Herman Melville

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Herman Melville

Photograph of Herman Melville
Born August 1, 1819(1819-08-01)
New York City, New York, United States
Died September 28, 1891 (aged 72)
New York City, New York
Occupation novelist, short story writer, teacher, sailor, lecturer, poet
Nationality American
Genres travelogue, Captivity narrative, Sea story, Gothic Romanticism, Allegory, Tall tale
Literary movement Romanticism, Dark Romanticism, and Skepticism; precursor to Modernism, precursor to absurdism and existentialism
Influences
Influenced

Herman Melville (August 1, 1819 – September 28, 1891) was an American novelist, short story writer, essayist and poet. His first two books gained much attention, though they were not bestsellers, and his popularity declined precipitously after only a few years. By the time of his death he had been almost completely forgotten, but his longest novel, Moby-Dick — largely considered a failure during his lifetime, and most responsible for Melville's fall from favor with the reading public — was recognized in the 20th century as one of the chief literary masterpieces of both American and world literature.

Contents

[edit] Life

Herman Melville was born in New York City on August 1, 1819, as the third child of Allan and Maria Gansevoort Melvill. (After Allan died, Maria added an "e" to the surname.) Part of a well-established - if colorful - Boston family, Melville's father spent a good deal of time abroad doing business deals as a commission merchant and an importer of French dry goods. His paternal grandfather, Major Thomas Melville, an honored survivor of the Boston Tea Party who refused to change the style of his clothing or manners to fit the times, was depicted in Oliver Wendell Holmes's poem "The Last Leaf". Herman visited him in Boston, and his father turned to him in his frequent times of financial need. The maternal side of Melville's family was Hudson Valley Dutch. His maternal grandfather was General Peter Gansevoort, a hero of the battle of Saratoga; in his gold-laced uniform, the general sat for a portrait painted by Gilbert Stuart. The portrait appeared in Melville's later novel, Pierre, for Melville wrote out of his familial as well as his nautical background. Like the titular character in Pierre, Melville found satisfaction in his "double revolutionary descent."[citation needed]

Allan Melvill sent his sons to the New York Male School (Columbia Preparatory School). Overextended financially and emotionally unstable, Allan tried to recover from his setbacks by moving his family to Albany in 1830 and going into the fur business. The new venture ended in disastrous failure, and in 1832 Allan Melvill died of a sudden illness that included mental collapse, leaving his family in poverty. Although Maria had well-off kin, they were concerned with protecting their own inheritances and taking advantage of investment opportunities rather than settling their mother's estate so Maria's family would be more secure.

Herman Melville's roving disposition and a desire to support himself independently of family assistance led him to seek work as a surveyor on the Erie Canal. This effort failed, and his brother helped him get a job as a cabin boy on a New York ship bound for Liverpool. He made the voyage, and returned on the same ship. Redburn: His First Voyage (1849) is partly based on his experiences of this journey.

Herman Melville
Herman Melville

The succeeding three years (1837 to 1840) (voyage to Liverpool was 1839) were mostly occupied with school-teaching. Near the end of 1840 he once again decided to sign ship's articles; on New Year's Day, 1841, he sailed from Fairhaven, Massachusetts on the whaler Acushnet, which was bound for the Pacific Ocean. The vessel sailed around Cape Horn and traveled to the South Pacific. Melville left very little direct information about the events of this 18 months' cruise, although his whaling romance, Moby-Dick; or, The Whale, probably gives many pictures of life on board the Acushnet. Melville deserted the Acushnet in the Marquesas Islands, and for three weeks lived among the Typee natives, who were called cannibals by the two other tribal groups on the island but treated him very well. His book Typee describes a brief love affair with a beautiful native girl, Fayaway, who generally "wore the garb of Eden" and came to epitomize the guileless noble savage in the popular imagination, but we have no evidence of Melville's actual activities among the islanders.

