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Inside No. 9

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Inside No. 9
Inside No. 9 series one DVD cover.jpg
Series one DVD cover, featuring Pemberton (top) and Shearsmith (bottom) as they appeared in episode 1, "Sardines"
Genre
Created by
Written by
  • Reece Shearsmith
  • Steve Pemberton
Directed by
Starring
  • Reece Shearsmith
  • Steve Pemberton
Country of origin United Kingdom
Original language(s) English
No. of series 2
No. of episodes 12
Production
Executive producer(s) Jon Plowman
Producer(s) Adam Tandy
Location(s) Various
Running time 30 minutes
Production company(s) BBC Comedy
Release
Original channel
Picture format HDTV (1080i)
Original release 5 February 2014 (2014-02-05) – present
External links
Website

Inside No. 9 is a British dark comedy anthology television programme written by Reece Shearsmith and Steve Pemberton and produced by the BBC. The first series was broadcast between 5 February and 12 March 2014 on BBC Two, and a second series aired in March 2015. Each half-hour episode is a self-contained story with new characters and a new setting, and all star at least one (usually both) of Pemberton and Shearsmith. Aside from the writers, each episode has a new cast, allowing Inside No. 9 to attract a number of well-known actors. The stories are linked only by the fact that each takes place at a number 9, whether this is a suburban house, a gothic mansion or a dressing room. Pemberton and Shearsmith took inspiration for Inside No. 9 from an episode of Psychoville, a previous project, which was filmed in a single room. This episode was, in turn, inspired by Alfred Hitchcock's Rope. Inside No. 9 was also a reaction to Psychoville, which featured a long overarching story realised over multiple series.

The first series of Inside No. 9 was made up of six episodes. Themes and tone varied from episode-to-episode, but all had elements of comedy and horror. "Sardines" concerns a game of sardines at an engagement party. "A Quiet Night In", an episode almost entirely free of dialogue, follows a pair of hapless burglars breaking into a modernist house. In "Tom & Gerri", an aspiring novelist invites a homeless man into his flat. "Last Gasp" sees a popstar die while blowing up a balloon at a sick child's birthday party. In "The Understudy", an understudy in a West End production of Macbeth longs for the lead role. The series's final episode was "The Harrowing", a gothic horror story in which a schoolgirl housesits a mansion belonging to a brother and sister. An online-only episode composed of cinemagraphs, "The Inventors", was also released by the BBC, but was not written by Pemberton and Shearsmith.

The second series, which premiered on 26 March 2015, also consists of six episodes. "La Couchette" follows a group of passengers on a French sleeper carriage, while "The 12 Days of Christine" tells the story of a young woman's life. "The Trial of Elizabeth Gadge" is a period piece concerning a witch trial in a 17th-century village. "Cold Comfort" follows a number of characters working at a crisis hotline call centre. "Nana's Party" involves family secrets being revealed during a grandmother's birthday party. The final episode, Seance Time, follows the makers of a hidden camera show.

Inside No. 9 as a whole was very well received by critics, who praised the humour and creativity of the scripts, as well as the acting talent of the featured actors. The programme was variously described as "never less-than-captivating"[1] and "consistently compelling".[2] Inside No. 9 won the Sketch and Comedy prize at the 35th annual Banff World Media Festival Rockie Awards, and was nominated for the Best TV Sitcom prize at the 2014 Freesat Awards, the Broadcast Award for Best Original Programme, and at the 2014 British Comedy Awards for both the Best New Comedy Programme and the Best Comedy Drama. However, sympathetic critics suggested that the programme may be an acquired taste; despite generally high acclaim, some journalists were highly critical of Inside No. 9, and the viewing figures were comparatively low. The first series was released on DVD on 17 March 2014.

Format[edit]

Inside No. 9 is an anthology series, with each episode featuring a new story, with a new setting and new characters.[3] Episodes last around half an hour, with the self-contained story reaching a conclusion.[4][5] The stories are linked only by the fact that each takes place in number 9, be that a mansion, a dressing room or a flat. Every episode stars at least one of Shearsmith or Pemberton, and normally both.[6] Each episode is effectively a short play, and could easily be performed on stage. Most episodes take place in real-time, following half an hour in the lives of the characters.[7]

