Postcards from The Tour, Part 1

It’s 11 in the morning on the road between Montfort-en-Chalosse and Sabres, France. The sun is shining, and the Tour de France is going to be racing along this rout in about 5 hours. Along the side of the street, through the rolling farmland and in the pine forests, people gather. A family sits on the right side of the road, the father reading the paper while his kids run and play. Several kilometers up the road, there’s a group of Dutch fans, decked out in orange from head to toe; later, a huge picnic set up with a dozen spectators, and nearly as many bottles of wine on the table.

The parcours of the Tour is marked by yellow arrows that show the correct direction. That makes navigating the final two thirds of our ride through southern France particularly easy – follow those arrows, and you’ll not only end up at the hotel where we’ll watch the race go by, but you’ll get there the same way they do, and past the same fans.

A group of us power up a small hill, and I find myself slightly off the back, about 10 meters behind. An older French woman is clapping as we pass her, but as she sees me drop back, the clapping gets a little louder, and the shouting starts. “Allez! Allez! Allez!” she shouts, pumping her fists at me. Clearly, it’s going to require a little more effort for me to stay with my colleagues, and she’s here to motivate me.

For a guy who grew up racing bikes in western Pennsylvania in the mid-80s, when few Americans had heard of the sport, getting the chance to ride the roads at the Tour de France is, quite literally, a dream come true. I used to wallpaper my room with cycling posters shot on these roads, at this most historic of bike races. And now I’m here.

As we pass each group of fans, they offer cheers and encouragement. Hundreds and hundreds of them, cheering for an anonymous group of cyclists they’ll never see again, simply because they’re cyclists, and this is the Tour. The race is embedded into the culture just as surely as foie gras and condescension. The French love the Tour, and cycling, and cyclists – and that’s why even tourists like us get a cheer riding on this festive day.

By the end of the ride, I’m feeling pretty tired (my fitness isn’t what I’d like it to be), but I’m exhilarated. We pull into the Hotel Auberge de Pins where we plan to watch the race, and sit down to a delicious lunch of roast pork, salmon, rillette, rice, and plenty of local wine. As the race approaches, the publicity caravan goes through the village, giving away everything from sausages to laundry detergent to the waiting fans. Kids crowd around the Ricoré truck, clamoring for a cup of the chicory and coffee blend.

Finally, the sound of the TV helicopter starts to grow, and then, seemingly out of nowhere, the race arrives. After hours and hours of anticipation, it’s past in 10 seconds, a stream of the world’s best bike racers flashing by on their way to Bordeaux.

The fans grin giddily at one another, comparing their photos. Everyone gathers their possessions, and heads out. In 20 minutes, it’s life back to normal, and by looking at the town, you’d never even know it had happened.

Photos: Mark McClusky, Matthew Murray. Video: Mark McClusky

Searching for Seconds in Tour’s Race of Truth


They call time trials the race of truth because there's nowhere to hide. It's just one rider and his $15,000 aerodynamic racing machine against the clock, with no pack to draft and no tactics other than go as fast as you can bear. Bike and component companies spend millions on R&D; to craft the machines, sending the top riders into the wind tunnel to adjust their positions, looking for every precious second.

How important are those seconds? In this year's Tour de France, Alberto Contador beat Andy Schleck by only 39 seconds over the course of the course of nearly 92 hours of racing -- or by the equivalent of 429 meters over the 3,642 kilometer race. Contador picked up 31 of those seconds in the Stage 19 time trial from Bordeaux to Pauillac. Oakley photographer Matthew Murray captured the action in the village of Issan.

Alberto Contador went on to win his third Tour de France

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Soccer-Playing Bots Making Strides on the Pitch

The 2010 World Cup in South Africa provided a fine showcase for the best soccer talent on the planet, but at June’s RoboCup 2010 in Singapore, soccer-playing robots showed that the pitch may not forever be limited to living, breathing players.

