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Giorgio de Chirico (July 10, 1888 – November 20, 1978) also known as Népo, was an influential pre-Surrealist Greek-Italian painter born in Volos, Greece, to a Genovese mother and a Sicilian father. He founded the scuola metafisica art movement.

Contents 1 Life and work 2 Legacy 3 Selected works 4 References 5 External links

[edit] Life and work

After studying art in Athens and Florence, de Chirico moved to Germany in 1906 and entered the Academy of Fine Arts in Munich, where he read the writings of the philosophers Nietzsche and Arthur Schopenhauer, and studied the works of Arnold Böcklin and Max Klinger.

He returned to Italy in the summer of 1909 and spent six months in Milan. At the beginning of 1910, he moved to Florence where he painted the first of his 'Metaphysical Town Square' series: The Enigma of an Autumn Afternoon after the revelation he felt in Piazza Santa Croce. He also painted The Enigma of the Oracle while in Florence. In July 1911 he spent a few days in Turin on his way to Paris. De Chirico was profoundly moved by what he called the 'metaphysical aspect' of Turin: the architecture of its archways and piazzas. It was the city of Nietzsche. De Chirico moved to Paris in July 1911, where he joined his brother Andrea. Through his brother he met Pierre Laprade a member of the jury at the Salon d’Automne, where he exhibitted three of his works Enigma of the Oracle, Enigma of an Afternoon and Self-Portrait. During 1913 he exhibited his work at the Salon des Indépendants and Salon d’Automne, his work was noticed by Pablo Picasso and Guillaume Apollinaire, he also sold his first painting, The Red Tower. In 1914 through Guillaume Apollinaire, he met the art dealer Paul Guillame, with whom he signed a contract for his artistic output.

At the outbreak of the First World War, he decided to return to Italy, arriving in May 1915 when he enlisted in the Italian army. He was considered unfit for work and assigned to the hospital at Ferra. He continued to paint, and in 1918, he transferred to Rome. From 1918 his work was exhibited extensively in Europe. He met and married his first wife, the Russian Ballerina Raissa Gurievich in 1924, and together they moved to Paris. In 1928 he held his first exhibition in New York and shortly afterwards, London.

In 1930 De Chirico met his second wife, Isabella Pakszwer Far, a Russian, with whom he would remain for the rest of his life. Together they moved to Italy in 1932, finally settling in Rome in 1944.

De Chirico is best known for the paintings he produced between 1909 and 1919, his metaphysical period, which are memorable for the haunted, brooding moods evoked by their images. At the start of this period, his subjects were still cityscapes inspired by the bright daylight of Mediterranean cities, but gradually he turned his attention to studies of cluttered storerooms, sometimes inhabited by mannequin-like hybrid figures. Later in his life De Chirico abandoned the metaphysical style and started painting more realistically. His later paintings never received the same critical praise as did those from his metaphysical period.

De Chirico also published a novel in 1925: Hebdomeros, the Metaphysician. His brother, Andrea de Chirico, who became famous as Alberto Savinio, was also a writer and a painter.

[edit] Legacy

De Chirico won praise for his work almost immediately from writer Guillaume Apollinaire, who helped to introduce his work to the later Surrealists.

Yves Tanguy wrote how one day in 1922 he saw one of De Chirico's paintings in an art dealer's window, and was so impressed by it he resolved on the spot to become an artist — although he had never even held a brush.

Other artists who acknowledged De Chirico's influence include Max Ernst, Salvador Dalí, René Magritte, and Philip Guston. De Chirico strongly influenced the Surrealist movement.

Michelangelo Antonioni, the Italian film director, also claimed to be influenced by De Chirico. Some comparison can be made to the long takes in Antonioni's films from the 1960s, in which the camera continues to linger on desolate cityscapes populated by a few distant figures, or none at all, in the absence of the film's protagonists.

Modern photographer Duane Michals was also influenced by De Chirico.

John Ashbery has called Hebdomeros "probably...the finest [major work of Surrealist fiction]." ^[1]

Fumito Ueda's critically acclaimed Playstation 2 game Ico (and also its sequel, Shadow of the Colossus, in a less direct way) was strongly influenced by de Chirico. Ico features children wandering though huge, ancient and otherwise uninhabited buildings, are predominately yellow and green in colour and use music only for cut-scenes, enhancing the feeling of space and sparseness. The box art for Ico used in Japan and Europe is particularly imitative of de Chirico's Melancholy and Mystery of a Street and The Nostalgia of the Infinite.