As is typical of Reece Shearsmith and Steve Pemberton's work,[4] the scripts address dark topics, with, for instance, the first episode touching upon incest, child sexual abuse and murder.[5] The plotlines make use of twists and surprises of various sorts,[8][9] though in some cases the surprise is the lack of twist.[7] In an interview, Pemberton said that "there is always a desire to wrong-foot the viewer. That's what you strive to do".[10] The tone varies episode-by-episode. For example, while gothic horror was a major component in one case, other times slapstick comedy was used extensively;[10] the humour, however, is typically dark and British.[3][11] The episodes generally begin with scenes of "utter banality", before the darker elements are revealed.[12] Inside No. 9 is somewhat more grounded and realistic than the writers' previous work.[3][13] Despite the various episodes featuring unrelated plots and characters, one reviewer said that they are all linked "by a mercurial synthesis of morbid comedy, wicked social commentary and a genuine creepiness".[3]

Production and development[edit]

In 2012, after the cancellation of their Psychoville, writers Steve Pemberton and Reece Shearsmith were commissioned to produce two series for the BBC by controllers Janice Hadlow and Cheryl Taylor, partially in response to Sky beginning to produce comedy. At the time, it was unclear whether this would be two series of Inside No. 9, then known by the working title Happy Endings, or a series of Inside No. 9 and a series of some other programme.[14] Inside No. 9 was to be produced by a BBC team,[14] which was later revealed to be David Kerr (director), Jon Plowman (executive producer) and Adam Tandy (producer).[15]

Pemberton and Shearsmith took inspiration for Inside No. 9 from "David and Maureen", episode 4 of the first series of Psychoville, which was in turn inspired by Alfred Hitchcock's Rope. This episode took place entirely in a single room, and was filmed in only two shots.[5] The writers were keen to explore other stories in this bottle episode or TV play format, and Inside No. 9 allowed them to do this.[16] At the same time, the concept of Inside No. 9 was a "reaction" to Psychoville, with Shearsmith saying that the two of them had "been so involved with labyrinthine over-arcing, we thought it would be nice to do six different stories with a complete new house of people each week. That's appealing, because as a viewer you might not like this story, but you've got a different one next week."[15] Elsewhere, Shearsmith explained that the pair returned to writing macabre stories as they "always feel slightly unfulfilled if [they] write something that's purely comedic, [as] it just feels too frivolous and light".[17] During the filming Inside No. 9, Shearsmith professed excitement to be working on the programme, saying that "[b]eing in the middle of filming a third series of Psychoville would be utterly depressing".[15] Pemberton and Shearsmith aimed for a simpler experience with Inside No. 9 than they had experienced with Psychoville, describing "Sardines", Inside No. 9's first episode, by saying that it was "just about some good actors in a wardrobe with a good story."[15]

Reece Shearsmith (pictured in 2003) co-wrote Inside No. 9 with Steve Pemberton

The anthology series is currently a rare genre for British television programmes. Previous horror anthologies include Tales of the Unexpected, The Twilight Zone and Alfred Hitchcock Presents; while these would sometimes utilise comedic elements, they are more prominent in Inside No. 9. Murder Most Horrid followed a similar format, but was far more comedic than horrific. Other anthology-like series on British television include Seven of One and Comedy Playhouse, though these programmes lacked horror elements, and, unlike Inside No. 9, served as pilots for potential series.[6] For Pemberton, the 1970s and 1980s were "full of" anthology shows; other examples included Play for Today, Beasts and Armchair Thriller.[7] More recently, anthologies have become less popular with television executives,[6] but the writers hope that they may be able to contribute to a "renaissance" for the genre.[16] According to journalist and broadcaster Mark Lawson, this is because anthologies can fail to motivate viewers to stay with a series, and, further, new sets and casts must be paid for each episode, meaning that a six-part anthology series will generally be more expensive than a six-part series in a more standard format. For Lawson, Inside No. 9 was able to overcome these problems through the "pleasing coherence" offered by the fact each episode was set in a number 9, and "the wit and inventiveness" of the opening episodes, which could sufficiently engage viewers.[6] Pemberton and Shearsmith had originally considered alternative ways to link the stories, such as all the settings having a shared post man, but then decided that such a strong relationship between stories was not needed.[16]

