archive of contents

Issue No. 24, Jan-Feb 2003
editorial for Issue 24

Topics In This Issue

Favourite Film Things 2002           Australian Cinema           Christopher Lee           Alfred Hitchcock           Fruit Chan           Alex Cox           Art and the Artist           Cinematographers: Cardiff & Hall           Essays/on/Films           DVD Releases           Book Reviews           Film Festivals          


Favourite Film Things 2002

The Man Without a Past
The Man Without a Past 
 
Part 1
 
Divine Intervention
 Divine Intervention
 
Part 2
 
Spirited Away
 Spirited Away
 
Part 3
 
Acquarello James Hewison Mark Peranson
Diego Batlle Lee Hill Alberto Pezzotta
Fabien Boully Bruce Hodsdon Jit Phokaew
Michael Campi Alexander Horwath Mike Plante
Rose Capp Peter Hourigan Jared Rapfogel
Anthony Carew Christoph Huber Girish Shambu
Jaime N. Christley Darren Hughes Jason Sound
Tom Clay Dina Iordanova Megan Spencer
Angela Costi Robert Keser Mark Spratt
Denis Côté Rainer Knepperges David Sterritt and Mikita Brottman
Adrian Danks Jim Knox Brad Stevens
Anne Demy-Geroe Maximilian Le Cain Christos Tsiolkas
Jorge Didaco Patricia MacCormack Erik Ulman
Claudio España Nina Menkes Fiona A. Villella
Hugo Gamarra Etcheverry Olaf Möller Wim Wenders
Geoff Gardner Glen W. Norton Jake Wilson
John Gianvito Marcelo Panozzo
to Jake Wilson's article on The Tracker
The Tracker

to Rose Capp's article on The Quiet American
The Quiet American
 

to Patricia MacCormack's article on Christopher Lee
The Whip and the Body

Antony I. Ginnane George Papadopoulos
André Habib Alan Pavelin
Ben Halligan
 

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Australian Cinema

Looking Both Ways: The Tracker by Jake Wilson
An analysis of this 2002 Australian release, in particular its cinematic exploration of race relations.

The Quiet American by Rose Capp
Noyce's latest film fails to deliver bold aesthetic and political convictions.

A Certain Familiar Woundedness - A review of Third Take: Australian Filmmakers Talk by Jake Wilson
Wilson unearths the undercurrents and biases of this recent Australian book.

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Christopher Lee

Christopher Lee: His Italian Journey into Perversion by Patricia MacCormack
An exploration of Lee's Italian films and their specific presentation of perversion, offering viewers access to unconventional forms of desire and a unique viewing experience.

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Alfred Hitchcock

to David Kelly's essay 'Oedipus at Los Angeles: Hitch and the Tragic Muse'
Rope     
Oedipus at Los Angeles: Hitch and the Tragic Muse by David Kelly
An exploration of the 'tragic' in modern art by way of Hitchcock's evocation of Sophocles' Oedipus Rex in Rope.

Hitchcock, Machines, and Us by Tag Gallagher
A probing examination into Hitchcock's cinema and its pull between the expressionist and the formalist/conceptual.

Hitchcock's Films Revisited by Robin Wood Book Review by Joe McElhaney
McElhaney considers this revised edition of Wood's earlier 1965 classic, and the continuities and changes it brings in regards to Wood's body of work on Hitch.

A Long Hard Look at 'Psycho' by Raymond Durgnat Book Review by Ken Mogg
A comprehensive, substantial appraisal of Durgnat's posthumously published Psycho.

A Long Hard Look at 'Psycho' by Raymond Durgnat Book Review by Charles Barr
Whilst Barr praises Durgnat's pluralist approach and astute feeling for cinematic texture, he laments the number of errors throughout the book.

English Hitchcock by Charles Barr Book Review by Tony Williams
Barr's book does a fine job at exploring a traditionally neglected area: Hitchcock's English films and their indebtedness to English national culture.

