Menorah (Temple)

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A reconstruction of the Menorah of the Temple

The menorah (Hebrew: מְנוֹרָה‎ IPA [mnoː'ɾaː]) is described in the Bible as the seven-branched candelabrum made of gold and used in the portable sanctuary set up by Moses in the wilderness and later in the Temple in Jerusalem. Fresh olive oil of the purest quality was burned daily to light its lamps. The menorah has been a symbol of Judaism since ancient times and is the emblem on the coat of arms of the modern state of Israel.

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[edit] Construction

The menorah consisted of a base and a shaft with six branches, beaten out of solid gold. The six branches curved to the height of the central shaft so that all seven lamps at their apexes were in a straight line.[1]

The Hebrew Bible, or Torah, states that God revealed the design for the menorah to Moses and describes the construction of the menorah as follows (Exodus 25:31-40):

31 And you must make a lampstand of pure gold. Of hammered work the lampstand is to be made. Its base, its branches, its cups, its knobs and its blossoms are to proceed out from it. 32 And six branches are running out from its sides, three branches of the lampstand from its one side and three branches of the lampstand from its other side. 33 Three cups shaped like flowers of almond are on the one set of branches, with knobs and blossoms alternating, and three cups shaped like flowers of almond on the other set of branches, with knobs and blossoms alternating. This is the way it is with the six branches running out from the lampstand. 34 And on the lampstand are four cups shaped like flowers of almond, with its knobs and its blossoms alternating. 35 And the knob under two branches is out of it and the knob under the two other branches is out of it and the knob under two more branches is out of it, for the six branches running out from the lampstand. 36 Their knobs and their branches are to proceed out from it. All of it is one piece of hammered work, of pure gold. 37 And you must make seven lamps for it; and the lamps must be lit up, and they must shine upon the area in front of it. 38 And its snuffers and its fire holders are of pure gold. 39 Of a talent of pure gold he should make it with all these utensils of it. 40 And see that you make them after their pattern that was shown to you in the mountain.

The branches are often artistically depicted as semicircular, but Rashi[2] and Maimonides,[3] according to his son Avraham,[4] held that they were straight; no other Jewish authority expresses an opinion on the subject.[5]

Archaeological evidence, including depictions by artists who had seen the menorah, indicates that they were neither straight nor semicircular but elliptical.[6] The earliest preserved representation of the menorah of the Temple is depicted in a frieze on the Arch of Titus, commemorating his triumphal parade in Rome following the destruction of Jerusalem in the year 70. Representations of the seven branched candlebrum have been found on tombs and monuments dating from the first century as a frequently used symbol of Judaism and the Jewish people.[1]

It has been noted that the shape of the menorah bears a certain resemblance to that of the plant Salvia palaestina.[7]

[edit] Use

The lamps of the menorah were lit daily from fresh, consecrated olive oil and burned from evening until morning, according to Exodus 27:21.

The Roman-Jewish historian Flavius Josephus states that three of the seven lamps were allowed to burn during the day also; however, according to the Talmud (Rashi, Tractate Shabbat 22b), only the center lamp was left burning all day. It was called the ner hama'aravi (Western lamp) because of its position. This lamp was also referred to as the ner Elohim (lamp of God), mentioned in I Samuel 3:3.[1]

[edit] History and fate

The original menorah was made for the Tabernacle, and the Bible records it as being present until the Israelites crossed the Jordan river. When the Tabernacle is pitched in Shiloh (Joshua 18:1), it assumed that the menorah was also present. However, no mention is made of it during the years that the Ark of the Covenant was moved in the times of Samuel and Saul. There is no further mention of the menorah in Solomon's temple, as he creates ten candlesticks (2 Chronicles 4:7). These are recorded as being taken away to Babylon by the invading armies under the general Nebuzar-Adan (Jeremiah 52:19) some centuries later.

During the restoration of the Temple worship after the captivity in Babylon, no mention is made of the return of the menorah or of any of Solomon's candlesticks, but only of "vessels" (Ezra 1:9-10). Since the Temple was an enclosed place with no natural light, some means of illumination must have existed.

