R. L. Burnside
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| R. L. Burnside | |
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.jpg) Blues musician R.L. Burnside at the Double Door Inn in Charlotte, N.C. (1998)
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| Background information | |
| Birth name | Robert Lee Burnside |
| Born | November 23, 1926[1] |
| Origin | Oxford, Mississippi, United States |
| Died | September 1, 2005 (aged 78) |
| Genre(s) | North Mississippi blues Delta blues Juke Joint blues |
| Instrument(s) | Guitar, vocals |
| Years active | 1960s — 2005 |
| Associated acts | Burnside Exploration R.L. Burnside and the Sound Machine Calvin Jackson |
R. L. Burnside (born Robert Lee Burnside, November 23, 1926 - September 1, 2005) was a blues singer, songwriter, and guitarist who lived much of his life in and around Holly Springs, Mississippi.
He played music for much of his life, but did not receive much attention until the early 1990s.
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[edit] Early life and career
Burnside was born in Harmontown, Mississippi, in Lafayette County. Burnside spent most of his life in the rural hill country of northern Mississippi, working as a sharecropper and a commercial fisherman, as well as playing guitar at weekend house parties. He was first inspired to pick up the guitar in his early twenties, after hearing the 1948 John Lee Hooker single, "Boogie Chillen" (which inspired numerous other rural bluesmen, among them Buddy Guy, to start playing). He learned music largely from Mississippi Fred McDowell, who lived nearby in an adjoining county. He also cited his cousin-in-law, Muddy Waters, as an influence.
During the 1950s, Burnside grew tired of sharecropping and moved to Chicago, Illinois in the hopes of finding better economic opportunities. But things did not turn out as he had hoped. Within the span of one month his father, brother, and uncle were all murdered in the city, a tragedy that Burnside would later draw upon in his work, particularly in his interpretation of Skip James's "Hard Time Killing Floor" and the talking blues "R.L.'s Story," the opening and closing tracks on Burnside's 2000 album, Wish I Was In Heaven Sitting Down.
Around 1959, he left Chicago and went back to Mississippi to work the farms and raise a family. Burnside claimed to have been convicted for murder and sentenced to six months' incarceration (in Parchman Prison [2]) for the crime. Burnside's boss at the time reputedly pulled strings to keep the murder sentence short, due to having need of Burnside's skills as a tractor driver. "I didn't mean to kill nobody," Burnside later said. "I just meant to shoot the sonofabitch in the head. Him dying was between him and the Lord."[3]
His earliest recordings were made in the late 1960s by George Mitchell and released on Arhoolie Records. Another album of acoustic material was recorded that year and little else was released before Hill Country Blues, in the early 1980s. An album's worth of singles followed, released on ethnomusicology professor Dr. David Evans' Highwater Records label in Memphis, Tennessee.
[edit] Later life and career
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In the 1990s, he began recording for the Oxford, Mississippi, label Fat Possum Records. Founded by Living Blues magazine editor Peter Redvers-Lee and Matthew Johnson, the label was dedicated to recording ageing North Mississippi bluesmen such as Burnside and Junior Kimbrough. Burnside remained with Fat Possum from that time until his death, and he usually performed with his friend and understudy, the slide guitarist Kenny Brown, with whom he began playing in 1971 and claimed as his "adopted son."
In the mid 1990s, Burnside attracted the attention of Jon Spencer, the leader of the Jon Spencer Blues Explosion, touring and recording with this group and gaining a new audience in the process.
After the death of Kimbrough and the burning of Kimbrough's juke joint in Chulahoma, Mississippi, Burnside quit recording studio material for Fat Possum, though he did continue to tour. After a heart attack in 2001, Burnside's doctor advised him to stop drinking; Burnside did, but he reported that change left him unable to play.
Members of his large extended family continue to play blues in the Holly Springs area: grandson Cedric Burnside tours with Kenny Brown, while his son Duwayne Burnside has played guitar with the North Mississippi Allstars (Polaris; Hill Country Revue with R. L. Burnside). Duwayne's solo career began when "Duwayne Burnside and the Mississippi Mafia" recorded "Live At the Mint" in October 1997. Members included Cedric Burnside, Eddie Batos, Joe Hill from Alien Ant Farm, and David Kimbrough, Jr. (Junior Kimbrough's son) with Duwayne's father sitting in on a few tracks. Duwayne and the Mississippi Mafia released "Under Pressure" in March of 2005, which was recorded at Delta Studios in Clarksdale, Mississippi featuring Jimbo Mathus, rhythm guitar (Squirrel Nut Zippers), Roy Cunningham on drums (Stax Sessions), and Burnside's son Garry Burnside on bass guitar. In 2004, the Burnside sons opened Burnside Blues Cafe, located 30 miles southeast of Memphis at the intersection of U.S. Highway 78 and Mississippi Highway 7 in Holly Springs, Mississippi.
In January 2006, Garry and Cedric released The Record under the moniker "Burnside Exploration".
