'''Vivian Fine''' (28_September 1913 in Chicago, IL - 20_March 2000 in Bennington, VT) Over her 70 year career, Vivian Fine became one of America’s most important composers. She wrote virtually without a break for 68 years, producing over 140 works. Although perhaps best known for her chamber music, she wrote in every genre, including large-scale symphonic and choral works. In addition to numerous articles and several dissertations, two books have been published on Fine’s life and music: ''The Music of Vivian Fine'', by the noted musicologist Heidi_Von_Gunden (Scarecrow Press, 1999), which won the ASCAP-Deems Taylor award in 2000, and ''Vivian Fine, A Bio-Bibliography'', by the poet and composer Judith_Cody (Greenwood Press, 2002). Her complete musical archives may be found on her website at vivianfine.org, Vivian Fine was born in Chicago. A piano prodigy, she became at age five the youngest student ever to be awarded a scholarship at the Chicago Musical College. At age eleven she became a student of Scriabin disciple Djane_Lavoie-Herz. Fine composed her first piece at thirteen while studying harmony with Ruth_Crawford, who considered Fine her protegée. Through Madame Herz and Crawford, Fine met Henry_Cowell, Imre_Weisshaus, and Dane_Rudhyar, who became strong supporters of her talent. Fine made her professional debut as a composer at age sixteen with performances in Chicago, New York (''Solo for Oboe'', at a Pan-American Association of Composers’ concert) and Dessau (''Four Pieces for Two Flutes'', at an International Society of Contemporary composers’ concert). In 1931, the 18-year-old Fine moved to New York to further her studies. She was a member of Aaron_Copland’s Young Composers Group, and a participant at the first Yaddo Festival in 1932. In 1937 she helped found the American Composers Alliance and served as its vice-president from 1961 to 1965. In addition to her career as a composer, Fine continued to perform. In the 1930s she was perhaps the best-known performer of contemporary piano music in New York. She premiered works of Charles_Ives, Copland, Brant, Cowell, Rudhyar, and others, and studied piano with Abby_Whiteside from 1937 to 1946. Fine’s early compositional style was highly dissonant and contrapuntal. In 1934 she began a nine-year course of composition studies with Roger Sessions, and her work became for a time more tonal, as exemplified by ''Suite in E Flat'' (1940) and ''Concertante for Piano and Orchestra'' (1944). In 1946, with ''Capriccio for Oboe and String Trio'' and ''The Great Wall of China'', she returned to a freer mode of expression, to which she adhered for the remainder of her career, steadily expanding her expressive and generic range. She employed diverse techniques corresponding to a wide range of musical subjects. Henry Brant noted that “No two Fine pieces are alike either in subject matter or instrumentation; each new work appears to generate its own style appropriate to the subject, and there are no mannerisms which persist from work to work.” Notable in Fine’s work is a sense of fun, either as a major element in the piece (''The Race of Life'', ''Memoirs of Uliana Rooney'') or as a humorous section or reference inserted into a more serious piece (''The Women in the Garden'', ''Songs and Arias''). Fine wrote extensively for voice, employing the poetry of Shakespeare, Racine, Dryden, Keats, Whitman, Dickinson, Kafka, Neruda, and others in a wide variety of settings. She composed two chamber operas, ''The Women in the Garden'' (1978) and ''Memoirs of Uliana Rooney'' (1994). In ''The Women in the Garden'', Fine used the writings of Emily_Dickinson, Virginia_Woolf, Isadora_Duncan and Gertrude_Stein to fashion conversations among the four women and a tenor representing the various men in their lives. ''Memoirs of Uliana Rooney'' (1994), Fine’s last major composition, is a contemporary opera buffa, with libretto and videography by Sonya_Friedman. The work, autobiographical in spirit if not in factual detail, follows American composer Uliana_Rooney as she journeys through the 20th century, surviving changing political climates and several husbands to ultimately triumph. Among Fine’s many awards were a Guggenheim Fellowship, grants from the Ford, Rockefeller, Ditson, Woolley, Koussevitsky, Readers’ Digest and Elizabeth Sprague Coolidge foundations, several grants from the National Endowment for the Arts, and the Dollard andYaddo Awards. In 1980 she was elected to the American Academy and Institute of Arts and Letters. For many years, Fine was a beloved member of the faculty of Bennington College in Vermont. Fine died in March of 2000 at the age of 86, following an automobile accident. Fine, Vivian Fine, Vivian Fine, Vivian