens and right wrongs. However, this solution does not last for long. Once all the wrongs are righted, and England settles into a golden period of peace and lawfulness, the knights grow bored, and things at court start to go badly. Pettiness and squabbling arise, and society stagnates. This is what Merlyn calls "Games-Mania": the knights become caught up in Jousting and Tourneys, to the point that vicious rivalries are established, especially the Orkney-Lancelot one. A better solution is needed.
Arthur's next move is to seek the solution from outside the mundane world. He sends his knights on a quest for the Holy Grail — aiming their power toward God instead of toward worldly things. This, however, is a failure, too, because any knight who achieves the quest is perfect, and thus no longer suitable to live in an imperfect world. The other knights who fail are for a time positively affected by the quest (Sir Lancelot in particular), but it does not take long for them to fall back into their old ways. In addition, many knights who fail the quest (Gawaine) feel humiliated by Lancelot and Galahad, and many good knights end up dying in the quest for the Grail.
Arthur's final solution as king is to formalise power: he invents Civil Law. Instead of power being wielded by the knights, it now belongs to the state. An example of this would be the replacing of trial-by-battle with trial by jury. This solution comes back to bite Arthur when the affair between Guinevere and Launcelot is exposed: adhering to his new law means that he must punish his beloved wife and his best friend, by banishing Lancelot and burning Guinevere. However, he knows that Lancelot will rescue her, and Lancelot does indeed end up rescuing Guinevere and they escape to his castle together. However, in the process he unintentionally kills the unarmed Gaheris and Gareth.
Almost everyone considered Gareth the "best" or most "knightly" of the Orkneys; he was knighted by Lancelot, and his brother Gawaine loved him. When Lancelot is accused of his death during a rescue (though it is hinted that Mordred actually did the deed), Gawaine flies into a rage and Arthur into deep depression. Gawaine tells Arthur he has no choice but to go to war with Lancelot so Gawaine can extract vengeance.
The book ends with Arthur, weary and aged, in his field pavilion on the eve of the final battle between his knights and Mordred's Thrashers. He reflects upon where he has gone wrong, and whether humans can ever learn to renounce violence. Before going forth, Arthur charges a young page (Malory) with keeping alive his legend and his ideals until a better day.
This is where The Book of Merlyn fits in: Arthur is taken to Merlyn's cave, where he meets many of his old friends from The Sword in the Stone — animals with whom he has spent time. He then spends some time as an ant, and as a goose, experiencing the structure of their societies. The ant is a fiercely territorial animal, with a rigidly structured life. The goose, on the other hand, is free, without any boundaries or borders, flying where it wants. Arthur spends an idyllic few days as a goose, before he is dragged back to Merlyn's cave. He realises that boundaries, which don't actually exist, but are purely mental constructs in human minds, are the real cause of the strife in the world, and that humanity should do away with them if he wants to achieve a successful and peaceful society.
[edit] Film, television and theatrical adaptations
Walt Disney made a very loose adaptation of The Sword in the Stone in 1963. This movie reflects more the sense of humour of Disney's team of animators than White. The movie adds a more comical side to the original story, including song and dance, as in most Walt Disney films. Alan Jay Lerner and Frederick Loewe's 1960 musical Camelot (which was made into a movie in 1967) is also based on The Once and Future King, and features White's idea of having Thomas Malory make a cameo appearance at the end.
[edit] Allusions and references to TO&FK
- The words "The once and future king" were found written on a wall in the kitchen of the Ambassador Hotel where Robert F. Kennedy was assassinated.
- The X-Men comics mention TO&FK several times, notably in the first issue of "The X-Tinction Agenda" story arc, which mentions that TO&FK is Professor Charles Xavier's favorite book, and that Xavier always saw himself as Merlin, the teacher guiding the hero(es), rather than as a hero himself. In the Ultimate X-Men comics, the book is a metaphor for Magneto, an extremely powerful mutant terrorist.
- The film X2: X-Men United begins with the main antagonist, Magneto, reading an old copy of TO&FK in his prison cell. When Magneto saves the X-men's plane from crashing, he asks himself, "When will these people learn to fly?", a reference to TO&FK's recurring theme that men wouldn't fight wars if they could fly. At the end of the film, Xavier is using the book as a teaching tool.
- Austrian death metal band Cadaverous Condition has a song entitled "The Once And Future King" on their albums What the Waves Were Always Saying and To the Night Sky.
- British singer Gary Hughes published 2 albums titled Once and Future King Part I and Once and Future King Part II.
- German power metal band Blind Guardian has a song about King Arthur, titled "A Past and Future Secret" and containing the line "Most called him Once and Future King".
- British indie band Bloc Party have a song titled "The Once And Future King", released as a b-side and not included in their album A Weekend in the City.
- The television series One Tree Hill quotes the book in episode 202. The main character, Lucas, in a voiceover says, "T.H. White said perhaps we all give the best of our hearts uncritically, to those who hardly think about us in return."
- In the 2006 Emilio Estevez film Bobby, the character Edward (Laurence Fishburne) explains the Arthurian legend to José - one of his kitchen staff - after José performs a particularly selfless act. Afterward, Edward is seen honouring José by drawing a picture of a crown on the tiled wall behind them, and then writing the title The Once and Future King. Later in the film, the scrawl can be seen again, this time, spattered with the blood from those injured during the Robert Kennedy assassination and perhaps even from Kennedy himself. Thus Estevez suggests that, although Camelot is dead, noble souls like José embody hope for the future of our world.
- The webcomic xkcd mentions TO&FK, saying that for Merlin good-byes meant nothing, while first hellos were tearful and bittersweet. Merlin also finds the movie Memento straightforward. [1]
- Stewart Brand, founder and editor of the Whole Earth Catalog, has written that his mentor, the polymath Gregory Bateson, was deeply moved by by the psychological astuteness and ecological awareness of TO&FK.
- Kelly Link's short story "Lull" features a sub-story with an end-to-beginning structure similar to Merlin's life in TO&FK.
[edit] External links and references
