Hades

From Wikipedia, the free encyclopedia

Jump to: navigation, search

Part of a series on
Hell / Underworld
The Fall of Wicked

Religions:

Words:

Related:

This box: view • talk • edit
For other uses, see Hades (disambiguation).

Hades (from Greek ᾍδης, Hadēs, originally Ἅιδης, Haidēs or Άΐδης, Aidēs, probably from Indo-European *n̥-wid- 'unseen'[1]) refers to the ancient Greek underworld, the abode of Hades, and to Hades in Homer referred just to the god; ᾍδου, Haidou its genitive, was an elision of "the house of Hades." Eventually, the nominative, too, came to designate the abode of the dead.

In Greek mythology, Hades and his brothers Zeus and Poseidon defeated the Titans and claimed rulership over the universe ruling the underworld, sky, and sea, respectively. Because of his association with the underworld, Hades is often interpreted as a grim figure.

Hades was also called Pluto (from Greek Πλούτων Ploutōn), and by this name known as "the unseen one", or "the rich one". In Roman mythology, Hades/Pluto was called Dis Pater and Orcus. The corresponding Etruscan god was Aita. The symbols associated with him are the bident and the three-headed dog, Cerberus.

In Christian theology, the term hades refers to the abode of the dead, where the dead await Judgement Day either at peace or in torment (see Hades in Christianity below).

Contents

[edit] Hades, Abode of the Dead

Main article: Greek underworld
Hades and Kerberos - from Meyers Konversationslexikon - 1888
Hades and Kerberos - from Meyers Konversationslexikon - 1888

In older Greek myths, Hades is the misty and gloomy[2] abode of the dead, where all mortals go. In later Greek philosophy appeared the idea that all mortals are judged after death and are either rewarded or cursed.

There were several sections of Hades, including the Elysian Fields (contrast the Christian Paradise or Heaven), and Tartarus, (compare the Christian Hell). Greek mythographers were not perfectly consistent about the geography of the afterlife. A contrasting myth of the afterlife concerns the Garden of the Hesperides, often identified with the Isles of the Blessed, where the blest heroes may dwell.

In Roman mythology, an entrance to the underworld located at Avernus, a crater near Cumae, was the route Aeneas used to descend to the Underworld. By synecdoche, "Avernus" could be substituted for the underworld as a whole. The Inferi Dii were the Roman gods of the underworld.

The deceased entered the underworld by crossing the Acheron, ferried across by Charon (kair'-on), who charged an obolus, a small coin for passage, placed under the tongue of the deceased by pious relatives. Paupers and the friendless gathered for a hundred years on the near shore. Greeks offered propitiatory libations to prevent the deceased from returning to the upper world to "haunt" those who had not given them a proper burial. The far side of the river was guarded by Cerberus, the three-headed dog defeated by Heracles (Roman Hercules). Passing beyond Cerberus, the shades of the departed entered the land of the dead to be judged.

Since Hades was the ruler of the Underworld, it makes sense to note one of the key features of this region – its myriad rivers. These rivers had names and symbolic meanings: the five rivers of Hades are Acheron (the river of sorrow), Cocytus (lamentation), Phlegethon (fire), Lethe (forgetfulness) and Styx (hate). See also Eridanos. The Styx forms the boundary between upper and lower worlds.

The first region of Hades comprises the Fields of Asphodel, described in Odyssey xi, where the shades of heroes wander despondently among lesser spirits, who twitter around them like bats. Only libations of blood offered to them in the world of the living can reawaken in them for a time the sensations of humanity.

Beyond lay Erebus, which could be taken for a euphonym of Hades, whose own name was dread. There were two pools, that of Lethe, where the common souls flocked to erase all memory, and the pool of Mnemosyne ("memory"), where the initiates of the Mysteries drank instead. In the forecourt of the palace of Hades and Persephone sit the three judges of the Underworld: Minos, Rhadamanthys and Aeacus. There at the trivium sacred to Hecate, where three roads meets, souls are judged, returned to the Fields of Asphodel if they are neither virtuous nor evil or bsent by the road to Tartarus if they are impious or evil, or sent to Elysium (Islands of the Blest) with the heroic or blessed.

In the Sibylline Oracles, a curious hodgepodge of Greco-Roman and Judaeo-Christian elements, Hades again appears as the abode of the dead, and by way of folk etymology, it even derives Hades from the name Adam (the first man), saying it is because he was the first to enter there.[3]

[edit] Hades in Christianity

Main article: Hades in Christianity

Like other first-century Jews literate in Greek, early Christians used the Greek word Hades to translate the Hebrew word Sheol. Thus, in Acts 2:27, the Hebrew phrase in Psalm 16:10 appears in the form: "you will not abandon my soul to Hades." Death and Hades are repeatedly associated in the Book of Revelation.[4]

The ancient Christian Churches[5] hold that a final universal judgement will be pronounced on all human beings when soul and body are reunited in the resurrection of the dead.

