Merle Haggard
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| Merle Haggard | |
|---|---|
| Birth name | Merle Ronald Haggard |
| Also known as | The Hag |
| Born | April 6, 1937 |
| Origin | Bakersfield, CA, USA |
| Genre(s) | Country |
| Occupation(s) | Country music singer, guitarist, bandleader and songwriter |
| Years active | 1965 – Present |
| Label(s) | Capitol Records Nashville, MCA, Epic, Curb, ANTI |
| Website | Official Website |
| Notable instrument(s) | |
| Merle Haggard Signature model Telecaster | |
Merle Ronald Haggard (born April 6, 1937) is an American country music singer, guitarist and songwriter.
Emerging from prison in the 1960s, Merle Haggard has become one of the true giants of country music, as a singer, songwriter, and instrumentalist. Along with Buck Owens, Haggard and his band "The Strangers" helped create the Bakersfield Sound, characterized by twangy telecaster guitars, tight vocal harmonies, and a rough edge not heard on the polished Nashville Sound recordings of that era. By the 1970s, he was aligned with the growing outlaw country movement, and has continued to release successful albums through the 1990s and into the 2000s. His songs display an unparalleled level of unflinching personal honesty about such universal themes as love, loss, regret and redemption.
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[edit] Early life
Haggard was born in Bakersfield, CA. His parents, Flossie Mae Harp and James Francis Haggard,[1] moved from Oklahoma to California during the Great Depression; at that time, much of the population of Bakersfield was made up of economic refugees from Oklahoma and surrounding states. Haggard's father died when Merle was 9, and Merle began to rebel against his mother. Authorities put him in a juvenile detention center[citation needed]. Haggard's older brother gave him a guitar when Merle was twelve years old and he taught himself to play. In 1951, Haggard ran away to Texas with a friend but returned that same year and was arrested for truancy and petty larceny. He ran away from the next juvenile detention center to which he was sent and went to Modesto, California. He worked odd jobs - legal and not - and made his performing debut at a bar. Once he was found again, he was sent to the Preston School of Industry, a high-security installation. Shortly after he was released, 15 months later, Haggard was sent back after beating a local boy during a burglary attempt.
After his second release, Haggard saw Lefty Frizzell in concert with his friend Bob Teague and sang a couple of songs for him. Lefty was so impressed, he allowed Haggard to sing at the concert. The audience loved Haggard, and he began working on a full-time music career. After earning a local reputation, Haggard's money problems caught up with him, and he was arrested for a robbery in 1957. He was sent to prison in San Quentin for 15 years. Even in prison, Haggard was wild, running a gambling and brewing racket from his cell. Merle attended three of Johnny Cash's concerts at San Quentin. Seeing Cash perform inspired Haggard to straighten up and pursue his singing. Several years later, at another Cash concert, Haggard came up to Johnny and told him "I certainly enjoyed your show at San Quentin." Cash said "Merle, I don't remember you bein' in that show." Merle Haggard said, "Johnny, I wasn't in that show, I was in the audience." While put in solitary confinement, Haggard encountered author and death row inmate Caryl Chessman. Haggard had the opportunity to escape with a fellow inmate nicknamed "Rabbit", but passed on it. The inmate successfully escaped, only to shoot a police officer and return to San Quentin for execution. Chessman's predicament along with Rabbit's inspired Haggard to turn his life around, and he soon earned his high school equivalency diploma, kept a steady job in the prison's textile plant and played in the prison's band. He was released in 1960. Haggard said it took about four months to get used to being out of the penitentiary and that, at times, he actually wanted to go back in. He said it was the loneliest feeling he'd ever had. Haggard was later pardoned by Governor Ronald Reagan.
[edit] Country success
Upon his release, Haggard started digging ditches and wiring houses for his brother. Soon he was performing again, and later began recording with Tally Records. The Bakersfield Sound was developing in the area as a reaction against the over-produced honky tonk of the Nashville Sound. Haggard's first song was "Skid Row." In 1962, Haggard wound up performing at a Wynn Stewart show in Las Vegas and heard Wynn's "Sing a Sad Song". He asked for permission to record it, and the resulting single was a national hit in 1964.
In 1968, Haggard's first tribute LP Same Train, Different Time: A Tribute to Jimmie Rodgers, was released to great acclaim.