Inspiration and production varied from instalment to instalment, and each was filmed separately, taking less than a week per episode.[7] After Shearsmith and Pemberton had decided that each episode would be about confinement, and having written some of the later episodes, they were inspired by a wardrobe in their working space for "Sardines". The writers were keen to see how confined they could make the characters,[18] aiming to induce feelings of claustrophobia in viewers.[17] The anthology format allowed Pemberton and Shearsmith to revisit prior ideas, which is what they did with "A Quiet Night In" and "Tom & Gerri". The former was inspired by the writers' efforts to include a long segment without dialogue in an episode of Psychoville. Both episodes followed break-ins.[19] The Pinteresque "Tom & Gerri" was based upon a play written by Pemberton and Shearsmith while the pair were living together and job seeking. The setting was based upon their own flat, while the character Tom's development evoked the experience of job-hunting.[20][21] "Last Gasp" was inspired by a person Pemberton had seen on Multi-Coloured Swap Shop who collected jars of air, as well as the death of Michael Jackson and the death of Amy Winehouse.[22] "The Understudy", the plot of which is partially based upon and concerns Macbeth, took longer to write than any other episode; the writers rewrote the script several times, as they were unsure of whether the characters should be amateur or professional actors.[23][23] "The Harrowing" was the writers' attempt to produce a gothic horror episode. They made use of more horror tropes than previous episodes, but the setting allowed them to include modern elements.[2][3][24][25]

The BBC ordered a second series of Inside No. 9 before the first episode had aired.[26] The second series was written in 2014, and then filmed from the end of 2014 into early 2015.[27][28] Pemberton hopes the finished series will air on television around March or April 2015.[27] Locations for the stories include a French train, a Victorian villa, a village in the 17th century and a call centre. Confirmed guest-actors include Alice Lowe, Alison Steadman, Claire Skinner, David Warner, Jack Whitehall, Jane Horrocks, Jim Howick, Julie Hesmondhalgh, Mark Benton, Michele Dotrice, Paul Kaye, Sheridan Smith and Tom Riley. While Plowman and Tandy will again executive produce and produce the series, the episodes will be variously directed by Dan Zeff, Guillem Morales, and Shearsmith and Pemberton, who will be making their joint directorial debut on two episodes.[29][30]

Episodes[edit]

Series 1 (2014)[edit]

Overall
no.		 Title Location Original broadcast date Viewers
(in millions)
1 "Sardines" Bedroom in a country estate 5 February 2014 1.06
Rebecca (Katherine Parkinson) and Jeremy (Ben Willbond) hold an engagement party at Rebecca's family's mansion. The guests play the parlour game sardines, in which one person hides and the other players have to join them in their hiding place once they are found. As Rebecca's friends and family are packed into a wardrobe, secrets are gradually revealed.
2 "A Quiet Night In" Modernist house 12 February 2014 0.94
Hapless cat burglars Eddie (Pemberton) and Ray (Shearsmith) break into a luxury house to try to steal a painting while Gerald (Denis Lawson) and Sabrina (Oona Chaplin), the couple who live in the house, argue. The episode progresses almost entirely without dialogue.
3 "Tom & Gerri" Flat 19 February 2014 1.0
Tom (Shearsmith) is a frustrated primary school teacher and aspiring author. One night, a homeless man named Migg (Pemberton) returns Tom's lost wallet, and Migg ends up living with Tom, to the frustration of Tom's girlfriend Gerri (Gemma Arterton). Tom's life changes dramatically as a result.
4 "Last Gasp" Suburban house 26 February 2014 0.87
Pop star Frankie J Parsons (David Bedella), accompanied by assistant Si (Adam Deacon) and WishmakerUK representative Sally (Tamsin Greig), visits the poorly Tamsin (Lucy Hutchinson) on her ninth birthday, but suddenly dies while blowing up a balloon. Graham (Pemberton), Tamsin's father, realises that Frankie's last breath could be highly valuable, and he, Sally and Si argue over ownership of the balloon.
5 "The Understudy" Dressing room 5 March 2014 0.72
Successful West End actor Tony (Pemberton) is starring in a production of Shakespeare's Macbeth. His understudy Jim (Shearsmith) has always wanted a starring role, and Jim's fiancée Laura (Lyndsey Marshal) encourages him to push for Tony's job. The episode is written in five acts, and is loosely based upon the plot of Macbeth.
6 "The Harrowing" Gothic mansion 12 March 2014 0.83
Katy (Aimee-Ffion Edwards) is hired to housesit the Gothic mansion where Hector (Shearsmith) and Tabitha (Helen McCrory) live, while the pair attend an important event. The house is filled with paintings depicting Hell, and kept below freezing for Hector and Tabitha's heavily disabled brother, Andras (Sean Buckley), who is staying in his bedroom upstairs. Andras is not to be disturbed.

