Franco Corelli

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Franco Corelli (8 April 1921 – 29 October 2003) was an Italian tenor active in opera from 1951 to 1976. Associated in particular with the big spinto and dramatic tenor roles of the Italian repertory, he was celebrated internationally for his handsome stage presence and thrilling upper register.

Corelli was born in Ancona, the son of a ship worker. He originally studied for a degree in marine engineering, then took lessons briefly with Rita Pavoni at the Pesaro Conservatory of Music. He had a few lessons with world renowned voice teacher Arturo Melocchi who taught a larynx lowering technique but picked it up mainly from his friend, Carlo Scaravelli. ^[1] Later he sought advice from a great tenor of a previous generation, Giacomo Lauri-Volpi, who many claim led Corelli to his vocal decline.

In 1950, Corelli won the Maggio Musicale in Florence, earning a debut at Spoleto the following year, as Don José in Carmen. Also in 1951, he made his debut at the Rome Opera as Manrico in Il trovatore. During the next few years, he sang mostly in smaller opera houses throughout Italy and on Italian radio.

He reached La Scala in Milan in 1954, as Licinio in Spontini's La vestale, opposite soprano Maria Callas, whom he would later partner in Fedora, Il pirata and Poliuto. Other important debuts ensued, including his first appearances at: the Maggio Musicale Fiorentino in Florence and the Verona Arena in 1955; the Vienna State Opera, as Radames, and the Royal Opera House, Covent Garden, in London, as Cavaradossi, in 1957; the Teatro Nacional de São Carlos in Lisbon, the Lyric Opera of Chicago and the San Francisco Opera in 1958; and the Berlin State Opera in 1961.

Corelli made his debut at New York's Metropolitan Opera on 27 January 1961 as Manrico in Il trovatore, opposite another debutante, soprano Leontyne Price. He would sing to great acclaim at the Met until 1974 in roles such as Calaf (with Birgit Nilsson as Turandot), Cavaradossi, Maurizio, Ernani, Rodolfo and Edgardo. He also undertook French parts in new productions of Roméo et Juliette and Werther.

He returned to La Scala in 1962, for a revival of Meyerbeer's Les Huguenots, opposite Joan Sutherland, and made his belated debut at the Paris Opéra in 1970.

With a rich and ringing dramatic tenor voice and movie-star good looks, Corelli won a wide public following, despite complaints from some critics about what they perceived as self-indulgence of phrasing and expression. He left many recordings of solo arias and complete operas. These reveal the splendour of Corelli's voice in its prime during the late 1950s and 1960s. Many admirers prefer recordings of his live performances, finding Corelli's singing in front of an audience far more exciting than his studio performances. Fortunately, many of these are available.

Corelli retired from the stage in 1976 at the age of 55. By this date, his voice was showing evident signs of wear and tear after years of hard use in a demanding repertory. He died in Milan in 2003, aged 82, having suffered a stroke earlier that year. He was buried in Milan's Cimitero Monumentale.

He was married to soprano Loretta Di Lelio.

He was Andrea Bocelli's biggest idol ^[2] and while it has been claimed that he was Bocelli's teacher,^[3] Bocelli only mentions having met him at a master class and having some personal lessons at Corelli's home.^[2] Corelli also briefly served as mentor to America's Got Talent finalist Donald Braswell, who has played many of the same roles as Corelli.^[4]

Contents 1 Selected recordings 2 Sources 3 External links 4 References

[edit] Selected recordings

Year	Opera	Cast	Conductor, Opera House and Orchestra	Label
1956	Verdi - Aida	Mary Curtis Verna, Franco Corelli, Miriam Pirazzini, Giangiacomo Guelfi, Giulio Neri	Angelo Questa Chorus and Orchestra of the RAI Turin	Cetra
1960	Bellini - Norma	Maria Callas, Christa Ludwig, Franco Corelli, Nicola Zaccaria	Tullio Serafin La Scala orchestra and chorus	EMI
	Leoncavallo - Pagliacci	Franco Corelli, Lucine Amara, Tito Gobbi, Mario Zanasi	Lovro von Matačić Teatro alla Scala orchestra and chorus	EMI
1962	Mascagni - Cavalleria rusticana	Victoria de los Ángeles, Franco Corelli, Mario Sereni	Gabriele Santini Rome Opera Chorus and Orchestra	EMI
1963	Bizet - Carmen	Leontyne Price, Franco Corelli, Mirella Freni, Robert Merrill	Herbert von Karajan Vienna Opera orchestra and chorus	RCA
	Giordano - Andrea Chénier	Franco Corelli, Antonietta Stella, Mario Sereni	Gabriele Santini Rome Opera Chorus and Orchestra	EMI
1964	Verdi - Il trovatore	Franco Corelli, Gabriella Tucci, Giulietta Simionato, Robert Merrill, Ferruccio Mazzoli	Thomas Schippers Rome Opera Chorus and Orchestra	EMI
1965	Puccini - Turandot	Birgit Nilsson, Franco Corelli, Renata Scotto, Bonaldo Giaiotti	Francesco Molinari-Pradelli Rome Opera Chorus and Orchestra	EMI
1966	Gounod - Faust	Joan Sutherland, Franco Corelli, Nicolai Ghiaurov	Richard Bonynge Ambrosian Opera Chorus, London Symphony Orchestra	DECCA
	Puccini - Tosca	Birgit Nilsson, Franco Corelli, Dietrich Fischer-Dieskau	Lorin Maazel Orchestra dell'Accademia Nazionale di Santa Cecilia	DECCA
1968	Gounod - Roméo et Juliette	Franco Corelli, Mirella Freni, Xavier Dupraz	Alain Lombard Paris Opera Chorus and Orchestra	EMI

[edit] Sources

• The Metropolitan Opera Encyclopedia, edited by David Hamilton, (Simon and Schuster, 1987) ISBN 0-671-61732-X

• The Metropolitan Opera Guide to Recorded Opera, edited by Paul Gruber, (W.W. Norton & Company, 1993) ISBN 0-393-03444-5

[edit] External links

• Operissimo.com
• Associazione in onore di Franco Corelli

[edit] References