Everybody remembers the bigger name Coen Bros. regulars, such as John Turturro, Steve Buscemi, John Goodman, Frances McDormand, Billy Bob Thornton and now George Clooney. And of course, there are the one-shot stars, like Nicolas Cage, Gabriel Byrne, Jeff Bridges, William H. Macy, Catherine Zeta-Jones, Julianne Moore, Paul Newman, Albert Finney, Woody Harrelson, Tim Robbins and now Brad Pitt and John Malkovich. But who ever talks about Michael Lerner? He received an Oscar nomination for his supporting role in Barton Fink, yet he never seems to get the same kind of respect that Javier Bardem gets, and it’s not just because Bardem won the award for No Country for Old Men.
With their new film, Burn After Reading, the Coens have again recast some lesser known character actors that I hope get the recognition they deserve. Both Richard Jenkins and J.K. Simmons have previously appeared in the Coens’ films, but each has seriously risen in notability since their last collaboration with the filmmakers. Hopefully, they’ll continue to be cast by the brothers.
Obviously, all my favorite Coen Bros. actors can’t be in every Coen Bros. movie (especially since some of them are dead). And interestingly enough, the brothers’ next film, A Serious Man, is being cast with (so far) only actors they’ve never employed. So, I’d like to take a moment to acknowledge the less-recognized actors and actresses who have done tremendous work for Joel and Ethan, not so much in the hopes that they’ll be re-employed (some can’t be) but in the general interest of giving them some much-needed praise.
Due to the unsurprising popularity of our “10 Movies Sold on a Sex Scene” list a few weeks back, I’ve decided to unleash a sequel. However, catering to both Spoutblog’s traffic and the interests of ever-abundant sex-attracted internetters is only half my reason for this follow-up list. I was mainly motivated by the outcome of the release of Woody Allen’s Vicky Cristina Barcelona, a film that also initially inspired the first list. While Vicky was partly sold on the promise of a threesome between Scarlett Johansson, Javier Bardem and Penelope Cruz, it is now fortunately being celebrated, and it will likely be remembered, primarily for Cruz’s performance. Not for the threesome or for the lesbian kiss.
Other movies sold on a sex scene, though, are not typically so blessed with accolades. And even some that are recognized with high praise at time of release are often later forgotten as anything but fodder for MrSkin and other followers of onscreen sex and nudity. Obviously this means that most of my selections for the previous list may also qualify here, yet I’ve chosen to ignore some certainly fitting titles, including The Brown Bunny and 9 1/2 Weeks, so as not to repeat myself.
Anticipating the worst from Diane English’s new remake of The Women is not just typical low expectations regarding remakes in general. My dread is specifically based on dissatisfaction with remakes and updates of films from the 1930s, arguably the best decade in cinema (it is certainly my favorite). While I may recognize and appreciate some favorable redos, such as DePalma’s Scarface (of which I’ve never really been a fan), Mazursky’s Down and Out in Beverly Hills and the multiple repeats from Hitchcock, I am more often disappointed with attempts to recreate ‘30s classics, even when I approach them with already low standards.
Worst, for me, doesn’t necessarily have to do with the quality of the film alone, especially when related to remakes and updates. The titles and versions I’ve selected are hardly the worst in terms of craft or production value — you’ll note there are no Dracula movies on this list — and a few would almost be acceptable if they were more unique or solitary works.
September is often used as a dumping ground for movies, but this year it also appears to be a dumping ground for once-great or once-promising talents who’ve lost their way. I’ve taken note of at least 10 individuals (actors, actresses and a couple filmmakers) who have new films out this month (I’m counting the Labor Day weekend, too) who are due for a visit from the Ghost of Movies Past.
More specifically, these people need to backtrack to the ‘90s, which is when most of them did their last truly great work. Perhaps they need to take a look at that earlier work and remember what it was they used to do. Or perhaps they just need to get advice from the Coen brothers, who similarly hit a slump in the new millennium, but who are now back on track with a few more Oscars in hand and a new comedy, Burn After Reading, which looks to be more in line with their ‘90s classic The Big Lebowski than their 2000s missteps Intolerable Cruelty and The Ladykillers.
