Pitchfork

Austrian producer Christian Fennesz put out his long-awaited latest solo album Black Sea late in 2008. Just prior to the album's release, we spoke with him about his working methods, the pressure of a new solo album, and the enduring appeal of A-Ha.

Twenty years (!) after the release of Pavement's debut, we talk to Stephen Malkmus about the deluxe reissue of Pavement's fourth album Brighten the Corners, his reasoning for relegating so many of his songs over the years to B-sides and rarities, and his future with the Jicks.

We caught up with Saint Etienne co-founder and multi-instrumentalist Bob Stanley to talk about the band's rich history, his side work as a writer and curator, the changing face of music fandom, and why exactly his band has so many compilations.

We celebrate 15 years of Kranky, a Chicago label that has carved out a hard-earned niche, building a roster of artists that tend toward drifting ambience, by talking to founders Joel Leoschke and Bruce Adams.

We cap our five-feature celebration of Sub Pop's first 20 years with a look at some records and artifacts from the label's history that, while they didn't make the cut in last week's Sub Pop 20, still mean something to at least one of our staffers.

To kick off a five-part celebration of Sub Pop's 20th anniversary-- and the concert/party the Seattle label is throwing itself this weekend-- we spoke to the men who founded the classic indie imprint, Bruce Pavitt and Jonathan Poneman.

As they tour Europe performing their classic albums, the two original members of the influential punk band talk about reissues, riots, and throwing bricks through windows.

We spoke to the duo behind Gorillaz about their new project, Monkey, as well as such controversial subjects as the disintegration of the West, why Africa is the future of the world, cultural tourism, and Vampire Weekend.

As they prepared to head out on tour in support of their tremendous new record Merriweather Post Pavilion, we spoke to Avey Tare, Panda Bear, and Geologist of Animal Collective about their long history, their relative lack of musical chops, early Pavement singles, and the critical importance of album sequencing.