Melville did not seem to be concerned about repercussions from his desertion of the Acushnet. He boarded another whaler bound for Hawaii and left that ship in Honolulu. After working as a clerk for four months he joined the crew of the frigate USS United States, which reached Boston in October of 1844. These experiences were described in Typee, Omoo, and White Jacket, which were published as novels mainly because few believed their veracity.

Typee was published in 1846 in London after being rejected by a Boston publisher; it became an overnight bestseller in London. The Boston publisher subsequently accepted Omoo sight unseen. Typee and Omoo gave Melville overnight notoriety as a writer and adventurer, although the novels did not generate enough royalties for him to live on. Omoo was not as colorful as Typee, and readers began to realize Melville was not just producing adventure stories. Redburn and White-Jacket had no problem finding publishers. Mardi was a disappointment for readers who wanted another rollicking and exotic sea yarn.

Melville married Elizabeth Shaw (daughter of noted Massachusetts jurist Lemuel Shaw) on August 4, 1847. They had four children, two sons and two daughters. In 1850 they purchased Arrowhead, a farm house in Pittsfield, Massachusetts that is today a museum. Here Melville remained for thirteen years, occupied with his writing and managing his farm. There he befriended the author Nathaniel Hawthorne, who lived in nearby Lenox. Melville, something of an intellectual loner for most of his life, was tremendously inspired and encouraged by his new relationship with Hawthorne [1] during the very period that he was writing one of the greatest works in the English language, Moby-Dick (dedicating it to Hawthorne[2]), though their friendship was on the wane only a short time later, when he wrote Pierre there. However, these works did not achieve the popular and critical success of his earlier books. Following scathing reviews of Pierre by critics, publishers became wary of Melville's work. His publisher, Harper & Brothers, rejected his next manuscript, Isle of the Cross which has been lost.

For financial reasons, Melville was persuaded while in Pittsfield to enter what was for others the lucrative field of lecturing. From 1857 to 1860, he spoke at lyceums, chiefly on the South Seas. Turning to poetry, he gathered a collection of verse that failed to interest a publisher. In 1863, he and his wife resettled, with their four children, in New York City. After the end of the American Civil War, he published Battle Pieces and Aspects of the War (1866), a collection of over seventy poems that was generally panned by critics. His professional writing career was at an end and his marriage was unhappy when in 1867 his oldest son, Malcolm, shot himself, perhaps accidentally. Pulling his life together, Melville used his influence to obtain a position as customs inspector for the City of New York (a humble but adequately-paying appointment), and held the post for 19 years. (The customs house was ironically on Gansevoort St., which was named after his mother's prosperous family.) In 1876 his uncle Peter Gansevoort, by a bequest, paid for the publication of the massive epic poem, Clarel. Two volumes of poetry followed: John Marr (1888) and Timoleon (1891).

After an illness that lasted several months, Melville died at his home in New York City early on the morning of September 28, 1891, age 72. His New York Times obituary called him "Henry Melville." He was interred in the Woodlawn Cemetery in The Bronx, New York.

From about age thirty-three, Melville ceased to be popular with a broad audience because of his increasingly philosophical, political and experimental tendencies. His novella Billy Budd, Sailor, unpublished at the time of his death, was published in 1924. Later it was turned into an opera by Benjamin Britten, a play, and a film by Peter Ustinov.

In Herman Melville's Religious Journey, Walter Donald Kring detailed his discovery of letters indicating that Melville had been a member of the Unitarian Church of All Souls in New York City. Until this revelation, little had been known of his religious affiliation. Parker in the second volume of his biography makes it clear that Melville became a nominal member only to placate his wife. He despised Unitarianism and its associated "ism", Utilitarianism. (The great English Unitarians were Utilitarians.) See the 2006 Norton Critical Edition of The Confidence-Man for more detail on Melville and religion than in Parker's 2002 volume.