IEEE Spectrum ventured to the southeast Asian city-state for a first-hand look at several levels of ball-kickin’ bots, from toddlers to full-size humanoids. Indeed, the ability to pass to other robots as well as score from “long” distance is impressive, but the speed with which they move on the extremely condensed field illustrates the challenges that organizers will have with their stated goal of using life-size, competitive robots to defeat a team of human soccer champions by 2050.

Although, it’s clear from the event footage that these bots (especially the goalies) have nailed the human-perfected technique of flopping on the field of play.

DirecTV Swings For the Fences With 3-D Baseball

Yankees manager Joe Girardi tests out DirecTV's 3-D feed two hours before the MLB All-Star Game.

ANAHEIM, Calif. — As the National League celebrated a 3-1 victory over the American League and the end of a 14-year All-Star Game losing streak, DirecTV was marking the start of something new, as last night’s midsummer classic from Southern California marked the first live national broadcast of a baseball game in 3-D.

“It’s the culmination of a lot of man-hours and hard work, but we finally got there,” said Chris Long, DirecTV’s senior VP for entertainment, whose company partnered with Fox Sports to broadcast the 3-D spectacle. Four hours before air, as convergence operators in claustrophobic trailers tinkered to find the right focal lengths for on-air 3-D transmission, Long explained how the company first came to Angel Stadium five months ago with just two cameras to perform initial testing. That effort came to a conclusion last night, when DirecTV and Fox Sports were able to provide native stereoscopic 3-D for nearly a dozen different camera angles, most of which varied from what standard 2-D viewers saw.

Watching gameplay on a 58-inch Panasonic 3-D plasma screen, the most obvious and startling difference came during the basic batter/pitcher interaction that makes up the majority of any baseball game. Immediately, there was a fullness to the experience that doesn’t compare to 2-D. The movement of the ball as it left the pitcher’s hand was more pronounced, an effect that was quickly amplified if the ball was put in play.

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ESPN Goes Full Throttle With 3-D Broadcasting

ANAHEIM, California — There are nine minutes until the telecast goes live. A nervous energy has permeated this cramped, souped-up broadcast center out beyond left field in Angel Stadium’s parking lot. A few hundred feet away, the annual Home Run Derby on the day before the All-Star Game is about to commence, and once the baseballs start flying beyond the outfield, there’s no coming back.

Fist bumps start going around the trailer, trying to loosen the tension. “Hey guys!” the lead fist-bumper calls out. “Let’s have some fun and see what happens.” Chip Dean, the telecast’s director and a veteran of ESPN’s Monday Night Football coverage, continues calling out instructions to his crew in a language that sounds like gibberish to the untrained ear. Mercifully, no one can really hear the flat rendition of “Calling All Angels” that Train, situated inside the stadium on the border between infield and outfield, is belting out.

The live signal officially goes out at 10 seconds before 5 p.m. Pacific time. Train’s lead vocalist, Pat Monahan, starts up with the group’s catchy tune du jour “Hey, Soul Sister.” After a few minutes, Dean instructs his charges to go live to the ESPN broadcasters ready to call the derby. Before the camera cuts in, you hear the voice of play-by-play man Dan Shulman, a baritone Canadian broadcaster who’s flanked by former pro ballplayers Nomar Garciaparra and Aaron Boone.

And that’s when you notice that all three are wearing glasses. 3-D glasses, to be exact. Everyone in the ESPN broadcast center is wearing them, too. And this is the moment where you know this isn’t going to be any typical telecast of the Home Run Derby. No, this broadcast marks a distinct turning point for ESPN, a global powerhouse that has made a tremendous investment in 3-D-centric infrastructure.

Company execs believe that, just as with the introduction of HD broadcasting seven years ago, 3-D signifies the next step in sports programming. What started a month ago with an ambitious slate of World Cup matches has matured into a fully realized 3-D destination.