Trafic Issue No. 41: Hitchcock/Lang Review by David Ehrenstein
Ehrenstein reviews this special double issue of French film magazine Trafic, published in 2002.
 

to Tony Williams' review of 'English Hitchcock'
    The 39 Steps
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to Christoph Huber's article on Public Toilet
Public Toilet
 
to Acquarello's article on Made in Hong Kong
Made in Hong Kong

Fruit Chan

Curious about crap: Fruit Chan's Public Toilet (2002) by Christoph Huber
Chan's latest film may be puzzling, yet it certainly continues his commitment to an innovative, subtly politicised cinema aesthetic.

Mass-Produced Alienation: Disposable Lives in Made in Hong Kong by Acquarello
Using non-professional actors, real locations and a low-budget, Chan's Made in Hong Kong explores aimlessness and disconnection in contemporary, urban Hong Kong.

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Alex Cox

Interview with Alex Cox and Tod Davies by Maximilian Le Cain
In this freewheeling interview, Cox and Davies discuss Revengers Tragedy, politics and society, Buñuel as a major influence, Cox's acting experience, Highway Patrolman, the Moviedrome series, and their next project.

to Maximilian Le Cain's interview with Alex Cox and Tod Davies
Alex Cox  
Fear And Loathing In Beverly Hills: Alex Cox On Filmmaking, Film Criticism And The Hollywood Machine Interview by Xavier Mendik
Cox talks at length about the punk movement, his cinema influences, the Internet, and Hollywood.

Revengers Tragedy by Maximilian Le Cain
Max explores Cox's latest effort, a futuristic adaptation of Jacobean drama and disguised social commentary.

Walker: American Neo-Imperialism and the Will to Self-Destruction by Chris Neill
The film that ostracised him from Hollywood, Cox's surreal, political and overlooked Walker is here paid tribute.

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to Jon Jost's article provoked by recent exhibitions, and Godard's Éloge de l'amour
Éloge de l'amour
Art, Cinema, and the 'Creative' Life

End Game: Some thoughts provoked by recent exhibitions, and Godard's Éloge de l'amour by Jon Jost
Considering the work of three artists, Jost reflects thoughtfully and personally on the course of a 'creative' life and the idea of change, growth and vitality for an artist.

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Cinematographers: Cardiff & Hall

to Maximilian Le Cain's article on Jack Cardiff
A Matter of Life and Death
Jack Cardiff: Source Of Light by Maximilian Le Cain
Emanating from a personal discussion with Cardiff, Max explores the career, technique and wisdom of a living cinema legend.

Conrad Hall: A Tribute by Mike Plante
The inventive and unconventional Conrad Hall, responsible for the look of such classics as Fat City and Butch Cassidy and the Sundance Kid and admired by Cardiff himself, passed away in early January.

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Essays/on/Films

to Jared Rapfogel's article on Adaptation
Adaptation   
Adaptation: How to Stop Worrying and Love to Compromise by Jared Rapfogel
Though Kaufman-Jonze's latest effort may be striking, intelligent and original, it may not be as radical or novel as we're led to believe.

11'09''01- September 11: The Rest Is Silence by Christos Tsiolkas
Whilst appraising each episode and pointing to this film's unevenness, Christos argues overall for the importance of aesthetic responses to global political events like September 11.

Burning Down the House: Bowling for Columbine by Spiro Economopoulos
Though his techniques may be dubious, Moore's targets and overall perceptiveness about the ills of the American nation are fully justified.

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to Brian L. Frye's article on Forest of Bliss
  Forest of Bliss

DVD releases

Forest of Bliss by Brian L. Frye
Brian celebrates the DVD release of what he regards as one of the finest documentaries ever made.

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Book Reviews

to Benjamin Halligan's review of 'Fellini Lexicon'
  Federico Fellini
Lars von Trier by Jack Stevenson Book Review by Mette Hjort

The Felliniesque Besieged: Fellini Lexicon by Sam Rohdie Book Review by Benjamin Halligan

You can order any of these books directly from Amazon.com

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Film Festivals

to James Brown's preview of the Adelaide International Film Festival 2003
 Pistol Opera at AIFF
Preview of the Adelaide International Film Festival 2003 and an Interview with its Director, Katrina Sedgwick by James Brown

An Industry of Philanthropy - Balkan film at the 43rd International Thessaloniki Film Festival by Andrew James Horton

Perspectives on the Ethereal: the 46th London Film Festival by George Clark

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