Otis Blackwell

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Otis Blackwell
Also known as John Davenport
Born February 16, 1931
Origin Brooklyn, New York, USA
Died May 6, 2000 (aged 69)
Nashville, Tennessee
Genre(s) East Coast Blues, Rock & Roll, R&B
Occupation(s) Singer, Pianist, Songwriter
Instrument(s) Piano
Years active 1950s - 2002
Label(s) RCA, Groove, Atlantic

Otis Blackwell (16 February 19316 May 2002) was an American songwriter, singer, and pianist whose work significantly influenced rock 'n' roll. His compositions include Little Willie John's "Fever", Jerry Lee Lewis' "Great Balls of Fire" and "Breathless", Elvis Presley's "Don't Be Cruel", "All Shook Up" and "Return to Sender" (with Winfield Scott), and Jimmy Jones' "Handy Man".[1] He should not be confused with another songwriter and producer Robert "Bumps" Blackwell.

Contents

[edit] Biography

Otis Blackwell was born in Brooklyn, New York, and died in Nashville, Tennessee. He learned piano as a child and grew up listening to both R&B and Country music.

He first became famous by winning a local talent contest ("Amateur Night") at the Apollo Theater, Harlem, New York in 1952,[2] led to a recording contract with RCA and then with Jay-Dee. His first release was his own composition "Daddy Rolling Stone" which became a favorite in Jamaica where it was recorded by Derek Martin. The song later became part of The Who's "Mod" repertoire. Enjoying some early recording and performing success, he found his first love was songwriting and by 1955 had settled into the groove that he would ride for decades.[3] His first successes came in 1956 when Little Willie John's R&B hit with the sultry "Fever" was an even bigger pop success for Peggy Lee. Then, "All Shook Up" (first recorded by David Hill on Aladdin) began a highly profitable association with Elvis Presley, who was credited as co-writer. There was a distinct similarity between Blackwell's vocal style and Presley's, which has led to speculation that Elvis adopted some of his songwriter's mannerisms.[4] From 1956 through the early 1960s, they fed off each other's talent, sharing a close musical affinity and, more incredibly, a vocal style so similar as to be eerie. "If you compare the demos with the records, you'll see that Presley's voice were practically an exact copy."[5]

Blackwell was one of the leading figures of early rock 'n' roll, although he was not well known by the public. His own records never cracked the Top 40, yet he wrote million-selling songs for Elvis Presley, Jerry Lee Lewis, Dee Clark and others. He also recruited other songwriters to write for Presley such as Winfield Scott.[6]

From the the jacket liner notes of the Elvis' Golden Records (1958) Anne Fulchino from Radio Corporation of America wrote:

"While sipping coffee, Steve Sholes pulled out a demonstration record of "Don't Be Cruel" and told Elvis it was a new song written by Otis Blackwell, whom Elvis had long admired as a rhythm and blues artist. It took just a few bars to convince Presley that it was a perfect song for him, and he decided to cut it right away. Presley learned the song within minutes--he has an inherent musical sense--and in short order a great master was put on tape.
It isn't often that the title of a song will create a whole new expression in Americana. "All Shook Up" did exactly that. Youngsters and adults alike have made the phrase a common part of everyday usage. The background to the song itself is a rather interesting one. Since the huge success of "Don't Be Cruel", Elvis had been anxious to record another song from the pen of Otis Blackwell. Eventually, Blackwell came around with "All Shook Up." Presley wasn't completely satisfied with the song, and with Blackwell's consent re-wrote part of the lyrics. Thus, as co-writer as well as artist, Presley produced his ninth consecutive gold record, his first in the year 1957."

During an appearance on "Late Night with David Letterman," Blackwell said he'd never met Presley in person. When he was having a contract dispute with his publishing company, he also wrote under the white-sounding pen-name of "John Davenport",[2] Throughout his lifetime, Blackwell composed more than a thousand songs, garnering worldwide sales of close to 200 million records.[7] Colonel Tom Parker, manager of Elvis asked Otis to appear in the Presley movie Girls! Girls! Girls!, for which he had written "Return to Sender," but the superstition about meeting Elvis kept him from accepting.[8]

Many of the songs Blackwell wrote also listed the recording artist and others as co-writers. This was the prevailing practise at the time, because the only royalties an artist could be sure of receiving was those from song-writing. That was the price a writer paid for having top-selling talent record their work. As the tide of rock 'n' roll receded, Blackwell recorded R&B material for numerous labels including Atlantic, MGM and Epic. In later years he was in semi-retirement, making only occasional live appearances. Otis Blackwell is the grandfather of New York socialite Torian Brown.

