Abandoning Philip K. Dick's resource of potential in favor of Hollywood conventionalism in its final third, the film adaptation of "Second Variety" is merely two-thirds competent.

Exposing the unforeseen repercussions of a single action, the film is an ingenuous account of the intricate labyrinth of human relationships.

As one of the bleakest American films of the 1950s, it remains a bold meditation on the American Dream, detriments of extremes, and the endurance of pain through faith.

Enjoy the greatness on display, because nobody has ever made a good trilogy-closer to a superhero franchise.

Yawn. Stephen Frears. Yawn. (Repeat)

Chris Morris' feature length debut is out and is bound to ruffle a few feathers.

The film is an immensely successful genre experiment as a liberal political allegory that can also be enjoyed as a purely entertaining duel between the inexorable forces of good and evil.

The film promotes an insightful psychological examination of the universality of human nature but ultimately seems abridged despite its lengthy running time.

Tarkovsky's uncanny ability to capture and manipulate landscape provides the film with a tremendous sense of naturalistic power.

Boasting a memorable performance from Colin Firth, fashion director Tom Ford's directorial debut looks great, but just doesn't fit quite right

Greenaway's semi-surrealist black comedy is an impressive and instructive exercise in the cinematic and scientific arts.

A masterful meditation on time and loss.

A transcendent collaboration between revolutionary artists, the film is a stunning meditation on the essence and power of form and burgeoning sentimentalities of a transforming world of cinema.

Siegel's layered and tortuous script is often transfixing, but his directorial amateurism is highlighted through an anxious cutting slideshow.

Overrated but entertaining classic from Jean Renoir.