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Ari Picker wants to pay people to think in symphonies 
Lost in the Trees goes where Picker's interests go: It's a careful combination of classical elements and pop overtones, which is like Picker's dream—making music that crosses the colossal popular-classical divide.
By Kathleen Gordon |
February 6, 2008
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White Williams' tunes tie pop eclecticism to peripateticism
Smoke, Williams' full-length debut, is an autobiographical record in a sense, although you wouldn't necessarily know that from its oblique lyrics, mostly occupied by dystopian ruminations on youthful hedonism.
By Brian Howe |
February 6, 2008
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