continued. |
OKADA: Mr. Miyazaki's new
movie, MONONOKE-HIME, is going to be using 80 cuts of
computer graphics in it. If there were more opportunity,
time, or availability, he would have wanted to use 120 cuts
in it. So Mr. Miyazaki is also one of the people starting to
use computer graphics, too. And, also, Mr. Miyazaki says,
"If we'd had a computer system when we made LAPUTA, there's
half of it I'd like to remake." So there's great
possibilities with computer graphics. And Mr. Anno has said,
in remaking the last two episodes of EVANGELION, he's going
to Studio Ghibli to study Mr. Miyazaki's system. And that
studio has a big system for computer-graphics images. I've
heard they've got five, or seven, Silicon Graphics
workstations. What Anno wants to make is a "snow world"--
the Eva units fighting the enemy amidst a world of snow, on
a snow- covered mountain. But it's very difficult to portray
snow falling and piling, and the robots walking through the
snow--it's very difficult to draw by the human hand. Mr.
Anno wants to make a masterful scene of a battle amongst the
snow. Computer graphics are very expensive, and very
difficult to use, but they have great possibilities. I've
heard that James Cameron went to Production I.G., the studio
that made GHOST IN THE SHELL, and asked the president of
Production I.G. for five of his animators, because he wants
to make a full computer- graphics film. But Production I.G.
said no, because Cameron's offer was very bad. Bad, because
Mr. Cameron was thinking, "Oh, Japanese animation, it is
very low price! So, I think, maybe--ten thousand dollars--
for a thousand dollars for each man, I can get the best
animators in Japan!" And he said so; and Mr. Ishikawa, who
is the president of Production I.G., said [STERNLY] "No! It
is very expensive!" So Mr. Cameron quit. |
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