Pentax 67 photo courtesy of Chuck Rubin chucker@iglou.com

Current Medium Format Camera Listings
by Robert Monaghan

Index:
Current Cameras
Current Lenses

Related Links:
MF cameras list

Q: Where can I see a listing of current MF cameras?


Q: What about current MF lenses?

See our available MF lenses pages for listings and prices.

See also Hasselblad lens MTF charts
See Kiev 88, Kiev 60 (Pentacon) lenses
See Mamiya RF Lenses
See Rollei Lenses
See Tamron/Bronica's How to Buy A Lens


Related Postings

rec.photo.equipment.large-format
From: ar7500@aol.com (AR7500)
[1] Huge LF Catalog
Date: Wed May 06 1998

I ordered a 4x5 enlarger from B and H a few months ago which, I suppose, is why they sent me their new large and medium format catalog. It's about an inch thick and contains writeups on many LF cameras, lens and accessories. Sure, they are written by the manufacturers, not independent reviewers, but at least there's information to consider. If you didn't get one, you might contact B and H for a copy. Art


From Contax Mailing List:
Date: Thu, 02 Mar 2000
From: "Bob Shell" bob@bobshell.com
Subject: Re: [CONTAX] 645 concept/marketing

George,

It is very simple. Copal decided to build a bladed shutter for medium format and sell to camera makers. To get the flash synch speed and top speed high enough was tough, but could be done in a shutter module for 645. It could not be done in a shutter module for 6 X 6. The Contax 645 and Mamiya 645 AF are both cameras built around the shutter module, not the other way around. Since there is no planned 6 X 6 shutter module, there will not be any 6 X 6 cameras.

Bob

- ----------

>From: george day geod@cwo.com
>To: contax@photo.cis.to
>Subject: [CONTAX] 645 concept/marketing
>Date: Thu, Mar 2, 2000
>
> Here's the thing: Why did Contax go after the 645 market, pure and simple?
> Why not produce the Contax "66" -- a square-format base, multi-format
> capable, system?


From Rollei Mailing List:
Date: Thu, 13 Jan 2000
From: Bob Shell bob@bobshell.com
Subject: Re: [Rollei] Compur manufacture

Which Hasselblad lenses use a size O shutter? All of them that have leaf shutters.

When the 500C was developed, Compur in Munich made a Synchro-Compur 0-MXV for Hasselblad. Not generally known is that Compur made the whole lens barrel and Zeiss screwed complete lens cells into them. These shutters are identified as type CS-1210 with a three number suffix depending on the lens. Special MXV shutters were also made for Adox, Agfa, Balda, Braun, Diax, Franka, Graflex,Iloca, Kodak, Linhof, Rollei, SEM, Schneider,Sinar, Voigtlander and Zeiss according to a 1967 complete listing.

The CS-1210 is a number 0 shutter. All of the original Hasselblad lenses were fitted into this size. When Hasselblad made the switch from shutters identified as Synchro-Compur to those now called Prontor the diameter was not changed. This has been a limiting factor in Hasselblad's lens development and the reason they are unable to offer fast lenses with leaf shutters. So a number 0 Prontor definitely is in production, and if Rollei wanted them I am sure they could buy them. Since the Hasselblad 38mm Biogon uses a number 0 shutter I would guess that the Alpa version of this lens, when purchased with the Compur option, comes in a number 0 Compur. I have asked Roger Hicks to confirm this from his Alpa.

Rollei solved the shutter diameter problem for SLR cameras by making their own shutters in two sizes, one of which is equivalent in diameter to a number O and one of which is larger and allows lenses like the 180mm f/2.8.

Bob

.....


Date: Mon, 10 Jan 2000
From: tintype@megsinet.com (Peter Mikalajunas)
Newsgroups: rec.photo.equipment.medium-format
Subject: Re: Medium-format 6x9

Michael Eschner michael.eschner@chemie.tu-chemnitz.de wrote:

>I like to restart with MF-photography again. Therfor I am looking
>for 6x9 cm cameras. My preference for this format drives from the
>fact that this format has the same side proportion as 35 mm. What
>I am looking for is a manual camera preferentially a SLR for
>landscape photography which should feature interchangeable lenses
>(wide angle, normal, a light telephoto-lens corresponding to a
>100 mm for 35 mm format).
>
>Until now I could not get to many information on 6x9 cameras. It
>seems to me that this market is very small and thus there are
>only a few manufacturers. Can sombody give me names of companies
>building 6x9 cameras?
>
>Thanks,
>
>Michael
These are current makers, none are SLR...
Arca-Swiss - view camera
Calumet - view camera
Toyo - view camera
Camogli 69/58 and 69/47
Fuji GW690 and older G690
Horseman SW612 (does 6x9cm)
Linhof M679
Linhof Aerial
Linhof Technikardan 6x9
Linhof Super Technika 23
Linhof Technika IV

There is a much longer list of older makers, none produced a 6x9 SLR to my knowledge. The closest is the current Fuji 6x8 SLR.