Some other denominations, such as the Jehovah's Witnesses, hold that, until the resurrection, the dead simply cease to exist or, if they exist at all, do so in a state of unconsciousness.[6] (See Annihilationism.)

[edit] Hades, the lord of the Underworld

Greek underworld
Residents
Geography
Famous Inmates

In Greek mythology, Hades (the "unseen"), the god of the underworld, was a son of the Titans, Cronus and Rhea. He had three sisters, Demeter, Hestia, and Hera, as well as two brothers , Poseidon his older brother and Zeus his younger brother: the six of them were Olympian gods.

Upon reaching adulthood, Zeus managed to force his father to disgorge his siblings. After their release the six younger gods, along with allies they managed to gather, challenged the elder gods for power in the Titanomachy, a divine war. Zeus, Poseidon and Hades received weapons from the three Cyclopes to help in the war. Zeus the thunderbolt; Hades the Helm of Darkness; and Poseidon the trident. During the night before the first battle Hades put on his helmet and, being invisible, slipped over to the Titans' camp and destroyed their weapons. The war lasted for ten years and ended with the victory of the younger gods. Following their victory, according to a single famous passage in the Iliad (xv.187–93), Hades and his two brothers, Poseidon and Zeus, drew lots[7] for realms to rule. Zeus got the sky, Poseidon got the seas, and Hades received the underworld,[8] the unseen realm to which the dead go upon leaving the world as well as any and all things beneath the earth.

Hades obtained his eventual consort and queen, Persephone, through trickery, a story that connected the ancient Eleusinian Mysteries with the Olympian pantheon. Helios told the grieving Demeter that Hades was not unworthy as a consort for Persephone:

"Aidoneus, the Ruler of Many, is no unfitting husband among the deathless gods for your child, being your own brother and born of the same stock: also, for honor, he has that third share which he received when division was made at the first, and is appointed lord of those among whom he dwells."

Despite modern connotations of death as "evil," Hades was actually more altruistically inclined in mythology. Hades was often portrayed as passive rather than evil; his role was often maintaining relative balance.

Hades ruled the dead, assisted by others over whom he had complete authority. He strictly forbade his subjects to leave his domain and would become quite enraged when anyone tried to leave, or if someone tried to steal the souls from his realm. His wrath was equally terrible for anyone who tried to cheat death or otherwise crossed him, as Sisyphus and Pirithous found out to their sorrow.

Besides Heracles, the only other living people who ventured to the Underworld were all heroes: Odysseus, Aeneas (accompanied by the Sibyl), Orpheus, Theseus, Pirithoüs(see note 18), and Psyche. None of them was especially pleased with what they witnessed in the realm of the dead. In particular, the Greek war hero Achilles, whom Odysseus met in Hades (although some believe that Achilles dwells in the Isles of the Blest), said:

"Do not speak soothingly to me of death, glorious Odysseus. I should choose to serve as the hireling of another, rather than to be lord over the dead that have perished."
—Achilles' soul to Odysseus. Homer, Odyssey 11.488
Hades, labelled as "Plouton", "The Rich One", bears a cornucopia on an Attic red-figure amphora, ca 470 BC.
Hades, labelled as "Plouton", "The Rich One", bears a cornucopia on an Attic red-figure amphora, ca 470 BC.

Hades, god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reticent to swear oaths in his name, and averted their faces when sacrificing to him. To many, simply to say the word "Hades" was frightening. So, euphemisms were pressed into use. Since precious minerals come from under the earth (i.e., the "underworld" ruled by Hades), he was considered to have control of these as well, and was referred to as Πλούτων (Plouton, related to the word for "wealth"), hence the Roman name Pluto. Sophocles explained referring to Hades as "the rich one" with these words: "the gloomy Hades enriches himself with our sighs and our tears." In addition, he was called Clymenus ("notorious"), Eubuleus ("well-guessing"), and Polydegmon ("who receives many"), all of them euphemisms for a name it was unsafe to pronounce, which evolved into epithets.

Although he was an Olympian, he spent most of the time in his dark realm. Formidable in battle, he proved his ferocity in the famous Titanomachy, the battle of the Olympians versus the Titans, which established the rule of Zeus.

