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BIOGRAPHY

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About

Wei Ming Dariotis is Assistant Professor of Asian American Studies, with an emphasis on Asians of Mixed Heritage and Asian Pacific American Literature, Arts, and Culture at San Francisco State University. She is the Faculty Advisor of the Hapa Club at SFSU and she co-founded the San Francisco Chapter of Hapa Issues Forum, a national organization dedicated to Asians of Mixed Heritage. Wei Ming Dariotis is a member of the Advisory Boards of Pacific Fusion TV, iPride and Kearny Street Workshop and on the Board of the Asian American Theater Company.

Her publications include, "Developing a Kin-Aesthetic: Multiraciality and Kinship in Asian and Native North American Literature," in Mixed Race Literature, ed. by Jonathan Brennan (Stanford University Press), and "On Growing Up Queer and Hapa" in the Multiracial Child Resource Book, eds. Maria P.P. Root and Matt Kelley (Mavin Foundation).

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Education

2000, PhD: Literature,
University of California at Santa Barbara

1991, BA: Literature and Creative Writing,
University of Washington, Seattle

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Community Service

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Artist Statement (kind of)

How has being [an] Asian American [woman] affected your art?

I have to combine these two questions because I am an Asian American Bi woman—I am not gendered separate from how I am raced, and vice versa. My being a woman is integral to my identity as an Asian American—I experience being in this body as a mixed heritage Asian American woman; sometimes mistaken for Latina, West Asian, Eastern European, but always racialized, and always as an ethnic minority “exotic” woman is sexualized. These themes and issues are integral to my work, whether I explore my own, and my family’s, personal history and identity or I consider these issues in larger social and political contexts. My mixed heritage and my identity as a Bi woman (I don’t say “Bisexual” because it mistakenly emphasizes the sexual, when what is at issue is gender—I can be attracted to people of either, or any, gender) are also connected for me—they are both a form of transgressive sexuality that challenges/contradicts normative ideas of sexuality and identity. I am a Bi Hapa woman.

How do you work in your medium?

I can’t stick to just one thing. As a young child I began to paint (watercolor) and draw. When I first moved back to SF I took up collage, a medium of assemblage and juxtaposition. I also make beaded jewelry, which is a process similar to collage—combining different items into unique creations. I find all of these forms of visual composition also connected to my writing (poetry, fiction, and academic) and I often incorporate text (my own or found) into my visual work. Is the medium the message? My collage work is, I think, very tied to my content, which is often about mixed heritage—or also finding what is out there in terms of media images, and taking them for my own use, refocusing and showing how I see the world—and rejecting how the world sees me (and my sisters and brothers, our mothers and fathers, particularly as people of color).

How has growing up wherever you grew up or living where you now live affected your art?

San Francisco. This is where I grew up in my most formative years (4-18) and this is where I have always returned and have been making my home again since 1997. This is the place of my memories, but more important for me now is that this is the place of my communities. I feel at home here because I am “normal” here. The way I look, talk, and dress. And this is where I feel connected to a family I have chosen of extended friends and community members. The Asian American and mixed heritage arts communities are thriving in the Bay Area, and I work in these communities as an organizer (Kearny Street Workshop Advisory Board, Asian American Theater Company Board) and as an artist. Seeing the work of my friends and community members inspires me. Participating in creative workshops, and bringing those creative workshops into academic settings (conferences and even my graduate seminars) is a vital connection between my personal artistic life, my community work, and my “day job” as an Assistant Professor of Asian American Studies at SFSU.

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