It could be argued that Cage made just as many worthless movies in the ‘90s as he has in the ‘00s. Also, considering his box office success with Ghost Rider and the National Treasure movies, plus his excellent Oscar-nominated dual role in Adaptation, it’s debatable that he’s “lost his way.” But it’s clear to me, at least, that he currently lacks any concern for the quality of his work, as evidenced by this month’s Bangkok Dangerous, which makes even Con Air look well crafted by comparison. In the ‘90s, Cage was doing much greater work for Scorsese, Lynch and even Michael Bay, and he won an Oscar for Best Actor, too. Unless he starts caring about the roles he chooses, he’s more likely to one day receive lifetime recognition by the Razzies than a lifetime achievement award from the Academy. Who he needs to work with again to get it back: the Coens; Uncle Francis (Ford Coppola); Scorsese; even Michael Bay would be good.
Earlier this week, I recommended 10 movies for Democrats to watch. So, to balance things out and hopefully show a lack of bias, I’ve now selected 10 recommendations for Republicans, too. This was actually the more difficult task, because there are so many classic films that display conservative values — and in the 1980s alone, I think there were about a billion films promoting relatively right-wing lifestyles and ideas. Therefore, I’ve limited my picks to the last two decades, except for one underrated gem that left me with quite an impression as a boy.
The Dark Knight(2008) Some said Batman is Bush, others said Cheney, but either way this past summer’s superhero blockbuster resonated with certain conservatives who saw the film as something of an argument about — if not apology for — the actions of the current administration. Similarly, this summer’s Hancock and Iron Man have been read as being particularly relative to Republican politics. …Read more
Last Friday, before conspiracy theorists were questioning who actually birthed newborn Trig Palin, and long before it was announced that Bristol Palin is a (first time?) teen mom-to-be, I was innocently thinking of the more simple Sarah Palin movie. The one that goes sorta like The Contender, except that in this case the nude photos, which may or may not be of the female VP candidate, are pageant-related rather than a remnant of sorority hazing.
Now, of course, despite the gossip blogs’ wet dream that there are indeed scandalous photos out there of the former Miss Alaska runner-up, the movie goes a little more like Juno — or, as many a site has effortlessly picturedit, Juneau. Either way, both The Contender’s Joan Allen and Juno mom Allison Janney could easily pull off the role of Sarah Palin, but I’ve got my heart set on someone else for the part (see above). And I’ve gone ahead and cast the rest of the movie, too (see below). But feel free to comment below with your own choices for each of the cast.
Documentaries and socially-relevant foreign films are sexy, too! Here are my picks for five international hotties who, no matter the plot, create a private porn of their own.
Who is Lior Ashkenazi? I have no idea. What I do know is that finally getting around to watching American-born Israeli director Eytan Fox’s 2004 Walk On Water, starring the incredible Israeli hunk Ashkenazi as a Mossad agent who finds himself intertwined in the lives of the grandson and granddaughter of a fugitive Nazi he’s assigned to capture, I realized I haven’t wanted to lay a movie star this bad since I first laid eyes on Daniel Craig’s 007. The sturdy-bodied, raven-haired Marlboro Man with magnetic eyes and a chin both chiseled and Travolta dimpled is so mesmerizing I can’t get his image out of my head – like a catchy techno tune stuck on endless repeat. The film itself is a fascinating character study for the first hour – until the characters leave the Holy Land for Berlin, wherein the plot descends into ludicrous soap opera melodrama complete with Deutsche drag queens and Jean-Claude Van Damme damage (and Bruce
Springsteen’s annoying “Tunnel of Love” stuck on endless repeat). But none of this really matters because it’s also got – Lior Ashkenazi! (And just to make me more hot and bothered he even gets naked, the camera caressing his hirsute chest – before he soaps up another man. And the character is straight. Continue reading while I take a cold shower.)