Series 2 (2015)[edit]

Overall
no.		 Title Location Original broadcast date Viewers
(in millions)
1 "La Couchette" Sleeper car 26 March 2015 1.1[31]
English doctor Maxwell (Shearsmith) attempts to settle in a French sleeper carriage in advance of an important job interview. He is disturbed first by drunk, flatulent German Jorg (Pemberton), then by English couple Kath (Julie Hesmondhalgh) and Les (Mark Benton), who are travelling to their daughter's wedding. When Australian backpacker Shona (Jessica Gunning) brings the posh Hugo (Jack Whitehall) back to the carriage, a surprising discovery is made.
2 "The 12 Days of Christine" Flat 2 April 2015 1.1[32]
Christine (Sheridan Smith) meets Adam (Tom Riley) at a New Year party. Her life begins to unravel around her as events seem to take place out of sequence and she is haunted by visions of an unknown man. The episode takes place over twelve holidays and important occasions in Christine's lifetime, at intervals of one year and one month.
3 "The Trial of Elizabeth Gadge" Barn 9 April 2015 0.86
In the 17th century, Elizabeth Gadge (Ruth Sheen) stands accused of witchcraft; she will be burnt at the stake if found guilty. Village magistrate Justice Pike (David Warner) summons feared witch-finders Mr Warren (Shearsmith) and Mr Clarke (Pemberton) to investigate, while planning to use the trial to increase outside interest in the village.
4 "Cold Comfort" Call centre 16 April 2015 0.92
Andy (Pemberton) starts work at the Comfort Support Line, a helpline for distressed people to talk about their problems. His colleagues George (Shearsmith), Liz (Jane Horrocks) and Joanne (Nikki Amuka-Bird) are only too happy to help, but one caller isn't what they seem. The episode is filmed on four fixed CCTV cameras.
5 "Nana's Party" House 23 April 2015 0.92
Much-loved grandmother Maggie (Elsie Kelly) is celebrating her 79th birthday, and her family plans a party for her, complete with a huge cake. However, Jim (Pemberton) is angry at a practical joke from his brother-in-law Pat (Shearsmith), and intends to get back at him during the party. The "jokes" escalate with devastating consequences.
6 "Séance Time" Victorian villa 29 April 2015 0.68
Having never consulted the spirit world before, Tina (Sophie McShera) isn't quite sure what to expect. Her visit to the spiritualist medium Madam Talbot (Alison Steadman) has been arranged by her sister. Hives (Shearsmith), Talbot's assistant in the mundane world, seems quite helpful, but there's something already waiting for Tina on the Other Side, and Hives knows all about it.

Online episode[edit]

A special online-only episode of Inside No. 9, "The Inventors", was launched by the BBC on 12 February 2014. "The Inventors" stars Tom Verall and Dan Renton Skinner as brothers who lost their mother in the Great Storm of 1987. The story is told through a series of cinemagraphs with dialogue. The episode is interactive, advancing only with input from the viewer. "The Inventors" was developed by media agency Kanoti, and produced by Jon Aird,[33] who had previously produced BAFTA-winning online content for Psychoville,[34] with executive producer Will Saunders.[33] It was directed by Martin Stirling.[35]

Cast[edit]

Gemma Arterton (pictured in 2013) played Gerri in "Tom & Gerri"
Tamsin Greig (pictured in 2010) played Sally in "Last Gasp"

As each episode of Inside No. 9 features new characters, the writers were able to attract actors who may have been unwilling to commit to an entire series.[5] The writers' reputation also helped attract writers, with journalist David Chater saying that they "have developed such a track record over the years that many of the finest actors in the country jump at the chance to appear in their dark imaginings".[36] The fact that Pemberton and Shearsmith only played a single character in each story was a change for them; in The League of Gentlemen, the pair have played some 30 characters each, while, in Psychoville, they had played around five each.[16] Though Pemberton and Shearsmith generally starred in each episode, they did not necessarily take on the main roles. Shearsmith explained this by saying that they "didn't write this for us to be in. We wrote the stories first then thought, could we be in them?"[5]

Series 1[edit]

"Sardines"[37]
"A Quiet Night In"[38]
"Tom & Gerri"[39]
"Last Gasp"[40]
"The Understudy"[41]
"The Harrowing"[42]