“Once people see it, they’ll believe it,” said Chris Calcinari, ESPN’s VP of event operations who gave Playbook a behind-the-scenes tour of how ESPN. Calcinari, who had been on scene setting up for the derby since Thursday, brought the operation together.

With roughly 160 engineers, technicians, camera operators and other staffers on-site, ESPN 3D has become a full-fledged unit of its own. “We’re giving them the resources to do something truly unique,” Calcinari said.

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Beyond World Cup, Spanish Soccer Keeps Soaring

Sure, Spain’s national soccer team will reach new heights Sunday if it can snatch its first-ever World Cup title with a win over the Netherlands, but it’ll still be hard-pressed to beat what one Spanish startup did this week.

As a participant in the 14th annual European Balloon Festival, zero2infinity, a Barcelona-based space tourism outfit, affixed the number 7 jersey of striker David Villa to the company’s nano-bloon and let her fly more than 108,000 feet in the atmosphere before capturing the image above.

“We had some extra payload capability,” zero2infinity founder and CEO José Mariano López-Urdiales told Playbook. “I thought that it was worth it. We are all about elevating experiences, in the physical and emotional senses. We think that La Furia Roja elevated our country emotionally, so we wanted to correspond to it physically.”

As the 40-feet-wide, helium-filled balloon lifted higher and higher, an on-board video camera recorded the scene at varying altitudes:

The entire flight lasted around three hours before the balloon – and jersey – parachuted back down to Earth. López-Urdiales isn’t sure what he might attempt next if Spain does pull off the victory Sunday in Johannesburg, South Africa, but looking skyward toward the Iberian Peninsula might not be a bad bet.

When Soccer Goes Left, Fouls May Be Right Behind

If star Spanish striker David Villa hopes to lift La Furia Roja to its first-ever World Cup title, he might want to be extra careful with how the referee sees him on Sunday.

According to a study published yesterday, researchers at the University of Pennsylvania have discovered that soccer referees tend to call more fouls when the action is (according to their perspective) moving to the left rather than the right. Using players from Penn’s men’s and women’s varsity soccer teams, the 12 participants (all native English-speakers) were shown 134 photos of potential fouls in both their original form and a “flipped” version, merely reversing the initial image. Researchers discovered that not only was reaction time for judging said fouls faster (and hence more decisive) for the left-moving plays, but that participants called, on average, a higher number of fouls on plays moving to the left.

One explanation for the discrepancy could be an innate bias in people who interpret language in a left-to-right manner (like English), whereas they might be more likely to negatively judge a play moving in the opposite direction (right to left). “If the spatial biases we observed in this population of soccer players have similar effects on referees in real matches,” said Alexander Kranjec, the study’s lead author, “they may influence particular officials differently.”

FIFA has not declared who the referee for Sunday’s championship match will be, although England’s Howard Webb appears to be one of the front-runners. If that happens, you can bet both Spain and the Netherlands will do their best on Webb’s good side—literally.

Photo: University of Pennsylvania

The King Has Arrived: LeBron James Joins Twitter

With only days to go before LeBron James makes his decision on where his basketball future lies, the “King” has officially fired up his long-dormant Twitter feed at @KingJames.

At the urging of All-Star point guard Chris Paul of the New Orleans Hornets, James racked up more than 100,000 followers Tuesday before sending out a single tweet. The public was put on notice when Paul, tweeting from his verified account, issued the following missive Tuesday morning:

**Couldn’t convince him to tell me which team he’s goin to but convinced him to join twitter lol…my brother from another mother @KINGJAMESless than a minute ago via UberTwitter

That was followed up about six hours later, when James finally spoke:

Hello World, the Real King James is in the Building “Finally”. My Brother @oneandonlycp3 gas’d me up to jump on board so I’m here. Haaaaless than a minute ago via web

At first, there was some doubt whether the account was legit, since it had been created on March 6, 2009, but a source confirmed to Playbook that the account did belong to James (and Twitter has now bestowed official Verified Account status on the handle). Now that King James hath spoken to his Twitterverse subjects, now all we’d like to know is which city he’ll be calling home next season.