Because of his dark and morbid personality, he was not especially liked by either the gods nor the mortals. Feared and loathed, Hades embodied the inexorable finality of death: "Why do we loathe Hades more than any god, if not because he is so adamantine and unyielding?" The rhetorical question is Agamemnon's (Iliad ix). He was not, however, an evil god, for although he was stern, cruel, and unpitying, he was still just. Hades ruled the Underworld and therefore most often associated with death and was feared by men, but he was not Death itself — the actual embodiments of Death were Thanatos (violent death) and Hypnos (peaceful or natural death).

When the Greeks propitiated Hades, they banged their hands on the ground to be sure he would hear them[citation needed]. Black animals, such as sheep, were sacrificed to him, and the very vehemence of the rejection of human sacrifice expressed in myth[9] suggests an unspoken memory of some distant past. The blood from all chthonic sacrifices including those to propitiate Hades dripped into a pit or cleft in the ground. The person who offered the sacrifice had to avert his face.[10] Every hundred years festivals were held in his honor, called the Secular Games.

Hades' weapon was a two-pronged fork, which he used to shatter anything that was in his way or not to his liking, much as Poseidon did with his trident. This ensign of his power was a staff with which he drove the shades of the dead into the lower world.

His identifying possessions included a famed helmet of darkness, given to him by the Cyclopes, which made anyone who wore it invisible. Hades was known to sometimes loan his helmet of invisibility to both gods and men (such as Perseus). His dark chariot, drawn by four coal-black horses, always made for a fearsome and impressive sight. His other ordinary attributes were the Narcissus and Cypress plants, the Key of Hades and Cerberus, the three-headed dog. He sat on an ebony throne.

In the Greek version of an obscure Judaeo-Christian work known as 3 Baruch (never considered canonical by any known group), Hades is said to be a dark, serpent-like monster or dragon who drinks a cubit of water from the sea every day, and is 200 plethra (20,200 English feet, or nearly four miles) in length.

[edit] Artistic representations

Hades is rarely represented in classical arts, save in depictions of the Rape of Persephone.[11][12] Hades is also mentioned in The Odyssey, when Odysseus visits the underworld as part of his journey. However, in this instance it is Hades the place, not the god.

Persephone and Hades Ploutos (with cornucopia): tondo of an Attic red-figured kylix, ca. 440–430 BCE
Persephone and Hades Ploutos (with cornucopia): tondo of an Attic red-figured kylix, ca. 440–430 BCE

[edit] Persephone

The consort of Hades was Persephone, represented by the Greeks as daughter of Zeus and Demeter. Persephone did not submit to Hades willingly, but was abducted by him while picking flowers with her friends. Persephone's mother missed her and without her daughter by her side she cast a curse on the land and there was a great famine. Hades tricked Persephone into eating pomegranate seeds (though some stories say they fell in love and to ensure her return to him, he gave her the pomegranate seeds):

"But he on his part secretly gave her sweet pomegranate seed to eat, taking care for himself that she might not remain continually with grave, dark- robed Demeter."

Demeter questioned Persephone on her return to light and air:

"…but if you have tasted food, you must go back again beneath the secret places of the earth, there to dwell a third part of the seasons every year: yet for the two parts you shall be with me and the other deathless gods."[13]

Thus every year Hades fights his way back to the land of the living with Persephone in his chariot. Famine (autumn and winter) occurs during the months that Persephone is gone and Demeter grieves in her absence. It is believed that the last half of the word Persephone comes from a word meaning 'to show' and evokes an idea of light. Whether the first half derives from a word meaning 'to destroy' – in which case Persephone would be 'she who destroys the light.'

[edit] Theseus and Pirithous

Hades imprisoned Theseus and Pirithous, who had pledged to marry daughters of Zeus. Theseus chose Helen and together they kidnapped her and decided to hold onto her until she was old enough to marry. Pirithous chose Persephone. They left Helen with Theseus' mother, Aethra and traveled to the underworld. Hades pretended to offer them hospitality and set a feast; as soon as the pair sat down, snakes coiled around their feet and held them there. Theseus was eventually rescued by Heracles but Pirithous remained trapped as punishment for daring to seek the wife of a god for his own.

[edit] Heracles

Heracles' final labour was to capture Cerberus. First, Heracles went to Eleusis to be initiated into the Eleusinian Mysteries. He did this to absolve himself of guilt for killing the centaurs and to learn how to enter and exit the underworld alive. He found the entrance to the underworld at Tanaerum. Athena and Hermes helped him through and back from Hades. Heracles asked Hades for permission to take Cerberus. Hades agreed as long as Heracles didn't harm him, though in some versions, Heracles shot Hades with an arrow. When Heracles dragged the dog out of Hades, he passed through the cavern Acherusia.