Series 2[edit]

"La Couchette"
"The 12 Days of Christine"
"The Trial of Elizabeth Gadge"
"Cold Comfort"
"Nana's Party"
"Seance Time"

Distribution[edit]

The first series of Inside No. 9 was shown in the UK on BBC Two (and BBC Two HD) between 5 February and 12 March 2014.[43][44] It was aired in Australia on BBC First, premiering on 5 January 2015.[45]

The first series was released on DVD on 17 March 2014. In addition to the six episodes, the DVD featured the making of feature "Inside Inside No. 9", including unseen interviews with Pemberton, Shearsmith and Kerr, and a photo gallery with previously unreleased photos.[46] Published by 2 Entertain,[47] the DVD was rated 18 by the British Board of Film Classification.[46] "The Understudy" was the only individual episode rated 18, specifically for "strong gory images of suicide".[48] Other episodes were rated 15; this was for strong language ("Tom & Gerri" and "Last Gasp"),[49][50] strong language and sexual references ("Sardines"),[51] strong bloody violence ("A Quiet Night In")[52] and strong horror ("The Harrowing").[53] To publicise the DVD, the writers appeared at the Oxford Street, London, branch of HMV for a signing event on 20 March.[54] The DVD was reviewed by David Upton for webzine PopMatters, who gave the main feature an 8/10 rating, and the extras a 5/10 rating,[3] and Ben Walsh for The Independent, who gave the DVD overall 4/5.[47] Phelim O'Neill, reviewing the release for The Guardian, described the boxset as "very lendable", suggesting that it would help Inside No. 9 reach a wider audience.[55] South African newspapers The Sunday Times and The Star both published positive reviews of the DVD, with The Star‍ '​s anonymous review saying the DVD "makes a great prezzie for cynics, so if you know any lawyers or journalists...".[56][57]

Reception and performance[edit]

Critical response[edit]

External video
"Boo"
Carl (Pemberton) finds Rebecca (Katherine Parkinson) and Ian (Tim Key) in the wardrobe. Taken from episode 1, "Sardines".
"A canine inconvenience"
Burglars Eddie (Pemberton) and Ray (Shearsmith) are almost revealed by a barking dog. Taken from episode 2, "A Quiet Night In".
"I'm not a vampire"
Katy (Aimee-Ffion Edwards) is introduced to Hector (Shearsmith) by Tabitha (Helen McCrory). Taken from episode 6, "The Harrowing".

Many critics responded very positively to Inside No. 9. After the final episode, comedic critic Bruce Dessau said on his website that the series "really set an early benchmark to beat for comedy of the year. It has been consistently compelling as each week we entered an entirely different world."[2] On the same day, David Chater, writing in The Times, said of the series as a whole that "[i]t's hard to know which to admire more – the rich and perverse imaginations of Steve Pemberton and Reece Shearsmith or the extraordinary range of acting talent that has brought this strange and memorable series to life."[58] Chater had previously described "A Quiet Night In", the second episode of Inside No. 9, as "the funniest, cleverest, most imaginative and original television I have seen for as long as I can remember – one of those fabulous programmes where time stands still and the world around you disappears".[59] Mark Jones (The Guardian) considered the whole series, saying that the Inside No. 9 was "never less-than-captivating",[1] while a review in the Liverpool Echo described every episode as "intriguing and lovingly-crafted", though it was felt that the first three episodes were stronger than the latter three.[60] In December 2014, Metro television critic Keith Watson named Inside No. 9 the twentieth best television programme of 2014,[61] and in January 2015, Daily Star Sunday columnist Garry Bushell named Inside No. 9 the best comedy TV programme of 2014.[62]

Writing before Inside No. 9 was televised, broadcaster and journalist Mark Lawson suggested that, among anthology series, the programme possessed "the potential to be remembered as a singular achievement".[6] Commending both the acting and writing of Inside No. 9, New Statesman television critic Rachel Cooke offered a positive verdict of the programme after seeing the first half of the series. Cooke expressed particular admiration of Pemberton and Shearsmith's ability to squeeze "perfectly formed narratives – characters with proper backstories, scenarios that are complicated and unwind relatively slowly – into just 30 minutes".[63] Also writing mid-series, journalist Gareth Lightfoot called Inside No. 9 "hands down the best, freshest thing on [television] at the moment" in the Evening Gazette, though he doubted whether it could truly be considered comedy.[21]

