Arrigo Boito
From Wikipedia, the free encyclopedia
Arrigo Boito (February 24, 1842 – June 10, 1918), aka Enrico Giuseppe Giovanni Boito, pseudonym Tobia Gorrio, was an Italian poet, journalist, novelist and composer, best known today for his opera libretti and his own opera, Mefistofele.
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[edit] Biography
Born in Padua, the son of an Italian painter of miniatures and Polish countess, Józefina Radolińska, Boito studied music at the Milan Conservatoire, which he finished in 1861. In 1866 he fought under Garibaldi.
The premiere of his only finished opera, Mefistofele, based on Goethe's Faust, took place on March 5, 1868, at La Scala, Milan. The premiere, which he conducted himself, was badly received, provoking riots and duels over its supposed "Wagnerism", and it was closed by the police after two performances. Verdi commented, "He aspires to originality but succeeds only at being strange." Boito withdrew the opera from further performances to rework it, and it had a more successful second premiere, in Bologna, April 10, 1875. Boito's revised and drastically cut version also changed Faust from a baritone to a tenor, and is still frequently performed and recorded today.
Besides Mefistofele, Boito wrote very little music, completing (but later destroying) another opera, Ero e Leandro, and leaving incomplete a further opera, Nerone, which he had been working at, on and off, since 1877 and until 1915. Excluding the last act, for which he left only a few sketches, it was finished after his death by Arturo Toscanini and Vincenzo Tommasini and premiered at Il Teatro alla Scala, 1924. Mefistofele is the only work of his performed with any regularity today. The Prologue to the opera, set in Heaven, is a favorite concert piece.
Boito's literary powers never dried up. As well as writing the libretti for his own operas, Boito wrote them for other composers. As "Tobia Gorrio" (an anagram of his name) he provided the libretto for Amilcare Ponchielli's La Gioconda. His rapprochement with Verdi, whom he had offended in a toast shortly after they had collaborated on Verdi's Inno delle Nazioni ("Hymn of the Nations", London, 1862), was effected by the music publisher Giulio Ricordi. Boito successfully revised the libretto for Verdi's unwieldy Simon Boccanegra, which then premiered to great acclaim in 1881. With that, their mutual friendship and respect blossomed and, though Verdi's projection for an opera based on King Lear never came to anything, Boito provided subtle and resonant libretti for Verdi's last masterpieces, Otello (1887) and Falstaff (1893). When Verdi died, Boito was there at his bedside.
Boito was director of the Parma Conservatoire from 1889 to 1897. He received the honorary degree of doctor of music from Cambridge University in 1893. He died in Milan and was interred there in the Cimitero Monumentale.
A memorial concert was given in his honor at La Scala, in 1948. The orchestra was conducted by Arturo Toscanini. Recorded in very primitive sound, the concert has been issued on CD.
Camillo Boito, Arrigo's older brother, was an Italian architect and engineer, and a noted art critic, art historian and novelist.
[edit] Opera libretti
The years given are those of the premieres.
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- Amleto (Faccio; 1865)
- Un tramonto (Gaetano Coronaro; 1873)
- La falce (Catalani; 1875)
- La Gioconda (Ponchielli; 1876)
- Semira (L. San Germano; never perf.)
- Ero e Leandro (G. Bottesini; 1879 - Luigi Mancinelli; 1897)
- Simon Boccanegra (Giuseppe Verdi; 1881 [revised version])
- Basi e bote (R. Pick-Mangiagalli; 1927)
- Otello (Verdi; 1887)
- Falstaff (Verdi; 1893)
Boïto also provided the text to Verdi's cantata Inno delle Nazioni (24 May 1862, Her Majesty's Theatre, London).
[edit] See also
[edit] References
- Arrigo Boito at the Stanford University: OperaGlass Composer index
- Mefistofele Creative Commons MP3 Recording
- Costantino Maeder, Il real fu dolore e l'ideal sogno. Arrigo Boito e i limiti dell'arte, Cesati: Firenze, 2002.