Peter Mikalajunas

Photo links
http://www.megsinet.com/tintype ---


[Ed. note: if you need a 6x9 SLR...]
Date: Mon, 10 Jan 2000
From: "Shinichi Hayakawa" shaya@gol.com
Newsgroups: rec.photo.equipment.medium-format
Subject: Re: Medium-format 6x9

....

There were several 6x9 SLRs in the past. Plaubel Pecoflex, Rittreck SP and venerable Graflex all accepted 6x9 holders.

Shinichi


Date: Wed, 29 Dec 1999
From: "Rick Rieger" rrieger@voyager.net
Newsgroups: rec.photo.equipment.medium-format
Subject: Re: Bronica GS-1 Opinions

Robert,

I have two GS-1 bodies and five lenses, along with extension tubes, 1.4x extender and both meter finders. My overall satisfaction is very high. This system is very easy to use and all the parts/pieces are well integrated. You don't have to remember to do things in a sequence like you do with Hassleblad. I particularly like the small size of the GS-1 compared to Mamiya RB/RZ or Fuji 680. The quality of manufacture seems fine. I've never owned a Hassleblad or Rollei, so I don't know how the quality measures up to these. All I can say is that the end results from the GS-1 are competitive with any MF system. Optical performance is very good, especially the 100mm PG. No complaints about the lens quality. The camera is fun to use and has produced outstanding results for me. The Rotary Finder G pretty well makes up for the lack of a rotating back, but I have to admit that a rotating back would be nice.

Weak points:

1. Poor marketing by the importer. The system is not promoted well at all.

2. Lens shutters will probably need service after 7-10 years. Lenses will start failing to complete their exposure cycle during cooler weather. Service by Tamron is currently $190 per lens. I don't believe such service requirements are unique to Bronica.

3. Backs will eventually overlap frames after heavy use. Again, this is not a problem unique to this brand. So far, I've had no problems with any of my five backs. If you buy used, try to avoid heavliy used backs.

4. System depth - relative to 6x7 Mamiya or Pentax, the GS-1 is a relatively small system (e.g., 9 lenses). However, it had what I needed, so this was a moot point for me.

5. Rental - the rental market for Hassleblad is a whole lot better than Bronica, particularly the GS-1. If you shoot GS-1, you better have all the accessories you will need, since it's unlikely you'll be able to rent them.

RD Munger rdmunger@execpc.com wrote

> Hello all. I'm fascinated by this machine and would like any
> opinions regarding overall satisfaction, quality of manufacture
> and optical performance.
>
> Are there any peculiar quirks to be aware of?
>
> Thanks to all.
>
> Regards, Robert


From: "John Stafford" John@Stafford.net
Newsgroups: rec.photo.equipment.medium-format
Date: Sat, 29 Apr 2000
Subject: Re: SILVESTRI?

> Anyone using this camers?
> Got any info? URL?

I have all the literature, and you can find recent information by calling the best USA distributor (he also handles Ebony, Osaka, Corfield and Gandolfi)


        Ted Bromwell
        3 Allegheny Center #111
        Pittsburgh, PA 15212-5319
          (412) 321 4118

Ted has a web page: http://www.bromwell.com but Ted always has more information than is on the page. He's in touch with Silvestri directly all the time.

You really do have to call him. Don't bother with the e-mail URL. (He does not maintain the page himself.) If you call him, and leave your phone number with his answering machine, Ted _will_ get back to you, even at home if you prefer. He's very good to work with. The personal approach is alive and well with his business.

...and the last time I talked to him, his prices were $2000 under typical retail for the Silvestri system. It's a great, albeit specialized, system.


From: Dermot Conlan dermoc@bellatlantic.net
Newsgroups: rec.photo.equipment.medium-format
Date: Sun, 30 Apr 2000
Subject: Re: SILVESTRI?

A guy from Australia, Nick Rains (do a search on Yahoo or Netscape for his web page) uses a Silvestri set up for landscapes. It's an interesting camera, should say system. Also go to" www.robertwhite.co.uk" he sells the system at a better price and you'll find a link to Nick's site there. I've spoken a few times to him and he can give a lot of info.

In the USA Ted Bromwell/ Bromwell Marketing in PA is the distributor, call him and he can send a very good color system chart.