Donal Lynch, of Irish newspaper the Sunday Independent, suggested that, like the previous work of Pemberton and Shearsmith, Inside No. 9 may be something of "a cult hit/acquired taste".[64] Barry Didcock, of The Herald, expressed a similar sentiment, calling Inside No. 9 "probably the most Marmitey programme on television".[65] The Times published a response to a complaint received from a viewer, who was unhappy with Chater's positive reviews of Inside No. 9, suggesting that "A Quiet Night In" was more traumatic than humorous.[66] Sam Wollaston, television critic for The Guardian, noted that humour is extremely personal, and though he could appreciate much about Inside No. 9, he had never liked Pemberton and Shearsmith's work: "I'm sure I'll be crucified – probably quite rightly – but I don't love Inside No 9."[67] Some tabloid columnists also expressed dissatisfaction with the programme. Virginia Blackburn, of the Daily Express, wrote a highly critical review of "Last Gasp". Blackburn considered Inside No. 9 an example of the weakness of contemporary television comedy, saying that the episode is "not funny, it's not clever and is so utterly, irredeemably, naffly silly that it ends up being incredibly irritating and nothing else".[68] Another journalist unimpressed was the Daily Mirror columnist Kevin O'Sullivan, who dismissed the programme by saying simply "BBC2's alleged comedy Inside No. 9: didn't even smile".[69]

Cooke observed the difficulty in reviewing Inside No. 9 as a whole due to the fact that each episode is different from the last.[63] "Sardines" was commended for its cast and acting,[26][70][71][72] as well as the scripting,[70][71] but critics had a mixed response to the twist ending.[4][13][71][72] "A Quiet Night In" was a change in approach, relying on physical comedy,[73] but it was well received as funny,[59][74] and inventive.[59][75] "Tom & Gerri" was less comedic but darker than previous episodes;[76][77][78] critics commended the plot,[79][80] but disagreed about the portrayal of mental illness in the episode.[76][79] Less horrific than other episodes in the series,[3] "Last Gasp" dealt with themes of celebrity culture and fandom,[81][82][83] and was considered a weaker instalment.[81][84][85] Critics called "The Understudy" a "return to form".[86][87][88] While it was based upon Macbeth, a knowledge of the play was not necessary for enjoyment,[86][89] and the plot's divergence from the play was praised.[90][91][92] "The Harrowing" was the most horrific episode of the series,[3][93][94] and was considered genuinely scary by critics.[2][3][25][95]

Viewing figures[edit]

Despite the generally positive reception among critics and viewers,[96] the viewing figures for the series were poor.[2] The average viewing figures for the series were 904,000 people, or 4.9% of the audience, lower than the slot average of 970,000 (5.1% of the audience).[44] The series had a strong start,[2] with 1.1 million viewers, which was 5.6% of the audience, watching "Sardines".[43] The series low was the fifth episode, "The Understudy", which attracted 720,000 viewers (4.1% of the audience).[44][97][98]

Awards and nominations[edit]

Thanks to their work on Inside No. 9, Pemberton and Shearsmith jointly won the 2014/2015 Royal Television Society Programme award for best comedy performance. The other nominees were Harry Enfield, for his performance in Harry and Paul's Story of the Twos, and Sarah Hadland, for her performance in The Job Lot.[99][100][101] The pair were also jointly nominated for the for the 2015 British Academy Television Craft Award for comedy writer for their work on Inside No. 9. The other nominees were Mackenzie Crook (Detectorists), Arthur Matthews and Matt Berry (Toast of London) and Mathew Baynton and James Corden (The Wrong Mans).[102] At the 2013/2014 Royal Television Society Craft and Design Awards, Lisa Cavalli-Green was nominated for the "Make Up Design - Drama" award for her work on Inside No. 9, but lost to Davy Jones, for his work on In the Flesh. Loz Schiavo (Peaky Blinders) was the other nominee.[103][104] Due in part to her role in "The Harrowing", Aimee-Ffion Edwards was shortlisted for WalesOnline's "Daffta" award for best actress, but lost to Eve Myles. The Dafftas celebrate Welsh television talent and prizes are awarded based on a public vote.[105]