The Anxious Journey 1913

The Child's Brain 1914

Melancholy and Mystery of a Street 1913

The Seer (or The Prophet, 1915)

[edit] Selected works

• Flight of the Centauri, Enigma of an Autumn Afternoon and Enigma of the Oracle (1909)
• Ritratto di Andrea de Chirico (Alias Alberto Savinio) (1909-1910)
• Enigma of the Hour and The Nostalgia of the Infinite (1911)
• Melanconia, The Enigma of the Arrival and La Matinèe Angoissante (1912)
• The Red Tower, Ariadne, The Awakening of Ariadne, The Uncertainty of the Poet, La Statua Silenziosa, The Anxious Journey, Melancholy of a Beautiful Day, Le Rêve Transformé, Self-Portrait and Melancholy and Mystery of a Street (1913)
• The Anguish of Departure (began in 1913), Portrait of Guillaume Apollinaire, The Nostalgia of the Poet, L'Énigme de la fatalité, Gare Montparnasse (The Melancholy of Departure), Love Song, The Enigma of a Day, The Philosopher’s Conquest, The Child’s Brain, The Philosopher and the Poet, Still Life: Turin in Spring and Piazza d’Italia (Autumn Melancholy) (1914)
• The Evil Genius of a King (began in 1914), The Seer (or The Prophet), Piazza d’Italia, The Double Dream of Spring, The Purity of a Dream, Two Sisters (The Jewish Angel) and The Duo (1915)
• Andromache, The Melancholy of Departure, The Disquieting Muses, Metaphysical Interior with Biscuits (1916)
• Metaphysical Interior with Large Factory and The Faithful Servitor (both began in 1916), The Great Metaphysician, Ettore e Andromaca, Metaphysical Interior, Geometric Composition with Landscape and Factory and Great Metaphysical Interior (1917)
• Metaphysical Muses and Hermetic Melancholy (1918)
• Still Life with Salami and The Sacred Fish (1919)
• Self-portrait (1920)

• Italian Piazza, Maschere and Departure of the Argonauts (1921)
• The Prodigal Son (1922)
• Florentine Still Life (c. 1923)
• The House with the Green Shutters (1924)
• The Great Machine (1925) Honolulu Academy of Arts
• Au Bord de la Mer, Le Grand Automate, The Terrible Games, Mannequins on the Seashore and The Painter (1925)
• La Commedia e la Tragedia (Commedia Romana), The Painter’s Family and Cupboards in a Valley (1926)
• L’Esprit de Domination, The Eventuality of Destiny (Monumental Figures), Mobili nella valle and The Archaeologists (1927)
• Temple et Foret dans la Chambre (1928)
• Gladiatori (began in 1927), The Archaeologists IV (from the series Metamorphosis), The return of the Prodigal son I (from the series Metamorphosis) and Bagnante (Ritratto di Raissa) (1929)
• Illustrations from the book Calligrammes by Guillaume Apollinaire (1930)
• I Gladiatori (Combattimento) (1931)
• Cavalos a Beira-Mar (1932-1933)
• Cavalli in Riva al Mare (1934)
• La Vasca di Bagni Misteriosi (1936)
• The Vexations of The Thinker (1937)
• Self-portrait (1935-1937)
• Archeologi (1940)
• Illustrations from the book L’Apocalisse (1941)
• Portrait of Clarice Lispector (1945)
• Villa Medici - Temple and Statue (1945)

• Minerva (1947)
• Metaphysical Interior with Workshop (1948)
• Fiat (1950)
• Piazza d’Italia (1952)
• The Fall - Via Crucis (1947-54)
• Venezia, Isola di San Giorgio (1955)
• Salambò su un cavallo impennato (1956)
• Metaphysical Interior with Biscuits (1958)
• Piazza d’Italia (1962)
• Cornipedes, (1963)
• Manichino (1964)
• Ettore e Andromaca (1966)
• The Return of Ulysses, Interno Metafisico con Nudo Anatomico and Mysterious Baths - Flight Toward the Sea (1968)
• Il rimorso di Oreste, La Biga Invincibile and Solitudine della Gente di Circo (1969)
• Orfeo Trovatore Stanco, Intero Metafisico and Muse with Broken Column (1970)
• Metaphysical Interior with Setting Sun (1971)
• Sole sul cavalletto (1972)
• Mobili e rocce in una stanza, La Mattina ai Bagni misteriosi, Piazza d'Italia con Statua Equestre, La mattina ai bagni misteriosi and Ettore e Andoromaca (1973)
• Pianto d’amore - Ettore e Andromaca and The Sailors’ Barracks (1974)

[edit] References

[edit] External links

• Giorgio de Chirico in the Museum of Modern Art [1] Retrieved on 2007-4-15.
• Giorgio de Chirico in Volos
• Giorgio de Chirico ART CENTRE
• Ten Dreams Galleries