The Democratic National Convention is over, and all the ecstatic party members have left Denver to go back to their zombie-esque lives (Bob Hope said it, not me). But after four days of celebrating what it means to be a Democrat, some may not wish to settle down and calmly wait out the next two months until Obama’s (possible) win, let alone the next five months waiting for the candidate to (possibly) be sworn in as President, participating in the normal non-specifically-Democratic, non-self-congratulatory activities that most of us are content with.
So, one thing excited Democrats can do is watch movies that will continue to inspire and encourage their beliefs and politics. As Karina already wrote, The American Presidentis one movie that just barely may allow Obama fans to relive his DNC speech. Also, beginning yesterday, the Oscar-nominated documentary No End in Sight will be available in full on YouTube through till Election Day. Of course, there’s always other anti-war and anti-Bush docs for free viewing online, at such sites as SnagFilms and FreeDocumentaries.org.
And since there are so many docs out there that can make a Democrat giddy with the want for change, I’ve decided to limit today’s list to fictions and dramatizations, because they are more about feelings than facts, and that’s all you really need for political inspiration these days. As usual, I’m leaving out a lot of picks, both obvious and obscure, so feel free to tell us what movie make you feel most proud to be a Democrat.
The 2008 Telluride Film Festival list of movies was revealed this afternoon. Our team on the ground is going to be back with more commentary on the selections but it looks to be an exciting and eclectic festival this year as usual. You can also stay up to date here on SpoutBlog or join in the conversation that develops around these movies on our Telluride Film Festival Group page.
So, Aaron Sorkin, writer of such films as A Few Good Men, The American Presidentand Charlie Wilson’s War, and, of course, creator of TV’s The West Wing, is apparently now working on a movie about Facebook for Sony Pictures and producer Scott Rudin (No Country for Old Men). Yes, that’s right, a Facebook movie. News comes to us directly from the social networking site, as Sorkin himself announced the project by admitting that he has absolutely no clue what Facebook is. And I guess he’s looking for assistance or questions or something. Obviously he’s the perfect guy to be scripting a film about the founding of the site.
I’m drawing a blank right now as to whether or not any websites have officially spawned movies (does AOL count?), but I do recall an idea from 3 years ago to make an internet dating movie sponsored by Friendster, which was to be directed by Harold Ramis and star Topher Grace. I guess the fact that Friendster faded from popularity in favor of MySpace and then Facebook ruined those plans. But is it possible that this new project will fare any better? Social networking sites have a habit of falling out of fashion rather quickly. Oh well, if Facebook: The Movie doesn’t work out, Rudin and Sorkin are welcome to go with any of these other ideas:
10. Friendster- Just because the other Friendster project didn’t pan out doesn’t mean the site can’t still inspire another movie. This one would be all about how Friendster rose to the top quickly and lived the good life until attempts to get even higher went awry and its fans abandoned it. You know, the age old story of celebrity. Sorkin might be interested because of the way it could parallel his hit stage play (and upcoming film) The Farnsworth Invention.
I never went to a normal college, never lived in a proper dorm or experienced fraternity hazing or even rush week from an inside viewpoint. I went to an urban art school and then a commuter school. And though I grew up in a college town and later worked on the campus of another college I didn’t attend, I feel like I don’t have the proper perspective with which to judge most college movies and college kid characters as being true to life. This probably explains why I enjoy so many bad movies set in colleges and/or involving college students. I bet I could even check out a double feature of The House Bunnyand College and have a good time at the movies.
Of course, I do have some semblance of good taste, and I also recognize that none of the following movies are anywhere near the quality of my favorite college movies (including Harold Lloyd’s The Freshman, the Marx Brothers’ Horse Feathersand the Frat Pack’s Old School), or even the beloved Animal House, which I regrettably find to be highly overrated (no, that doesn’t mean I dislike it or think it’s bad or unfunny). The ten movies on today’s list are merely guilty pleasures that I can’t stop appreciating no matter how hard I try or how old I get.
