Pitchfork

Jace Clayton, aka DJ/rupture, returns with another outstanding mix. While Uproot feels every bit as purposeful as minor classics Gold Teeth Thief and Minesweeper Suite, it's far more subdued and spacious. Combining dubstep, pulsing ambience, and orchestral flourishes on tracks from Ghislain Poirier, Shackleton, and Ekkehard Ehlers, Rupture doesn't just wade through music, he constructs an alternate history.

From the first listen, the new post-hardcore album from Fucked Up-- their first for Matador-- is a pummeling, almost exhausting listen. Yet it's also incredibly inclusive and uplifting, an ambitious hard rock record born out of a sense of community and the hope of creating something huge. Vivian Girls and Sebastian Grainger (formerly from Death From Above 1979) guest.

Phil Elverum finds a perfect foil and vessel for his songs in Julie Doiron on this mini-album, which marries to great effect his meditations on life's Big Questions with her quiet revelations about the everyday. To hear Elverum sing of his existential quandaries in isolation is frequently compelling, but with these songs often cast as duets, we're presented with the notion that Phil's struggles are universal.

The laborious title to Marnie Stern's new album weirdly suits her-- like her and her music, it's obsessive, playful, and choppy, and it captures the single-mindedness of this self-taught guitar virtuoso. On her second album, she also displays a new sense of self-assuredness, channeling her energy and learning to relax and record in a real studio without sacrificing the full-bodied qualities of her music.