"Okie From Muskogee", 1969's apparent political statement, was actually written as an abjectly humorous character portrait. Haggard called the song a "documentation of the uneducated that lived in America at the time." (Phipps 2001). He said later on the Bob Edwards Show that "I wrote it when I recently got out of the joint. I knew what it was like to lose my freedom, and I was getting really mad at these protestors. They didn't know anything more about the war in Vietnam than I did. I thought how my dad, who was from Oklahoma, would have felt. I felt I knew how those boys fighting in Vietnam felt." Later, Alabama Gov. George Wallace asked Haggard for an endorsement, which Haggard declined. However, Haggard does express sympathy with the "parochial" way of life expressed in "Okie" and songs such as "The Fightin' Side of Me" (ibid). It should be noted, however, that after "Okie" was released, Haggard wanted to release a self-penned song titled "Irma Jackson" about an interracial couple; the single was quashed by his record company, although Tony Booth went on to record it in 1970. It should also be noted that Haggard has spoken publicly, most recently on a January 2008 episode of Real Time with Bill Maher, about a song he wrote for Hillary Clinton called "Hillary".
Regardless of exactly how they were intended, "Okie From Muskogee", "The Fightin' Side of Me", and "I Take a Lot of Pride in What I Am" were hailed as anthems of the the so-called "Silent Majority" and presaged a trend in patriotic songs that would reappear years later with Charlie Daniels' "In America", Lee Greenwood's "God Bless the USA", and others. But other Haggard songs were appreciated regardless of politics: the Grateful Dead began performing Haggard's tune "Mama Tried" in 1969, and it stayed in their regular repertoire thereafter; singer-activist Joan Baez, whose political leanings couldn't be more different from those expressed in Haggard's above-referenced songs, nonetheless covered "Sing Me Back Home" and "Mama Tried" in 1969. The Everly Brothers also used both songs in their 1968 country-rock album Roots.
Haggard's next LP was A Tribute to the Best Damn Fiddle Player in the World (Or My Salute to Bob Wills), which helped spark a revival of western swing.
In 1972, then-Gov. Ronald Reagan gave Haggard a full pardon for his past crimes. Haggard often quips that few figures in history can become public enemy No. 1 and man of the year in the same 10-year period.
During the early to mid 1970s, Haggard's chart domination continued with songs like "Someday We'll Look Back", "Carolyn", "Grandma Harp", "Always Wanting You" and "The Roots of My Raising". He also wrote and performed the theme song to the TV series Movin' On, which in 1975 gave him another #1 country hit. The 1973 recession anthem "If We Make It Through December" furthered Haggard's status as a champion of the working class.
Haggard was inducted into the Nashville Songwriters Hall of Fame in 1977.
[edit] Later years
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"If We Make It Through December" turned out to be Haggard's last pop hit. He published an autobiography called Sing Me Back Home. Although he won a Grammy Award for Best Male Country Vocal Performance for 1984's a new kind of honky tonk had begun to overtake country music, and singers like George Strait and Randy Travis had taken over the charts. Haggard's last No. 1 hit was "Twinkle Twinkle Lucky Star" from his smash album Chill Factor in 1988.
Although he has been outspoken in his dislike for modern country music, he has praised newer stars such as George Strait and Randy Travis. The Dixie Chicks paid him tribute by recording Darrell Scott's song "Long Time Gone", which criticizes Nashville trends: "We listen to the radio to hear what’s cookin’ / But the music ain’t got no soul / Now they sound tired but they don’t sound Haggard," with the following lines mentioning Johnny Cash and Hank Williams in the same vein.
In 2000, Haggard made a comeback of sorts, signing with the independent record label Anti and releasing the spare If I Could Only Fly to critical acclaim. He followed it in 2001 with Roots, Vol. 1, a collection of Lefty Frizzell, Hank Williams and Hank Thompson covers, along with three Haggard originals. The album, recorded in Haggard's living room with no overdubs, featured Haggard's longtime bandmates The Strangers as well as Frizzell's original lead guitarist, Norman Stephens.
In December 2004, Haggard spoke at length on Larry King Live about his incarceration as a young man and said it was "hell" and "the scariest experience of my life."
In October 2005, Haggard released his newest album, "Chicago Wind", to mostly positive reviews. The album contained an anti-Iraq war song titled "America First," in which he laments the nation's economy and faltering infrastructure, applauds its soldiers, and sings, "Let's get out of Iraq, and get back on track."
In 2006, Haggard was back on the radio, in a duet with Gretchen Wilson, "Politically Uncorrect". He also featured on "Pledge Allegiance to the Hag" on Eric Church's debut album.
On April 24, 2006 Haggard's former wife Bonnie Owens died in Bakersfield, CA due to Alzheimer's disease. She was 76.