In 1991, Blackwell was left paralyzed by a stroke. Three years later, Shanachie released Brace Yourself! A Tribute to Otis Blackwell. The album features 15 Blackwell-penned tracks recorded by the likes of Kris Kristofferson ("All Shook Up), Blondie's Debbie Harry ("Don't Be Cruel"), The Smithereens ("Let's Talk About Us"), Graham Parker ("Paralyzed"), and Ronnie Spector ("Brace Yourself").[9] Otis Blackwell died in 2002 of a heart attack and was interred in Woodlawn Memorial Park Cemetery in Nashville, Tennessee.[10]

Personal Quote

"I wrote my songs, I got my money and I boogied."[11]

[edit] Awards and recognitions

Otis Blackwell was inducted into the Nashville Songwriters Hall of Fame in 1986 and in 1991 into the National Academy of Popular Music's Songwriters Hall of Fame.[2] Blackwell's crowning moment came in the late 1980s when the Black Rock Coalition, a prominent organization of black rock musicians, led by Vernon Reid, the lead guitarist of the band, Living Colour, held a tribute for him at the Prospect Park Bandshell in his native Brooklyn. Many prominent musicians and singers took part including Blackwell himself, who performed an assortment of his best songs, including "One Broken Heart for Sale," "Black Trail," "Don't Be Cruel" and "Daddy Rolling Stone."

[edit] Legacy

Otis Blackwell was one of the greatest R&B songwriters of all time.[12] His songwriting style is as uniquely indentifiable as that of Leiber and Stoller, Chuck Berry, or Willie Dixon and helped redefine popular music in America in the 1950s.[7] This is true even though he often collaborated with such partners as Winfield Scott, Eddie Cooley, and Jack Hammer. Blackwell was one of the most important innovators who helped invent the musical vocabulary of rock & roll at its very beginning.[1] Blackwell's works have been recorded into immortality by a host of other major figures in the record field, including Jerry Lee Lewis, Ray Charles, Otis Redding, James Brown, The Who, Billy Joel, James Taylor, Dolly Parton, Conway Twitty, The Judds, Carl Perkins and Peggy Lee, among numerous others. At other times in his career, Blackwell has also been successful as a record producer, having helped turn out hits with artists as diverse as Connie Francis, Mahalia Jackson and Sal Mineo.[13]

[edit] Songs

Songs he composed, with the performer who made them famous, include:

[edit] Selective discography

Year Title Genre Label
2005 1952-1954 Blues, Rock & Roll, R&B Classics R&B
1978 These Are My Songs Blues, Rock & Roll, R&B Inner City
1955 Otis Blackwell 1953-55 Blues, Rock & Roll, R&B Flyright

[edit] Notes

  1. ^ a b Otis Blackwell - Biography. allmusic. Retrieved on 2006-11-20.
  2. ^ a b c Otis Blackwell (1931-2002). Spectropop. Retrieved on 2006-11-20.
  3. ^ Trager, Oliver. Keys to the Rain: The Definitive Bob Dylan Encyclopedia, Billboard Books (2004), page 700 - ISBN 0823079740
  4. ^ Larkin, Colin. The Guinness Encyclopedia of Popular Music, Guinness (1995), page 432 - ISBN 1561591769
  5. ^ Giddins, Gary. Riding on a Blue Note: Jazz and American, Da Capo Press (2000), page 29 - ISBN 0306809249
  6. ^ Winfield Scott. Retrieved on 2006-11-20.
  7. ^ a b Otis Blackwell - Biography. Songwriters Hall of Fame. Retrieved on 2006-11-20.
  8. ^ Giddins, Gary. Riding on a Blue Note: Jazz and American, Da Capo Press (2000), page 37
  9. ^ Billboard: Songwriter Otis Blackwell Dies
  10. ^ Find a Grave: Otis Blackwell
  11. ^ Trager, Oliver. Keys to the Rain: The Definitive Bob Dylan Encyclopedia (2004), page 701
  12. ^ Holly George-Warren &, Anthony Decurtis (Eds.) (1976). The RollingStone Illustrated History of Rock & Roll, 3rd Edition, New York: Random House, p. 27. ISBN 0679737286. 
  13. ^ Song Writers Hall Of Fame info

[edit] External links

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