[edit] Orpheus and Eurydice

Hades showed mercy only once: when Orpheus traveled to the underworld to recover his wife, Eurydice. He played such hauntingly good music, that Hades allowed Orpheus to return Eurydice to the land of the living with one condition: that until they reach the surface, he was not allowed to look back to verify if she was behind him. Orpheus agreed; however, he thought that Hades had tricked him and given him the wrong soul. He glanced behind him, thus breaking his promise to Hades and losing Eurydice again. He would reunite with her only after his death.

[edit] Minthe and Leuce

According to Ovid, Hades pursued and would have won the nymph Minthe, associated with the river Cocytus, had not Persephone turned Minthe into the plant called mint. Similarly the nymph Leuce, who was also ravished by him, was metamorphosed by Hades into a white poplar tree after her death. Another version is that she was metamorphosed by Persephone into a white poplar tree while standing by the pool of Memory.

[edit] Epithets and other names

Hades, "the son of Cronos, He who has many names" was the "Host of Many" in the Homeric Hymn to Demeter.[14] The most feared of the Olympians had euphemistic names as well as attributive epithets.

  • Aïdoneus
  • Chthonian Zeus
  • Pluton
  • Plouto(n) ("the giver of wealth")
  • The Rich One
  • The Unseen One
  • The Silent One

[edit] Roman mythology

  • Dis
  • Dis Pater
  • Dis Orcus

[edit] Notes

  • D' Aulaire's Book of Greek Myths
  1. ^ Vyacheslav V. Ivanov, "Old Novgorodian Nevide, Russian nevidal’: Greek ἀίδηλος," citing Robert S.P. Beekes, "Hades and Elysion" in J. Jasanoff, et al., eds., Mír Curad: Studies in Honor of Calvert Watkins, 1998. Beekes shows that Thieme’s derivation from *som wid- is semantically untenable. Analogously, the Hebrew word for the abode of the dead, Sheol, also literally means "unseen." Plato's Cratylus discusses the etymology extensively, with the character of Socrates asserting that the god's name is not from aiedes (unseen) as commonly thought, but rather from "his knowledge (eidenai) of all noble things".
  2. ^ Homeric Hymn to Demeter
  3. ^ Sibylline Oracles Bk. I, 101–3
  4. ^ Revelation 1:18, 6:8, Rev 20:13–14
  5. ^ The Assyrian Church of the East, Oriental Orthodoxy, the Eastern Orthodox Church and the Roman Catholic Church
  6. ^ "The dead are conscious of nothing." Ecclesiastes 9:5 & Beliefs — God, Man, and the Future
  7. ^ Walter Burkert, in The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age, 1992, (pp 90ff) compares this single reference with the Mesopotamian Atra-Hasis: ""the basic structure of both texts is astonishingly similar." The drawing of lots is not the usual; Hesiod (Theogony, 883) declares that Zeus overthrew his father and was acclaimed king by the other gods. "There is hardly another passage in Homer which comes so close to being a translation of an Akkadian epic," Burkert concludes (p. 91).
  8. ^ Poseidon speaks: "For when we threw the lots I received the grey sea as my abode, Hades drew the murky darkness, Zeus, however, drew the wide sky of brightness and clouds; the earth is common to all, and spacious Olympus." Iliad 15.187
  9. ^ Pelops among others.
  10. ^ Kerenyi, Gods of the Greeks 1951:231.
  11. ^ The Rape of Persephone Museo Archeologico Nazionale di Napoli, Naples, Italy
  12. ^ Vermeule, Emily. "Mythology in Mycenaean Art", The Classical Journal, Vol. 54, No. 3, JSTOR, 1958-12-01, pp. 97-108. Retrieved on 2007-10-21. 
  13. ^ Homeric Hymn to Demeter.
  14. ^ Homeric Hymn to Demeter

[edit] External links

Wikimedia Commons has media related to:
Maps of the Underworld (Greek mythology)
The God Hades
Greek deities series
Primordial deities | Titans | Aquatic deities | Chthonic deities
Twelve Olympians
Zeus | Hera | Poseidon | Hades | Hestia | Demeter | Aphrodite
Athena | Apollo | Artemis | Ares | Hephaestus | Hermes | Dionysus
Chthonic deities
Hades | Persephone | Gaia | Demeter | Hecate | Iacchus | Trophonius | Triptolemus | Erinyes


This article may require cleanup to meet Wikipedia's quality standards.
Please improve this article if you can. (November 2007)
Retrieved from "http://en.wikipedia.org/wiki/Hades"
Personal tools