Fafnir

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Volsung Cycle
Volsunga saga
Poetic Edda
Norna-Gests þáttr
Skáldskaparmál
Artifacts
Andvarinaut
Gram
Dwarves
Andvari
Hreidmar
Ótr
Regin
Dragon
Fafnir
People
Volsung
Sigmund
Signy
Sinfjötli
Helgi Hundingsbane
Sigurd
Brynhild
Gudrun
Attila
Gunnar
Locations
Gautland
Hunaland
Related
Nibelungenlied
Þiðrekssaga
Hagbard and Signy
Fáfnir guards the gold hoard in this illustration by Arthur Rackham to Richard Wagner's Siegfried.
Fáfnir guards the gold hoard in this illustration by Arthur Rackham to Richard Wagner's Siegfried.

In Norse mythology, Fáfnir (Old Norse) or Frænir (Faroese) was a son of the dwarf king Hreidmar and brother of Regin and Ótr. In the Volsunga saga, Fáfnir was a dwarf gifted with a powerful arm and fearless soul. He wore the Aegis helmet and guarded his father's house of glittering gold and flashing gems. He was the strongest and most aggressive of the three brothers.

After Ótr was killed by Loki, Hreidmar received the cursed gold of Andvari's as repayment for the loss of his son. Fáfnir and Regin then killed their father to get the gold, but Fáfnir decided he wanted it all, turning into a dragon (symbol of greed). Regin then sent his foster-son, Sigurd, to kill the dragon. Sigurd succeeded by digging a pit under the trail Fáfnir used to walk to a stream and plunging his sword Gram into his heart as he walked past. Regin, however, corrupted by the curse on Andvari's gold, planned to kill Sigurd to take the treasure for himself, but Sigurd, having eaten part of Fáfnir's cooked heart, was warned by birds of Regin's attack and ended up killing him.

As Fafner, he is featured in Richard Wagner's Der Ring des Nibelungen, although he began life as a giant rather than a dwarf, before once again turning into a dragon to better guard the gold.

Some versions are more specific about Fafnir's treasure hoard, mentioning the swords Ridill and Hrotti as part of it.

Fafner as designed by Günther Schneider-Siemssen for the Metropolitan Opera, 1990.  Note fang arising from lower jaw.
Fafner as designed by Günther Schneider-Siemssen for the Metropolitan Opera, 1990. Note fang arising from lower jaw.
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