Dermot


From Contax Mailing List:
Date: Tue, 10 Oct 2000
From: Bob Shell bob@bobshell.com
Subject: Re: [CONTAX] contax medium format rangefinder

First of all, the medium format Leica is not a rumor. It was announced to a group of the photo press by the President of Leica. I was not there, but I have spoken with people who were and there is no question that the announcement was made. He would not give any details at all, so the format is not known. It is also not known if it would have interchangeable lenses.

Second, Leica does have a deal with Kyocera to make some lenses for them, as well as supplying electronic components. But I don't think Kyocera is building any complete cameras for them. I don't think this new Leica medium format camera will come from Kyocera.

In the past Leica has sold cameras under their name built by almost every company that makes point and shoot cameras, so it could come from a variety of sources. My guess is that it would be designed in Solms but built elsewhere to save production costs. And don't forget that, so far as I know, Leica still has their production facility in Portugal.

Bob

> From: adam forrester aforrester@callnet0800.com
> Date: Tue, 10 Oct 2000 
> To: contax@photo.cis.to
> Subject: [CONTAX] contax medium format rangefinder
>
> Contax already have a connection with Leica in that they manufacter in Japan
> several Leica R zooms EG. the current
> 80-200f4 so maybe they are going to make the rumoured MF Leica camera and
> lenses ? Is the format 645 or 6x7 -does anyone know ??
>
> adam


From: bhilton665@aol.comedy (Bill Hilton) Newsgroups: rec.photo.equipment.medium-format Date: 22 May 2003 Subject: Re: Pentax 645 system comparison to other medium format systems >>"Bill Hilton" bhilton665@aol.comedy >> But if I were buying a system new today I'd think carefully about the >> future path to a digital back, something that's easier to do with the >> interchangeable back bodies than with the Pentax. >From: "P†l Jensen" paaljensen@sensewave.com > >There exist digital back prototypes for the Pentax 645 by some third party >company. Who? > Pentax also have patented such backs. There is no difficulties in >designing such a back as the Pentax have interchangeable film magazines. I hope you are right, since it would mean I could use my existing Pentax lenses on a future digital product, but so far there are digital backs from several companies that work on many different medium format systems, but I don't see much for Pentax. Here's what's listed in the B&H; catalog, for instance ... Mega-Vision S3 back for Bronica, Contax 645, Hasselblad, Mamiya 645 Pro, Mamiya RZ and RB. Kodak digital backs for Contax 645, Hasselblad H1, Mamiya 645 AF & AFD. Fuji 11 Mpix back for Fuji GX-680, Hasselblad, Mamiya RZ. It's not listed at B&H;, but the Phase One H 10 works with the Hassy, the Mamiya 645 AF, the Mamiya RZ Pro and the Contax 645. And the Leaf-C supports the Hassy and the Mamiya 645 AF as well. Nothing for Pentax, except a brief statement from PMA that they are "working" on a digital back. Compared to viable solutions from several manufacturers for Contax, Mamiya, Hasselblad and even Bronica. >Digital cameras that take 645 lenses are more likely. How the future will be >is impossible to say but it is noteworthy that Pentax is the only major >manufacturer who makes MF. The new Hassy H1 appears designed for digital from the ground up. Pentax hasn't announced anything similar. >They are also one of the few that bother with >digital slr's at all. And yet everyone else making MF appears to be way ahead of them. >My guess is that Pentax is in best position to make >viable digital solutions for MF. It looks to me like it's exactly the opposite, they are far behind with no published roadmap on how they might catch up. Bill


From: "David J. Littleboy" davidjl@gol.com Newsgroups: rec.photo.equipment.medium-format Subject: Re: auto focus mf camera Date: Sat, 14 Feb 2004 "Don" nospamdonbo@comcast.net wrote... > What cameras are there in the Medium Format that are auto focus.I was at > camera store today and could not find one. Anyone have any suggestions for a > auto focus MF camera? I can think of 5 off hand. The claim is that the Hasselblad H1 is the best/fastest. It's a tad pricey. I'd guess that it has the best glass. Other options include the Pentax, Mamiya, and Contax. The Pentax is probably the most reasonably priced. The Contax glass may be the best of the three, although the reviews I've seen say there isn't much difference. There's an AF version of the Rollei 6008, although AF lenses are in short supply. I don't know about the Pentax, but all the other cameras have limited choices for AF lenses. I'd personally lean towards the Pentax. Observing the landscape magazines in Japan, the Pentax is clearly the 645 camera of choice for landscape photography here. All are glacially slow compared to the cheapest Canon Rebel 35mm film camera. If you really need AF, you probably don't really need MF. Get the Canon 300D for your sports, kids, available light work, and a manual focus MF for quality work. David J. Littleboy Tokyo, Japan


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