SXSW Report: Wednesday [Dave Maher]
Future of the Left [Emo's Jr.; 9:15 p.m.]
It was overcast when we arrived in Austin yesterday, but a little
drizzle didn't stop South by Southwest from running like a well-oiled
machine, full of parties, pork loin, and so much music my ears are
full and probably leaking. And since Pitchfork has yet to institute a Best New Barbecue
section, let's get right to that music.
Beirut [Emo's Main Room; 10 p.m.]
Next was Beirut, aka Zach Condon and his merry band of under-age
minstrels, who looked like they had pilfered instruments from a high
school band. Condon said he just turned 21 "and it's everything I hoped
it would be." Most of the members of his army didn't look
much older.
Despite significant sound problems, the crowd lurved Condon's every
move, whether he was singing or playing either ukulele or trumpet (or
maybe it was a cornet). He sang in French and in vibrato-filled
English, covering Gulag Orkestar and Lon Gisland
material. Seeing Condon live and hearing him speak, it became clear
that his odd, almost operatic voice was the main draw. He used it like
a puppet he could wear or discard at any moment. But "It's Not Easy
Being Green" aside, Kermit never had Condon's ear for an enthralling
melody.
Kidz in the Hall [Visions; 11 p.m.]
Since South by Southwest is generally dominated by indie rock, it
wasn't a complete surprise to see the rap venue, Visions, only about
half-full. But New Jersey DJ Double-0 and Chicago MC Naledge made the
most of it with a set full of songs from their promising 2006 debut, School Was My Hustle.
After delivering a Rawkus history lesson to start the show, Double-0
double-tasked as Naledge's hype man from behind the turntables. Naledge
played preacher and prophet, exhorting the crowd to express their love
for hip hop and reciting lyrics about how rappers wear grills to hide
the pain in their smiles. It was a wholesome experience that stood in
contrast to the "pussy ain't nothing but a game to me" style of most of
the other Visions acts. But then again, I have a soft spot for these guys because I
live in Naledge's childhood neighborhood, so I get an extra kick out of
references to Hyde Park as opposed to Compton or Queensbridge.
Devin the Dude [Visions; 1 a.m.]
The final nail in the coffin for the sex-and-weed-obsessed MCs at
Visions was Devin the Dude's 1 a.m. set (uh...make that 1:30), which
put the others to shame by doing what they did twenty times better.
Devin covered only a few topics: smoking, driving, masturbation,
prostitution, and taking dumps, but he covered all of them constantly
and with a plainspoken cleverness that showed on his face. He had two
facial expressions: kid-caught-stealing-from-the-cookie-jar and
eye-roll, which, combined with his groin-pulling Gumby moves, made him
the most expressive body in the room.
From his standard-heavy set, you wouldn't know Devin has a new album coming out on Tuesday, Waitin' to Inhale
(yeah right), if it weren't for the posters everywhere. I have yet to
hear the album, but the song with Snoop Dogg and Andre 3000, "What a
Job", is a winning meditation on what good fortune it is to be able to
work creatively for a living. "What a Job" wasn't in his set last
night, but Devin ended on a similarly inspirational note with "Anythang", after which he offered a heartfelt "thank you" to the crowd
for their support. If I had to guess what he did afterward, I'd say he
very gratefully smoked a joint, masturbated, and took a dump.
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