[edit] Publications and contemporary reactions

Title page of the first U.S. edition of Moby-Dick, 1851.
Title page of the first U.S. edition of Moby-Dick, 1851.

Most of Melville's novels were published first in the United Kingdom and then in the U.S. Sometimes the editions contain substantial differences; at other times different printings were either bowdlerized or restored to their pre-bowdlerized state. (For specifics on different publication dates, editions, printings, etc., please see entries for individual novels.)

Moby-Dick has become Melville's most famous work and is often considered one of the greatest literary works of all time. It was dedicated to Melville's friend Nathaniel Hawthorne.[2] It did not, however, make Melville rich. The book never sold its initial printing of 3,000 copies in his lifetime, and total earnings from the American edition amounted to just $556.37 from his publisher, Harper & Brothers. Melville also wrote Billy Budd, White-Jacket, Typee, Omoo, Pierre, The Confidence-Man and many short stories and works of various genres.

Melville is less well known as a poet and did not publish poetry until late in life. After the Civil War, he published Battle Pieces and Aspects of the War, which did not sell well; of the Harper & Bros. printing of 1200 copies, only 525 had been sold ten years later.[3] But again tending to outrun the tastes of his readers, Melville's epic length verse-narrative Clarel, about a student's pilgrimage to the Holy Land, was also quite obscure, even in his own time. This may be the longest single poem in American literature. The poem, published in 1876, had an initial printing of only 350 copies. The critic Lewis Mumford found a copy of the poem in the New York Public Library in 1925 "with its pages uncut".[citation needed] In other words, it had sat there unread for 50 years.

His poetry is not as highly critically esteemed as his fiction, although some critics place him as the first modernist poet in the United States; others would assert that his work more strongly suggest what today would be a postmodern view.[citation needed] Clarel has won the admiration of no less a critic than Helen Vendler, who read it in preparation for the 1976 Pittsfield Centennial Celebration.

[edit] The Melville Revival

After the success of travelogues based on voyages to the South Seas and stories based on misadventures in the merchant marine and navy, Melville's popularity declined dramatically. In the later years of his life and during the years after his death he was recognized, if at all, as only a minor figure in American literature.

However, a confluence of publishing events in the 1920s brought about a reassessment now commonly called the Melville Revival. The two books generally considered most important to the Revival[citation needed] were both brought forth by Raymond Weaver: his 1921 biography Herman Melville: Man, Mariner and Mystic and his 1924 version of Melville's last great but never quite finished or properly organized work, Billy Budd, which Melville's granddaughter gave to Weaver when he visited her for research on the biography. The other works that helped fan the Revival flames were Carl Van Doren's The American Novel (1921), D. H. Lawrence's Studies in Classic American Literature (1923), and Lewis Mumford's biography, Herman Melville: A Study of His Life and Work (1929).

Additionally, over the past 50 years there has been an emerging interest concerning a perceived homo-erotic sub-text of Melville's writings[4]. Homoerotic overtones have been found in the early seafaring novels, from extended descriptions of the male beauty of the South Sea islanders to romanticised depictions of sailor friends, and comrades on board ship[5]. In Moby Dick, male bonding has been found in the "marriage bed" episode involving Ishmael and Queequeg, as well as in the metaphoric "Squeeze of the Hand" chapter describing the camaraderie of sailors extracting spermaceti from a dead whale[6]. Billy Budd, written at the very end of Melville's life, is considered both the most explicit and somber of his writings in terms of gay content. Billy, innocent and handsome, is destroyed by the evil and sexually repressed master-at-arms Claggert in a harsh and unforgiving world far removed from the simpler, idyllic paradise, described in the earlier South Sea novels[7].

