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At present, the gallery feels rather like a print clearing house. By using modular partitions—or simply limiting the exhibition to one artist—Through This Lens could have more successfully fashioned a space suitable for the absorption of image and idea.
By Douglas Vuncannon | 30 Jan 2008

Sometimes it's worth taking the time to go out and see actual art. In some cases there is a payoff.
By Amy White | 16 Jan 2008

The very idea of childhood is earmarked as a valuable resource, and the objective is to revisit and identify one's earliest entry points into a constructed reality.
By Amy White | 28 Nov 2007

At the age of 3, Jimmie Lee Sudduth began painting with mud. By the time he had grown up, he claimed he could identify it in 36 shades.
By Amy White | 21 Nov 2007

The final five paintings in Landscapes are a revelation.
By Amy White | 7 Nov 2007

Every artist deserves to have his or her work presented in the best possible light. Or dark.
By Amy White | 24 Oct 2007

In minor character, the vision is bleak, but so are many aspects of the world that we've created for ourselves. Not talking about it is hell.
By Douglas Vuncannon | 3 Oct 2007

The Ackland Art Museum on UNC's campus in Chapel Hill has just undergone its first major renovation and reinstallation since 1991.
By Gerry Canavan | 26 Sep 2007

States of Mind is a tribute to the essential nature of art as archive, as evidence, as manifestation of the will to defy arbitrary claims to power.
By Amy White | 5 Sep 2007

Someone has drawn all over the windows of the Nasher.
By Gerry Canavan | 29 Aug 2007

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