[edit] Death
Burnside had been in declining health since heart surgery in 1999. He passed away at St. Francis Hospital on September 1, 2005 at the age of 78. [4] Services were held at Rust College in Holly Springs [which is also where services were held for his friend, Junior Kimbrough, who died in 2002][5], with burial in the Free Springs Cemetery in Harmontown. Around the time of his passing, he resided in Byhalia, Mississippi and his immediate survivors included:
- His wife: Alice Mae Taylor Burnside (They had been married almost 55 years.) [6]
- Daughters: Mildred Jean Burnside, Linda Jackson, Brenda Kay Brooks, and Pamela Denise Burnside;
- Sons: Melvin Burnside, R.L. Burnside Jr., Calvin Burnside, Joseph Burnside, Daniel Burnside, Duwayne Burnside, Dexter Burnside, Garry Burnside, and Rodger Harmon
- Sisters: Lucille Burnside, Verelan Burnside, and Mat Burnside
- Brother: Jesse Monia
- 35 Grandchildren
- 32 Great-Grandchildren [7]
[edit] Style
Burnside had a powerful, expressive voice and played both electric and acoustic guitars (both with a slide and without). His drone-based style was a characteristic of North Mississippi hill country blues rather than Mississippi Delta blues. Like other country blues musicians, he did not always adhere to 12- or 16-bar blues patterns, often adding extra beats according to his preference. He called this "Burnside style" and often commented that his backing musicians needed to be familiar with his style in order to be able to play along with him.
His earliest recordings, like those of John Lee Hooker, sound very similar in their vocal and instrumental style to the music of West Africa, specifically Mali. Many of his songs do not have chord changes, but use the same chord or repeating bass line throughout, giving his music a hypnotic feel. His vocal style is characterized by a tendency to "break" into falsetto briefly (usually at the ends of long notes).
He also knew many toasts (African American narrative folk poems such as "The Signifying Monkey" and "Tojo Told Hitler") and frequently recited them between songs at his live concerts and on his recordings.
[edit] Selected albums
- First Recordings (recorded in the late 1960s by George Mitchell; re-released by Fat Possum Records in 2003)
- A Ass Pocket of Whiskey (1996, featuring the Jon Spencer Blues Explosion)
- Burnside on Burnside (a critically acclaimed 2001 live album recorded in the Crystal Ballroom on Portland, Oregon's Burnside Street)
- Come On In, Wish I Was in Heaven Sitting Down, and A Bothered Mind (three albums of remixed material, often featuring guest artists, released in 1998, 2000 and 2004, respectively)
- Too Bad Jim (produced in 1992 by Robert Palmer)
- Well, Well, Well (songs and interviews from 1986-1993, released in 2001 on MC Records)
[edit] Films
- Deep Blues: A Musical Pilgrimage to the Crossroads (1991). Directed by Robert Mugge
- American Patchwork: Songs and Stories of America, part 3: "The Land Where the Blues Began" (1990). Written, directed, and produced by Alan Lomax; developed by the Association for Cultural Equity at Columbia University and Hunter College. North Carolina Public TV; A Dibb Direction production for Channel Four.
- You See Me Laughin': The Last of the Hill Country Bluesmen (2003; released by Fat Possum Records in 2005). Produced and directed by Mandy Stein. Oxford, Mississippi: Plain Jane Productions, Inc; Fat Possum Records.
[edit] In popular culture
The 2007 Samuel L. Jackson / Christina Ricci film, Black Snake Moan is infused with countless Burnside nods, including: the Reverend R. L. character and when Jackson plays the blues toward the end of the film, he thanks "Ced" and "Kenny" - Cedric Burnside (Burnside's grandson) and Kenny Brown (Burnside's "adopted son"), who were primary sidemen through the 1990s and early 2000s. Cedric and Kenny are also part of Jackson's band in the juke joint scene.
"It's Bad You Know," was featured in the HBO series The Sopranos and on its soundtrack.
A Burnside poster can be seen on a wall in brothers Drake and Josh's room in the Nickelodeon sitcom, Drake & Josh.
[edit] References
- ^ All Music Guide biography
- ^ McInerney, Jay. "White man at the Door: One Man's Mission to Record the 'Dirty Blues" -- before Everyone Dies." New Yorker (February 4, 2002): p. 55
- ^ Telegraph.co.uk on-line newspaper
- ^ “R.L. Burnside.” The South Reporter (September 15, 2005) http://www.southreporter.com/2005/wk37/obits.html (accessed: May 21, 2008)
- ^ Johnson, Greg. "Junior Kimbrough."BluesNotes (April 2002) http://www.cascadeblues.org/Histor/JuniorKimbrough.htm (accessed: May 24,2008)
- ^ McInerney, "White man at the Door");
- ^ "R.L. Burnside.” South Reporter“R.L. Burnside.” South Reporter(2005).
[edit] External links
- Allmusic.com artist page
- Fat Possum artist website
- Mabe, Ed. R. L. Burnside: One Badass Bluesman. Nov. 1999.
- Slade's R. L. Burnside page
- Juke Joint Music
- http://www.nmallstars.com/
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