Yasumasa Morimura
From Wikipedia, the free encyclopedia
Yasumasa Morimura (森村 泰昌, June 11, 1951 - ) is a Japanese appropriation artist. He was born in Osaka and graduated from Kyoto City University of Arts in 1978. Since 1985, Yasumasa Morimura has primarily shown his work in international solo exhibitions, although he has been involved in various group exhibitions.
Yasumasa Morimura borrows images from historical artists (ranging from Edouard Manet to Rembrandt to Cindy Sherman), and inserts his own face and body into them.[1]
Among others, Morimura's exhibitions have been shown at the Museum of Contemporary Art, Chicago (1992), the Cartier Foundation for Contemporary Art in Jouy-en-Josas, France (1993), the Hara Art Museum in Hara, Japan (1994), the Guggenheim Museum (1994), the Yokohama Museum of Art in Yokohama, Japan (1996),Museum of Contemporary Art San Diego (2006), and the Art Gallery of NSW in Sydney, Australia (2007).
In his most recent and most extravagant reproduction, Morimura created a series of hybrid self-portraits modeled after the art of Frida Kahlo.
[edit] References
- ^ Harumi Befu and Sylvie Guichard-Anguis, Globalizing Japan: Ethnography of the Japanese Presence in Asia, Europe and America, Routledge, 2003, p142. ISBN 0415244129
[edit] External links
- Official Website (Japanese) Official Yasumasa Morimura website
- Gallery A gallery of works at Morimura official website
- Yasumasa Morimura at Luhring Augustine Gallery
- Saatchi Gallery Additional information on Yasumasa Morimura including artworks, articles, text panels and full biography
- Yasumasa Morimura at MEM INC.