Good Night, and Good Luck.

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Good Night, and Good Luck.

Theatrical Poster
Directed by George Clooney
Produced by Grant Heslov
Written by George Clooney
Grant Heslov
Starring David Strathairn
George Clooney
Robert Downey, Jr.
Patricia Clarkson
Frank Langella
Jeff Daniels
Tate Donovan
Ray Wise
Cinematography Robert Elswit
Editing by Stephen Mirrione
Distributed by Flag of the United States Warner Independent Pictures
Flag of Canada TVA Films
Release date(s) Flag of the United States October 7, 2005
Flag of the United Kingdom February 17, 2006
Running time 90 minutes
Country United States
Language English
Budget $7,000,000
Allmovie profile
IMDb profile

Good Night, and Good Luck. is an Academy Award-nominated 2005 film directed by George Clooney and written by Clooney and Grant Heslov that portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations.

The movie, although released in black and white, was filmed on color film stock but on a grayscale set, and was later color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent against the government. The movie takes its title from the line with which Murrow routinely closed his broadcasts.

Contents

[edit] Cast

[edit] Plot

Good Night, and Good Luck. takes place during the early days of broadcast journalism in the 1950s. Edward R. Murrow, and his dedicated staff—headed by his co-producer Fred Friendly and reporter Joseph Wershba in the CBS newsroom—defy corporate and sponsorship pressures, and discredit the tactics used by Joseph McCarthy during his crusade to root out communist elements within the government.

Murrow first defends Milo Radulovich, who was facing separation from the U.S. Air Force because of his sister's political leanings and because his father subscribed to a Serbian newspaper. A very public feud develops when the Senator responds by accusing the anchor of being a communist. Murrow is accused of having been a member of the leftist union Industrial Workers of the World, which Murrow claimed was false.

In this climate of fear and reprisal, the CBS crew carries on and their tenacity ultimately strikes a historic blow against McCarthy and his methods. Historical footage also shows the questioning of Annie Lee Moss, a Pentagon communication worker accused of being a communist based on her name appearing on a list seen by an FBI infiltrator of the American Communist Party. The film's subplots feature recently married staffers having to hide their marriage to save their jobs at CBS; and the suicide of Don Hollenbeck, who was accused of being a Communist. The film is framed by a speech to the Radio and Television News Directors Association, in which Murrow harshly admonishes his audience not to squander the potential of television to inform and educate the public.

[edit] Production

David Strathairn as Edward R. Murrow.
David Strathairn as Edward R. Murrow.

In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate."[1] Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, and Buffalo, New York. The elder Clooney also ran for congress in 2004.

George Clooney has been paid $1 each for writing, directing, and acting in Good Night, and Good Luck, which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney couldn't pass the tests to be insured. He then proposed to mortgage his own home in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers.[2]

The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out perpendicular to one another. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. Production designer James Bissell used the 3D computer graphics software program SketchUp to model the entire studio set including all sets and camera angles.[3] Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film.[4] Young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.

[edit] Distribution

The producers used the following taglines when marketing the film:

  • They took on the government with nothing but the truth.
  • We will not walk in fear of one another.
  • In a nation terrorized by its own government, one man dared to tell the truth.

[edit] Music

A small jazz combo starring jazz singer Dianne Reeves was hired to record the soundtrack to the movie. This combo was featured in the movie in several scenes, for example, in one scene the newsmen pass a studio where she is recording with the rest of the band. The CD is Dianne Reeves's second featuring jazz standards, and it won the Grammy Award in 2005 for best jazz vocal performance.

[edit] Reception

The film received generally glowing reviews. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 94% positive review rating. The movie received six Academy Award nominations, including ones for Best Picture, Director, and Actor.

Jack Shafer, a columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow.[5] Roger Ebert, in his Chicago Sun-Times review, contends that "[t]he movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless."[6]

[edit] Awards and nominations

[edit] Ratings

[edit] References

  1. ^ Brooks, Brian. indieWIRE, "Clooney Speaks Out About Journalism and Filmmaking As NYFF Opens." Retrieved: April 24, 2007.
  2. ^ Friedman, Roger. Fox News.com, "Clooney Bets House on New Film," September 27, 2005. Retrieved: December 30, 2007.
  3. ^ SketchUp case studies.
  4. ^ Brooks, Brian. indieWIRE, ibid.
  5. ^ Shafer, Jack. Slate.com., "Edward R. Movie - Good Night, and Good Luck and bad history." Retrieved: March 1, 2006.
  6. ^ Ebert, Roger. Chicago Sun-Times, film review, "Good Night, and Good Luck." Chicago Sun-Times. Retrieved: April 23, 2007.

[edit] See also

[edit] External links

v • d • e
American films of the 2000s
2000 •2001 •2002 •2003 •2004 •2005 •2006 •2007 •2008
v • d • e
Films directed by George Clooney

Confessions of a Dangerous Mind (2002) • Good Night, and Good Luck. (2005) • Leatherheads (2007)
Retrieved from "http://en.wikipedia.org/wiki/Good_Night%2C_and_Good_Luck."
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