[edit] Bibliography

[edit] Novels

[edit] Short stories

[edit] Poetry

[edit] Books

[edit] Uncollected or unpublished poems

  • "Epistle to Daniel Shepherd"
  • "Inscription for the Slain at Fredericksburgh" [sic]
  • "The Admiral of the White"
  • "To Tom"
  • "Suggested by the Ruins of a Mountain-temple in Arcadia"
  • "Puzzlement"
  • "The Continents"
  • "The Dust-Layers"
  • "A Rail Road Cutting near Alexandria in 1855"
  • "A Reasonable Constitution"
  • "Rammon"
  • "A Ditty of Aristippus"
  • "In a Nutshell"
  • "Adieu"

[edit] Essays (all uncollected during Melville's lifetime)

  • "Fragments from a Writing Desk, No. 1" (Democratic Press, and Lansingburgh Advertiser, May 4, 1839)
  • "Fragments from a Writing Desk, No. 2" (Democratic Press, and Lansingburgh Advertiser, May 18, 1839)
  • "Etchings of a Whaling Cruise" (New York Literary World, March 6, 1847)
  • "Authentic Anecdotes of 'Old Zack'" (Yankee Doodle, II, weekly [September 4 excepted] from July 24 to September 11, 1847)
  • "Mr Parkman's Tour" (New York Literary World, March 31, 1849)
  • "Cooper's New Novel" (New York Literary World, April 28, 1849)
  • "A Thought on Book-Binding" (New York Literary World, March 16, 1850)
  • "Hawthorne and His Mosses" (New York Literary World, August 17 and August 24, 1850)

[edit] Other

  • Correspondence, Ed. Lynn Horth. Evanston, IL and Chicago: Northwestern University Press and The Newberry Library (1993). ISBN 0-8101-0995-6
  • Journals, Ed. Howard C. Horsford with Lynn Horth. Evanston, IL and Chicago: Northwestern Univ. Pr. and The Newberry Library (1989). ISBN 0-8101-0823-2

[edit] References

  1. ^ In the Essay Melville published on Hawthorne's 'Mosses' in the Literary Review of August 1850 he wrote: "To what infinite height of loving wonder and admiration I may yet be borne, when by repeatedly banquetting on these Mosses, I shall have thoroughly incorporated their whole stuff into my being,--that, I can not tell. But already I feel that this Hawthorne has dropped germinous seeds into my soul. He expands and deepens down, the more I contemplate him; and further, and further, shoots his strong New-England roots into the hot soil of my Southern soul.
  2. ^ a b Cheevers, Susan (2006). American Bloomsbury: Louisa May Alcott, Ralph Waldo Emerson, Margaret Fuller, Nathaniel Hawthorne, and Henry David Thoreau; Their Lives, Their Loves, Their Work. Detroit: Thorndike Press. Large print edition. p. 196. ISBN 078629521X.
  3. ^ Collected Poems of Herman Melville, Ed. Howard P. Vincent. Chicago: Packard & Company and Hendricks House (1947), 446.
  4. ^ N. Arvie, Herman Melville, a Critical Biography, New York, 1950.
  5. ^ R. Chase, Herman Melville: A Critical Study, New York, 1949.
  6. ^ E. Haviland Miller, Melville, New York 1975.
  7. ^ E. Kosofsky Sedgwick, Epistemology of the Closet, Berkeley, 1990.
  8. ^ Robert S. Levine, ed. The Cambridge Companion to Herman Melville. Cambridge, England and New York City: Cambridge University Press (1998), xviii. ISBN 0-521-55571-X.