Is multi-medal-winning Olympic swimmer Michael Phelps the next action movie star? Or will he merely become a reality TV staple with the occasional cameo appearance in sports-related films? A recent Hollywood Reporter article weighed Phelps’ future celebrity options, and in response Entertainment Weekly asked its readers if Phelps could possibly be the next Brad Pitt (the magazine also looked at a couple Olympian-turned-actors in a recent slide show). However, while one comment recommended the swimmer for the role of Captain America (wouldn’t Namor or Aquaman make more sense?), it otherwise appears moviegoers are skeptical about Phelps’ chances in Hollywood.
Here at Spout, of course, we’re looking more forward to the Nastia Liukin-Shawn Johnson reform school flick (also discussed on this week’s podcast), but we certainly have room to anticipate the terrible low-budget action pics that Phelps is inevitably going to star in. It’s highly unlikely that he’d gain the stature of Pitt or the greatest athlete-turned-action hero, Arnold Schwarzenegger. So the question is, instead: does Phelps have what it takes to break through onto the list of worst athlete-turned-action heroes of all time? And will his worst fight scene look anything as bad as the following ten examples?
This week, thanks to The Rocker, we can add another fictional band to the long list of music groups created solely for the movies. They’re called Vesuvius, and they’re an ‘80s hair band with a hit song titled “Promised Land.” As part of the film’s marketing, the track was offered as a free download for play on Rock Band (see the clip above). But if you ask me, the wrong tune was used in the promotion. Another song from the soundtrack, also credited to Vesuvius, is called “Pompeii Nights,” and it’s definitely the better of the two.
I’m not surprised, though. While most people favor the songs of Spinal Tap, a once-fictional band that has become popular enough to evolve into a “semi-fictional” performing act, I’ve preferred such gems as “The Whites of Their Eyes” by PEZ® People, from The Big Picture. Also co-written by This is Spinal Tap’s Christopher Guest and Michael McKean, and sung by McKean, this song is apparently so underrated that I can’t even find an audio sample, let along a YouTube clip of the fake band’s music video, which was directed by fictional filmmaker Lydia Johnson (Jennifer Jason Leigh).
Fortunately, for the benefit of this list, the rest of these under-appreciated tracks have a few fellow fans.
But why did the studio suddenly push back its major fall tent pole? Especially after receiving such favorable buzz surrounding its recently unveiled teaser trailer? Warner’s official statement seemed little more than a “just because” stance. So, ever the skeptic and speculator, I’ve compiled this list of more likely excuses:
10. Equus - My first thought after hearing the news was that Harry Potter’s penis was the cause. And I guess I think like Roger Friedman, who is claiming it’s the truth. Of course, unlike Friedman, I don’t really believe there’s any relation between the date change and the fact that Radcliffe will still be appearing nude on Broadway through the fall movie season (Equus runs from September 25 to February 8). If anything, I think it’d help the release of Half-Blood — what vacationing family in NYC wouldn’t want to make it a double feature over Thanksgiving weekend? First watch your kid march in the Macy’s parade, then head over to the Broadhurst Theatre to see Potter’s wand, and finish up the day with a movie screening at the Ziegfeld. OK, so families are apparently more interested in the Billy Elliotmusical. And according to a quote in the new EW, Potter fans might be able to hold out for a nude Radcliffe in Harry Potter and the Deathly Hallows Pt. 2.
There apparently are other reasons to see Woody Allen’s Vicky Cristina Barcelonabesides the infamous lesbian kiss between Scarlett Johansson and Penélope Cruz or the threesome between these actresses and Javier Bardem. But as the first things most of us heard about the movie, the sex scenes are certainly a big sell (the ménage à trois is even being used in a promotional contest to win a “threesome” with ScarJo). Even if they’re reportedly underwhelming.
Promise of tantalizing footage has been an appeal for moviegoers likely since the dawn of cinema, with film pioneer Eadweard Muybridge’s The Human Figure in Motion - Descending Stairs and Turning Aroundfeaturing nudity as far back as the 1880s. And if you’ve seen any of the titles included in today’s list, chances are their respective sex scenes were at least part of what made you buy a ticket (or rent the video).
In this episode: TIFF 08 highlights, is The Fall too weird (or not weird enough?), and Michelle Byrd of IFP tells us what to look forward to at Independent Film Week.
Warner Bros.’ surprise decision last week to move 