Depiction of the Menorah on the Arch of Titus in Rome.

Although apocryphal, the Book of Maccabees record that Antiochus Epiphanes took away the candlesticks (plural) when he invaded and robbed the Temple (1 Maccabees 1:21). The later record of the making of "new holy vessels" may refer to the manufacture of new candlesticks (1 Maccabees 4:49). There is thereafter no Biblical mention of the fate of the menorah.

The fate of the menorah used in the Second Temple is recorded by Josephus, who states that it was brought to Rome and carried along during the triumph of Vespasian and Titus. The menorah probably remained in the Temple of Peace in Rome until the city was sacked by the Visigoths under Alaric I in 410 CE.

Most likely, the menorah was looted by the Vandals in the sacking of Rome in 455 CE, and taken to their capital, Carthage.[8] The Byzantine army under General Belisarius might have removed it in 533 and brought it to Constantinople. According to Procopius, it was carried through the streets of Constantinople during Belisarius' triumphal procession. Procopius adds that the object was later sent back to Jerusalem where there is no record of it, although it could have been destroyed when Jerusalem was pillaged by the Persians in 614.

[edit] Symbolism

The menorah symbolized the ideal of universal enlightenment. The seven branches allude to the branches of human knowledge, represented by the six lamps inclined inwards towards, and symbolically guided by, the light of God represented by the central lamp. The menorah also symbolizes the creation in seven days, with the center light representing the Sabbath.[1] It is also said to symbolize the burning bush as seen by Moses on Mount Horeb (Exodus 3).

[edit] Hanukkah

The Menorah is also a symbol closely associated with the Jewish holiday of Hanukkah. According to the Talmud, after the Seleucid desecration of the Jewish Temple in Jerusalem, there was only enough sealed (and therefore not desecrated) consecrated olive oil left to fuel the eternal flame in the Temple for one day. Miraculously, the oil burned for eight days which was enough time to make new pure oil.

The Talmud (Menahot 28b) states that it is prohibited to use a seven-branched menorah outside of the Temple. The Hanukkah menorah therefore has eight main branches, plus a ninth branch set apart as the shamash (servant) light which is used to kindle the other lights. This type of menorah is called a hanukiah in Modern Hebrew.[1]

[edit] Modern use

Synagogues have a continually lit lamp or light in front of the Ark, where the Torah scroll is kept, called the ner tamid (eternal light). This lamp represents the continually lit ner Elohim of the menorah used in Temple times.[1]

In addition, many synagogues display either a Menorah or an artistic representation of a menorah.

A menorah appears in the coat of arms of the State of Israel, based on the depiction of the menorah on the Arch of Titus.

[edit] In other cultures

The kinara is also, like the menora, a seven-branch candleholder which is associated with the African American festival of Kwanzaa. One candle is lit on each day of the week-long celebration, in a similar manner as the Hanukiah (which was modeled after the menora) during Hanukkah.

[edit] Gallery

[edit] See also

[edit] References

  1. ^ a b c d e f Birnbaum, Philip (1975). A Book of Jewish Concepts. New York: Hebrew Publishing Company. pp. 366–367. ISBN 88482876X. 
  2. ^ Exodus 25:32
  3. ^ Maimonides depicted them as straight in two separate manuscript drawings. But see Seth Mandel's alternative interpretation below.
  4. ^ Commentary on Exodus, ch 7
  5. ^ See Likutei Sichot vol 21 pp 168-171
  6. ^ Mandel, Seth The shape of the Menorah of the Temple Avodah Mailing List, Vol 12 Num 65
  7. ^ JTS Taste of Torah commentary, 18 June 2005
  8. ^ Edward Gibbon: The History of the Decline and Fall of the Roman Empire (Volume 7: Chapter XLI. From the Online Library of Liberty. The J. B. Bury edition, in 12 volumes.)

[edit] External links

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