[edit] Further reading

  • Adler, Joyce Sparer. War in Melville's Imagination. New York: New York University Press, 1981. ISBN 0-8147-0575-8
  • Bryant, John, ed. A Companion to Melville Studies. Westport, CT: Greenwood Press, 1986. ISBN 031323874X
  • Bryant, John. Melville and Repose: The Rhetoric of Humor in the American Renaissance. New York: Oxford University Press, 2001. ISBN 0195077822
  • Beaulieu, Victor-Levy. Monsieur Melville. Toronto: Coach House, 1978, tr. 1985. ISBN 0-88910-239-2
  • Delbanco, Andrew. Melville: His World and Work. New York: Knopf, 2005. ISBN 0-375-40314-0
  • Garner, Stanton. The Civil War World of Herman Melville. Lawrence: UP of Kansas, 1993. ISBN 0-7006-0602-5
  • Goldner, Loren. Herman Melville: Between Charlemagne and the Antemosaic Cosmic Man. Race, Class and the Crisis of Bourgeois Ideology in an American Renaissance Writer. New York: Queequeg Publications, 2006. ISBN 0-9700-308-2-7.
  • Hayford, Harrison. "Melville's Prisoners." Foreword by Hershel Parker. Evanston: Northwestern University Press, 2003. ISBN 0-8101-1973-0.
  • Higgins, Brian, and Hershel Parker. "Reading PIERRE, or The Ambiguities." Baton Rouge: LSU Press, 2006. ISBN 13:978-0-8071-3226-5
  • Levine, Robert S., ed. The Cambridge Companion to Herman Melville. Cambridge, UK & New York: Cambridge University Press, 1998. ISBN 0-521-55571-X
  • Martin, Robert K. Hero, Captain, and Stranger: Male Friendship, Social Critique, and Literary Form in the Sea Novels of Herman Melville.
  • Parker, Hershel. Herman Melville: A Biography (Volume 1, 1819-1851). Baltimore: The Johns Hopkins University Press, 1996. Paperback edition, 2005: ISBN 0-8018-8185-4
  • Herman Melville: A Biography (Volume 2, 1851-1891). Baltimore: The Johns Hopkins University Press, 2002. Paperback edition, 2005: ISBN 0-8018-8186-2
  • Parker, Hershel. "Reading BILLY BUDD." Evanston: Northwestern University Press, 1991. ISBN 0-8101-0962-X (paperback).
  • Renker, Elizabeth. Strike Through the Mask: Herman Melville and the Scene of Writing. Baltimore: The Johns Hopkins University Press, 1996. Reprint (paperback) edition, 1997: ISBN 0-8018-5875-5
  • Robertson-Lorant, Laurie. Melville: A Biography. New York: Clarkson Potter/Publishers, 1996. ISBN 0-517-59314-9
  • Rogin, Michael Paul. Subversive Genealogy: The Politics and Art of Herman Melville. New York: Knopf, 1983. ISBN 0-394-50609-X
  • Sachs, Viola (1987). The Game of Creation: The Primeval Unlettered Language of Moby Dick, Or, The Whale. Paris: Éditions de la Maison des sciences de l'homme. ISBN 290172535X. 
  • Sachs, Viola (1975). La Contre-Bible de Melville: 'Moby-Dick' déchiffré". London: Maney Publishing. ISBN 9782719304419. 
  • Sachs, Viola (1985). Le Blanc et le Noir chez Melville et Faulkner. The Hague: Walter De Gruyter Inc. ISBN 9027979618. 
  • Melville, Herman: Typee, Omoo, Mardi (G. Thomas Tanselle, ed.) (Library of America, 1982) This is the very first volume in the Library of America. ISBN 0-94045000-4
  • Melville, Herman: Redburn, White-Jacket, Moby-Dick (G. Thomas Tanselle, ed.) (Library of America, 1983) ISBN 0-94045009-7
  • Melville, Herman: Pierre, Israel Potter, The Confidence-Man, Tales & Billy Budd (Harrison Hayford, ed.) (Library of America, 1985) This volume also contains Melville's essays. ISBN 0-94045024-0

[edit] External links

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NAME Melville, Herman
ALTERNATIVE NAMES
SHORT DESCRIPTION American novelist, essayist and poet
DATE OF BIRTH August 1, 1819(1819-08-01)
PLACE OF BIRTH New York City
DATE OF DEATH September 28, 1891
PLACE OF DEATH New York City
Retrieved from "http://en.wikipedia.org/wiki/Herman_Melville"
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