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Frozen River
Sony Pictures Classics

Frozen River reviews
Critic Score
Metascore: 82 Metascore out of 100
User Score  
9.5 out of 10
based on 29 reviews
Read critic reviews
How did we calculate this?
based on 14 votes
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MPAA RATING: R for some language

Starring Melissa Leo, Misty Upham, Michael O'Keefe, Charlie McDermott, and Mark Boone Jr.

Frozen River is the story of Ray Eddy, an upstate New York trailer mom who is lured into the world of illegal immigrant smuggling when she meets a Mohawk girl who lives on a reservation that straddles the US-Canadian border. Broke after her husband takes off with the down payment for their new doublewide, Ray reluctantly teams up with Lila, a smuggler, and the two begin making runs across the frozen St. Lawrence River carrying illegal Chinese and Pakistani immigrants in the trunk of Ray’s Dodge Spirit. (Sony Pictures Classics)


GENRE(S): Drama  
WRITTEN BY: Courtney Hunt  
DIRECTED BY: Courtney Hunt  
RELEASE DATE: DVD: February 10, 2009 
Theatrical: August 1, 2008 
RUNNING TIME: 97 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Film Threat Don R. Lewis
It's tough and cold and gives an inside look at poverty in America. Yet the film is also incredibly compelling and intense and I can't think of another film that's this small and powerful.
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100
Los Angeles Times Kenneth Turan
As the summer heats up, let Frozen River wash over you; let its bracing drama and the intensity of its acting restore your spirits as well as your faith in American independent film.
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100
Time Richard Schickel
In the end, you feel that Frozen River gives about as truthful a picture of American bleakness as it's possible for a movie to present. It is a movie that asks something of an audience, but it richly rewards our curiously rapt attention.
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100
Chicago Sun-Times Roger Ebert
Sometimes two performances come along that are so perfectly matched that no overt signals are needed to show how the characters feel about each other. That's what happens between Melissa Leo and Misty Upham in Frozen River.
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100
Philadelphia Inquirer Carrie Rickey
There is nothing sentimental or picturesque about the performances or imagery. The word that best describes both is elemental.
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91
Entertainment Weekly Owen Gleiberman
A tale of ordinary Americans scraping bottom, yet there's a redemption in that. The film asks: If you were this desperate, wouldn't you do the same?
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90
Wall Street Journal Joe Morgenstern
This is a debut feature, though you'd never know it from the filmmaker's commandingly confident style, or from the heartbreaking beauty -- heartbreaking, then heartmending -- of Melissa Leo's performance as a poor single mother who's living her whole life on thin ice.
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90
The New York Times Stephen Holden
Ms. Hunt's eye for detail has the precision of a short story writer's. She misses nothing.
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90
Washington Post Ann Hornaday
Made with uncommon skill and assurance, the film never succumbs to rank sentimentality, but it manages to get at the nuances of human relationships.
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88
Boston Globe Ty Burr
Does what too many independent American movies only pretend to do: Takes you to an unnoticed corner of our country and shows what it's like to actually live there.
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88
USA Today Claudia Puig
A Sundance hit that is both absorbing and bleak, Frozen River is anchored by powerful performances, believable scenarios and excellent writing.
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88
Chicago Tribune Tasha Robinson
Possibly one of the biggest reasons Frozen River stands out among bad-decision movies is that Ray never really tries to justify her actions.
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88
TV Guide Ken Fox
Strikingly authentic, socially conscious crime drama.
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88
New York Post Lou Lumenick
There is no shortage of indie movies about economically challenged women. This one is different, in that the women actually do something besides just talk about it.
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83
Christian Science Monitor Peter Rainer
Melissa Leo is startlingly good...You feel like you're watching a life, not a performance.
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80
Village Voice Ella Taylor
If there's one thing this movie gets dead right, it's the desperation of impoverished single mothers trying to fend for their children.
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80
Salon.com Andrew O'Hehir
Frozen River isn't cinematically ambitious or formally adventurous, but it's built around powerful and nuanced performances by Leo, Upham and Charlie McDermott.
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80
Chicago Reader J.R. Jones
A first-rate thriller, maintaining a high level of suspense.
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78
Austin Chronicle Marjorie Baumgarten
Frozen River skates matter-of-factly on thin ice.
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75
Baltimore Sun Michael Sragow
A solid, satisfying movie.
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75
The Globe and Mail (Toronto) Stephen Cole
The film's greatest achievement is that it allows us to know Ray.
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75
Charlotte Observer Lawrence Toppman
Melissa Leo is one of America's most underrated character actresses, and Frozen River confirms that opinion.
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75
Portland Oregonian Shawn Levy
It's not a happy film, but it feels true.
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75
The Onion (A.V. Club) Scott Tobias
If the role brings her more recognition and work, all the better, but Leo certainly isn't lobbying for it. She doesn't show off. She just does what she's always done: Reveals a character for who she is, nothing more, nothing less.
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75
Seattle Post-Intelligencer Bill White
Most films about illegal immigration are set on the Mexican border, and Frozen River is free of the stereotypical characters and situations of that familiar setting. It also offers a rare look at modern Native American life, exploring the ambiguity of what it means to say that the laws of the white man cannot be enforced on Indian territory.
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70
Variety Robert Koehler
No trendsetter or breakthrough, this is more than anything else a welcome chance for the fine actor Melissa Leo to finally dominate a film in a terrific and affecting lead role.
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70
New York Magazine David Edelstein
All in all, Frozen River is gripping stuff. Except it's also rigged and cheaply manipulative.
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50
San Francisco Chronicle Mick LaSalle
If we're going to be honest, we need to look inside and ask ourselves: Do we really want to see a listless movie about a woman whose dream is to move into a double-wide trailer?
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40
New York Daily News Joe Neumaier
Has moments of honesty, but more often the barren landscape - both outside and inside - drains the emotions out of the film.
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What Our Users Said

