HomeMusicLive Review  }
Music
They all arrived in a cavalcade of three separate stretch limos, steppin' out onto a red carpet Hollywood-style, waiting to be photographed and interviewed.
By Eric Tullis | 17 Oct 2007

Japan's Naikaku was a metal band in tattered, blood-stained scrubs with a female flute lead in a kimono, while New York's Frogg Café mixed rock instrumentation with sax and violin.
By Brian Howe | 5 Sep 2007

This demographic (one that's as diverse as lower- to upper-middle-class white people can be) simply doesn't make genre distinctions.
By Brian Howe | 15 Aug 2007

As if they had heard the complaints even before playing the set, though, Slint closed with new material as a sleight-of-hand.
By Grayson Currin | 18 Jul 2007

A benefit for the Ulman Cancer Fund, Wednesday's show was, well, different.
By Paul Thompson | 27 Jun 2007

The Arcade Fire—who long ago burned their lyrical, musical and symbolic sense of subtlety at the stake in order to power their larger-than-life presentation—are now playing most of the large concert halls in America. And they're still too big for them.
By Grayson Currin | 9 May 2007

John Zorn first jutted out of modern jazz's bubbling infrastructure by mashing disparate styles and musicians together—especially in his Masada project, which played Friday night in Durham.
22 Nov 2006

Last Friday at UNC-Chapel Hill's Memorial Hall, pianist Peter Serkin brought memory and the past into the present to thread together works ranging from the 15th to the 21st century.
By Barbara Norton | 15 Nov 2006

There is no better embodiment of baroque music than French music of the late 17th century.
By Barbara Norton | 8 Nov 2006

"Don't think I've been here before, have I?" Richard Thompson, alone onstage for this tour, asked a near capacity crowd for his debut at Greensboro's Carolina Theatre.
By Grant Britt | 8 Nov 2006

return to top