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Alphabet Killer, The Stars indicate the most critically-acclaimed movies.
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Frozen River
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MPAA RATING: R for some language
Starring Melissa Leo, Misty Upham, Michael O'Keefe, Charlie McDermott, and Mark Boone Jr.
Frozen River is the story of Ray Eddy, an upstate New York trailer mom who is lured into the world of illegal immigrant smuggling when she meets a Mohawk girl who lives on a reservation that straddles the US-Canadian border. Broke after her husband takes off with the down payment for their new doublewide, Ray reluctantly teams up with Lila, a smuggler, and the two begin making runs across the frozen St. Lawrence River carrying illegal Chinese and Pakistani immigrants in the trunk of Ray’s Dodge Spirit. (Sony Pictures Classics)
GENRE(S): | Drama |
WRITTEN BY: | Courtney Hunt |
DIRECTED BY: | Courtney Hunt |
RELEASE DATE: |
DVD: February 10, 2009 Theatrical: August 1, 2008 |
RUNNING TIME: | 97 minutes, Color |
ORIGIN: | USA |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this movie is 9.5 (out of 10) based on 14 User Votes
Note: User votes are NOT included in the Metascore calculation.
Branden R. gave it a9:
This is a fantastic movie that everyone can relate to. There has to be a time in your life when you would do something wrong in order to survive. Fabulous debut from writer/director Courtney Hunt. Kudos to her.
Fred A. gave it a10:
A stark and stunning look at poverty and prejudice in America, tempered by the gritty performances of the lead actors and their portrayals of people who can still hope and strive, despite their personal fears and suspicions of "outsiders".
Joan gave it a10:
As an avid movie-goer who goes to the movies at least once a week, I vote this film the best film of the year. A powerful story beautifully written and photographed with a gritty and dynamic performance by the vastly underrated Melissa Leo who is more than ably supported by a fine cast of actors, particularly Misty Upham.
Chad S. gave it a9:
This is not Woody Allen's New York. This New York has a bingo parlour, a trailer park, an Indian reservation. Annie Hall doesn't live here. Ray Eddy(Melissa Leo) lives here. And her New York wouldn't look more romantic shot in black and white with "Rhapsody in Blue" insinuating itself on the soundtrack. Ray is so poor, she has problems making payments on a mobile home. Because she's poor, Ray gets to know the "Indians" in a way that Annie Hall, or any one of Allen's characters never would. "Frozen River" treats Native Americans as people, flawed people, real people, instead of people that are inherently noble because they had their land stolen from them. People like Lila(Misty Upham), who helps Chinese illegals cross the Canadian border into New York State. To Ray, Lila is just "some Indian chick". To help herself realize the dream of owning a "double-wide trailer"(oh, that is so sad), Ray joins forces with the Native American woman, as the film ingeniously comments on the historical relationship between the natives and the settlers through this tenuous bond of renegade women without being the least bit didactic about it. "Frozen River" plays out like a film with post-colonial ideals, but then the film suddenly, dramatically, becomes self-reflexive about it's post-colonialism when Ray tells Lila, "Now we're even," after she gets back what's rightfully hers. These loaded words hang in the air without the slightest indication by Ray of her own naivety. Post-colonial theory is predicated on having a short memory. Ray's words are a perfect encapsulation of their selective thinking process. "Frozen River" portrays white man's guilt over the Indian holocaust without the well-meaning fabulism of Kevin Costner's "Dances with Wolves", choosing instead to suture the rift between both peoples through sublimation. Both Ray and Lila live in a vacuum(but the film doesn't). When they befriend each other, both women are unaware that they're correcting the past.
Bea R. gave it a10:
At last ... a really great movie made in the last few years. (I had given up hope.) The fascinating tale was flawlessly written and directed. It's neither plot nor character driven ... it's both ... as great literature should be. Amazing performances by Leo, Upham, and the kids. A beautiful, deadly setting in a frozen winterscape completes the artistic whole. (One reviewer felt the cold made the viewer listless ... what a stupid thing to say!).
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