Vote Now!The average user rating for this movie is 9.5 (out of 10) based on 14 User Votes
Note: User votes are NOT included in the Metascore calculation.

Branden R. gave it a9:
This is a fantastic movie that everyone can relate to. There has to be a time in your life when you would do something wrong in order to survive. Fabulous debut from writer/director Courtney Hunt. Kudos to her.

Fred A. gave it a10:
A stark and stunning look at poverty and prejudice in America, tempered by the gritty performances of the lead actors and their portrayals of people who can still hope and strive, despite their personal fears and suspicions of "outsiders".

Joan gave it a10:
As an avid movie-goer who goes to the movies at least once a week, I vote this film the best film of the year. A powerful story beautifully written and photographed with a gritty and dynamic performance by the vastly underrated Melissa Leo who is more than ably supported by a fine cast of actors, particularly Misty Upham.

Chad S. gave it a9:
This is not Woody Allen's New York. This New York has a bingo parlour, a trailer park, an Indian reservation. Annie Hall doesn't live here. Ray Eddy(Melissa Leo) lives here. And her New York wouldn't look more romantic shot in black and white with "Rhapsody in Blue" insinuating itself on the soundtrack. Ray is so poor, she has problems making payments on a mobile home. Because she's poor, Ray gets to know the "Indians" in a way that Annie Hall, or any one of Allen's characters never would. "Frozen River" treats Native Americans as people, flawed people, real people, instead of people that are inherently noble because they had their land stolen from them. People like Lila(Misty Upham), who helps Chinese illegals cross the Canadian border into New York State. To Ray, Lila is just "some Indian chick". To help herself realize the dream of owning a "double-wide trailer"(oh, that is so sad), Ray joins forces with the Native American woman, as the film ingeniously comments on the historical relationship between the natives and the settlers through this tenuous bond of renegade women without being the least bit didactic about it. "Frozen River" plays out like a film with post-colonial ideals, but then the film suddenly, dramatically, becomes self-reflexive about it's post-colonialism when Ray tells Lila, "Now we're even," after she gets back what's rightfully hers. These loaded words hang in the air without the slightest indication by Ray of her own naivety. Post-colonial theory is predicated on having a short memory. Ray's words are a perfect encapsulation of their selective thinking process. "Frozen River" portrays white man's guilt over the Indian holocaust without the well-meaning fabulism of Kevin Costner's "Dances with Wolves", choosing instead to suture the rift between both peoples through sublimation. Both Ray and Lila live in a vacuum(but the film doesn't). When they befriend each other, both women are unaware that they're correcting the past.

Bea R. gave it a10:
At last ... a really great movie made in the last few years. (I had given up hope.) The fascinating tale was flawlessly written and directed. It's neither plot nor character driven ... it's both ... as great literature should be. Amazing performances by Leo, Upham, and the kids. A beautiful, deadly setting in a frozen winterscape completes the artistic whole. (One reviewer felt the cold made the viewer listless ... what a stupid thing to say!).

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