Weekly Feature
Sub Pop 20: Individual Staff Picks
We cap our five-feature celebration of Sub Pop's first 20 years with a look at some records and artifacts from the label's history that, while they didn't make the cut in last week's Sub Pop 20, still mean something to at least one of our staffers.
[Pitchfork Staff]New Features
Guest List: High Places
Rob Barber and Mary Pearson, aka High Places, show off a particularly awesome beach towel, tell us how they found out what aliens really look like, and nearly discover the meaning of life through a free-jazz ringtone. [Interview: Tyler Grisham]
[Rob Barber and Mary Pearson]The Month In: Techno
We round up some of the past few months' best tracks, including releases by Brooks, Marcel Dettmann, Minilogue, and Eve White [above].
Interview: Shudder to Think
We recently sat down with Shudder to Think front man Craig Wedren to discuss the timing of such a reunion, the history behind the group and its seminal album, and the legacy of a band that was ahead of its time.
Interview: Akron/Family
We sit down on a Pennsylvania horse farm to speak to Akron/Family about self-definition, the need to keep changing, and the long, strange road between being a hipster and a hippie.
Preview Weekly Features
Interview: Bruce Pavitt and Jonathan Poneman
To kick off a five-part celebration of Sub Pop's 20th anniversary-- and the concert/party the Seattle label is throwing itself this weekend-- we spoke to the men who founded the classic indie imprint, Bruce Pavitt and Jonathan Poneman.
Interviews
Interview: Paul Weller
Paul Weller, the legendary frontman of the Jam and the Style Council, hits age 50 running with an epic and diverse double-album, 22 Dreams. And he's as surprised as the rest of us.
Interview: Brian Wilson
The former Beach Boys star on his latest Van Dyke Parks collaboration, the music of his late brother Dennis, and his love of California.
Interview: Beck
We talk to Beck about his new album, Modern Guilt, his post-Sea Change transformation, working with Jamie Lidell, how "Loser" was a side project, and why he avoided traditional singer/songwriter material in the first place.
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