On December 19, 2006, the Kern County Board of Supervisors approved a citizen led resolution to re-name a portion of 7th Standard Road in Oildale "Merle Haggard Drive." Merle Haggard Drive will stretch from North Chester Avenue west to Highway 99. The first street travelers will turn onto when they leave the new airport terminal will be Merle Haggard Drive.
Haggard's Oildale home, made from a converted box car, is still lived in just south of Norris Road.
Haggard released a bluegrass album, The Bluegrass Sessions, on October 2, 2007.
[edit] Equipment
Merle Haggard endorses Fender guitars, both the Stratocaster and Telecaster, of which he has a Custom Artist signature model: a modified Telecaster Thinline with laminated top of figured maple, set neck with deep carved heel, birdseye maple fingerboard with 22 jumbo frets, ivoroid pickguard and binding, gold hardware, abalone Tuff Dog Tele peghead inlay, 2-Colour Sunburst finish and a pair of Fender Texas Special Tele single-coil pickups with custom-wired 4-way pickup switching. He also plays six string acoustic models.
[edit] Discography
[edit] 38 #1 Hits
- I'm A Lonesome Fugitive
- Branded Man
- Sing Me Back Home
- The Legend Of Bonnie And Clyde
- Mama Tried
- Hungry Eyes
- Workin' Man Blues
- Okie From Muskogee
- The Fightin' Side of Me
- Daddy Frank (The Guitar Man)
- Carolyn
- Grandma Harp
- It's Not Love (But It's Not Bad)
- Everybody's Had the Blues
- I Wonder if They Ever Think of Me
- If We Make It Through December
- Old Man from the Mountain
- Things Aren't Funny Anymore
- Always Wanting You
- Kentucky Gambler
- Movin' On
- It's All In The Movies
- Cherokee Maiden
- The Roots of My Raising
- I Think I'll Just Stay Here and Drink
- Bar Room Buddies (with Clint Eastwood)
- My Favorite Memory
- Big City
- Yesterday's Wine (with George Jones)
- Going Where the Lonely Go
- You Take Me For Granted
- Pancho And Lefty (with Willie Nelson)
- That's The Way Love Goes
- Someday When Things Are Good
- Let's Chase Each Other Around The Room
- A Place to Fall Apart
- Natural High
- Twinkle, Twinkle, Lucky Star
[edit] Awards
| Year | Award | |
|---|---|---|
| 2006 | Grammy | Recording Academy's Lifetime Achievement Award |
| 2004 | IBMA | Recorded Event of the Year |
| 1998 | Grammy | Best Country Collaboration with Vocals, Hall of Fame Award |
| 1994 | Elected to the Country Music Hall of Fame | |
| 1990 | TNN / Music City News | Living Legend |
| 1984 | Grammy | Best Male Country Vocal Performance |
| 1983 | Country Music Awards | Vocal Duo of the Year |
| 1982 | Academy of Country Music | Song of the Year |
| 1981 | Academy of Country Music | Top Male Vocalist |
| 1980 | BMI | Songwriters/Publishers of the Year |
| 1977 | Elected to the Nashville Songwriters Hall of Fame | |
| 1976 | BMI | Songwriters/Publishers of the Year |
| 1974 | Academy of Country Music | Top Male Vocalist |
| 1972 | Academy of Country Music | Top Male Vocalist |
| Country Music Awards | Album of the Year | |
| 1970 | Academy of Country Music | Entertainer of the Year, Top Male Vocalist |
| Country Music Awards | Album of the Year, Entertainer of the Year, Male Vocalist of the Year, Single of the Year |
|
| 1969 | Academy of Country Music | Album of the Year, Single of the Year, Top Male Vocalist |
| 1968 | Academy of Country Music | Top Vocal Duet |
| Music City News | Country Male Artist of the Year | |
| 1967 | Academy of Country Music | Top Vocal Duet |
| Music City News | Country Male Artist of the Year | |
| 1966 | Academy of Country Music | Top Male Vocalist, Top Vocal Duet |
| 1965 | Academy of Country Music | Top New Male Vocalist, Top Vocal Duet |
[edit] References
- Di Salvatore, Bryan. (1998). "Merle Haggard". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 222-4.
- Aron A. Fox, "White Trash Alchemies of the Abject Sublime: Country as 'Bad' Music", in Christopher J. Washburne and Maiken Derno (eds.), Bad Music: The Music We Love to Hate, New York: Routledge, 2004 (ISBN 0-415-94366-3).
[edit] Footnotes
[edit] External links
- Official Site
- Official Site Hag Merchandise
- Record Label
- at the Country Music Hall of Fame
- Merle Haggard at IMDB