Photo: Flickr/keithallison, CC

Exclusive: How Giro Made Lance Armstrong’s $15,000 Custom Helmet

Lance Armstrong returned to the Tour de France in 2009 after four years away from cycling’s most prestigious race. At the age of 37, Armstrong rode his way to a third-place finish. And though it was one of the great athletic performances of our time, it paled in comparison to Armstrong’s seven consecutive victories in what could be the world’s most grueling sporting event.

Entering the 2010 cycling season, Armstrong was focused on improving his position in this year’s Tour as he tried to dethrone Alberto Contador, the rival and former teammate who won last year’s race. That commitment filtered down to one of Armstrong’s sponsors, an outfit named Giro Helmets. The Santa Cruz, California, company had recently launched an Advanced Concepts Group to do “real R&D,” according to Chris Bullock, the group’s manager.

The Giro team brainstormed project ideas and eventually landed on what seemed like the perfect one. What if it focused on building one helmet for one rider, so as to maximize performance? Armstrong was chosen as that one rider, and the cycling time trial –- which emphasizes aerodynamics, because each cyclist rides solo against the clock –- was chosen as the venue. The goal was simple: to create the fastest, most aerodynamic helmet in the world for the conditions Armstrong was likely to face.

“This project was really driven by Giro,” says Armstrong, who will wear the resulting helmet during Saturday’s prologue time trial in Rotterdam, Netherlands. “They went way outside of cycling to look at different sports and concepts.”
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Breaking Down the Sublime Skill of Lionel Messi

His nickname is the Flea, but it’s not because Lionel Messi barely stands 5-foot-6 in soccer cleats. No, Messi’s deserved moniker is explained more by his on-field tenacity and quickness than any superficial judgment on his stature. Though still only 23, the star striker for Barcelona and leader of the Argentinian national team has quickly built an international reputation – through his play in Spain’s La Liga, the prestigious Champions League, and the on-going 2010 World Cup in South Africa – for embarrassing defenders and tormenting opposing goalies with an overall skill set seldom seen on the soccer pitch. Watch him for even a few minutes of play and it’s easy to see why Messi dons his team’s number 10, traditionally worn by a team’s top playmaker.

The accolades have come swiftly for the diminutive Messi, but how does he do it? He doesn’t have the quickness of Ronaldinho, the strength of Wayne Rooney, or the flair of Cristiano Ronaldo. Or, rather, maybe he has just enough of all these traits. In 2009, Messi was awarded the Golden Ball, given annually to the player voted as the best in Europe. And now, with Brazil, England, and Portugal all eliminated from the World Cup, Messi has a legit chance to seize the title as the undisputed best player in the world. That would be just fine with more than 40 million Argentinians back home as well as manager Diego Maradona – the greatest Argentinian soccer player in history and orchestrator of what was recognized as FIFA’s Goal of the Century.

Many profiles have already been written, many honors bestowed. (He’s even been compared to a PlayStation.) But perhaps my favorite passage describing the Flea comes from Sports Illustrated’s Joe Posnanski:

Messi simply does things — little things and big things — that other players here cannot do. He gets a ball in traffic, is surrounded by two or three defenders, and he somehow keeps the ball close even as they jostle him and kick at the ball. He takes long and hard passes up around his eyes and somehow makes the ball drop softly to his feet, like Keanu Reeves making the bullets fall in “The Matrix.” He cuts in and out of traffic — Barry Sanders only with a soccer ball moving with him — sprints through openings that seem only theoretical, races around and between defenders who really are running even if it only looks like they are standing still. He really does seem to make the ball disappear and reappear, like it’s a Vegas act.

So in advance of tomorrow’s highly anticipated quarterfinal against Germany, here’s a detailed look at what makes Messi so marvelous.

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