Inside No. 9 itself won the Sketch and Comedy prize at the 35th annual Banff World Media Festival Rockie Awards.[106] The other nominees were Do I Have to Take Care of Everything?, It's a Date, Tiny Plastic Men, Gangsta Granny and The Revolution Will Be Televised.[107] In response to the nomination, Shearsmith tweeted that he was "[t]hrilled", joking that the programme was "in 'Comedy'. I knew it was one".[108] Inside No. 9 was also nominated for Best TV Sitcom at the 2014 Freesat Awards,[109] which celebrate the best of free British television. The programme lost to BBC2's The Wrong Mans, as determined by a panel made up of television experts and commentators.[110][111] The other nominees were Birds of a Feather, Mrs. Brown's Boys and Toast of London.[109] In November 2014, it was announced that Inside No. 9 had been shortlisted for the 2015 Broadcast Award for Best Original Programme. The other nominees were Crackanory, Glasgow Girls, Release the Hounds, Suspects and The Island with Bear Grylls.[112] At the award ceremony in London on 4 February 2015, Glasgow Girls was granted the award, but Inside No. 9 was highly commended.[113] Inside No. 9 won the TV award at the 2015 Chortle Awards.[114]

At the 2014 British Comedy Awards, Inside No. 9 was nominated in the Best New Comedy Programme and the Best Comedy Drama categories. In the former category, it lost to Toast of London. The other nominees were The Wrong Mans and Man Down. In the latter category, it lost to Rev, and the other nominees were The Wrong Mans and Uncle.[115] For Chater (The Times), the comedy drama category was the strongest of the awards,[116] but for Ben Williams (Time Out), Inside No. 9 should have won.[117] Writing in The Independent, journalist Alice Jones said she was "sorry to see the relentlessly innovative Inside No 9 go unrewarded".[118]

References[edit]

  1. ^ a b Arnold, Ben; Robinson, John; Stubbs, David; Catterall, Ali; Jones, Mark; Verdier, Hannah; Davies, Hannah J.; Bakare, Lanre (8 March 2014). "Television: Wednesday 12". The Guide, The Guardian. p. 64. 
  2. ^ a b c d e f Dessau, Bruce (12 March 2014). "Preview: Inside No 9: The Harrowing, BBC2". Beyondthejoke.co.uk. Retrieved 18 April 2014. 
  3. ^ a b c d e f g h i Upton, David (26 March 2014). "'Inside No. 9' is a bit like a box of chocolates, albeit one full of dark, bitter sweets". PopMatters. Retrieved 21 April 2014. 
  4. ^ a b c Venning, Harry (13 February 2014). "TV review: Inside No 9; Line of Duty; The Life of Rock with Brian Pern". The Stage. Retrieved 13 February 2014. 
  5. ^ a b c d e Dean, Will (5 February 2014). "Inside No 9, TV review: A top-drawer cast puts these twisted tales in a league of their own". The Independent. Retrieved 6 February 2014. 
  6. ^ a b c d e Lawson, Mark (5 February 2014). "Inside No 9: How Shearsmith and Pemberton have revived a lost genre". Theguardian.com. Retrieved 6 February 2014. 
  7. ^ a b c d "Reece Shearsmith speaks to Mark Radcliffe". Radcliffe & Maconie. BBC Radio 6 Music. 4 February 2014. Retrieved 5 July 2014. 
  8. ^ Lee, Veronica (6 February 2014). "Inside No 9, BBC Two". The Arts Desk. Retrieved 19 February 2014.  (subscription required)
  9. ^ Rutherford, Nick; Watson, Keith (13 March 2014). "Last episode of Reece Shearsmith and Steve Pemberton's Inside No.9 is a bit of a cop out". Metro. Retrieved 18 April 2014. 
  10. ^ a b Dessau, Bruce (2 February 2014). "Gentlemen in a league of their own: Reece Shearsmith and Steve Pemberton discuss their new series". The Independent. Retrieved 13 February 2014. 
  11. ^ Suaréz, Rebeca (15 July 2014). "Lost & Found: Cinco series de estreno a recuperar (II)" (in Spanish). Numerocero.es. Retrieved 12 August 2014. 
  12. ^ McDowall, Julie (19 February 2014). "TV review: Inside No.9 we find a glass ceiling". The Herald. Retrieved 20 February 2014. 
  13. ^ a b Billen, Andrew (6 February 2014). "TV review: Inside No 9". The Times. Retrieved 6 February 2014.  (subscription required)
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External links[edit]

Inside No. 9
People
Episodes
Series 1
Series 2
TV series
Films
Books
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