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Auction Catalogue

Australian Fine Art & Masterpieces of Australian Art from The Julian & Miriam Sterling Collection

Melbourne

Held:
Tuesday 26 August 2008 6:45pm
 
Level 1, 540 Malvern Road, Prahran, Melbourne, VIC

Preview:
Friday 15 August 2008 10am - 5pm
Saturday 16 August 2008 10am - 5pm
Sunday 17 August 2008 10am - 5pm
Friday 22 August 2008 10am - 5pm
Saturday 23 August 2008 10am - 5pm
Sunday 24 August 2008 10am - 5pm
 
7 Anderson Street, Double Bay, Sydney, NSW
7 Anderson Street, Double Bay, Sydney, NSW
7 Anderson Street, Double Bay, Sydney, NSW
Level 1, 540 Malvern Road, Prahran, Melbourne, VIC
Level 1, 540 Malvern Road, Prahran, Melbourne, VIC
Level 1, 540 Malvern Road, Prahran, Melbourne, VIC

Lots 1001-44Lots 45-83

 
Lot # Details Estimate  
1001 Thomas Clark (circa 1814-1883), Red Bluff, Elwood (circa 1860)
oil on canvas, signed 'J Clark' lower left, 47 x 91cm, Provenance: Private Collection; Australian Paintings, Leonard Joel, Melbourne, 6 November 1975, lot 327, 'The Red Bluff, Point Ormond', illustrated; Julian and Miriam Sterling, Melbourne  
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$40,000-$60,000 Thomas Clark (circa 1814-1883), Red Bluff, Elwood (circa 1860)
1002 J. C. Waite (1832-1920), Melbourne
oil on canvas, signed 'J. C. Waite' lower right, 104 x 153cm, Provenance: Private Collection; Australian Painting, Christie's, Melbourne, 12 March 1971, lot 156, 'Port Melbourne', illustrated; Private Collection, Melbourne; Julian and Miriam Sterling, Melbourne, Exhibited: Centennial International Exhibition, Royal Exhibition Building, Melbourne, 1 August 1888 - 31 January 1889, no.
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$80,000-$100,000 J. C. Waite (1832-1920), Melbourne
1003 W. B. McInnes, Summer Light (1889-1939)
oil on canvas, signed 'W B McINNES' lower left, 122 x 130cm, Provenance: Mr J. Desbrowe-Annear, Melbourne; Australian Paintings, Leonard Joel, Melbourne, 24 May 1978, lot 74, illustrated; Julian and Miriam Sterling, Melbourne
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$60,000-$80,000 W. B. McInnes, Summer Light (1889-1939)
1004 Penleigh Boyd (1890-1923), Tranquil Winter, Portsea 1922
oil on canvas on composition board, signed and dated 'Penleigh Boyd / 22' lower left, frame: original, John Thallon, Melbourne, 106 x 135cm, Provenance: Mrs Penleigh Boyd, Melbourne; By Descent; Mr Jack Manton, Melbourne; Julian and Miriam Sterling, Melbourne, Exhibited: Penleigh Boyd: Oil and Watercolour Landscape, Education Department Galleries, Sydney, 17-27 May 1922, no.
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$150,000-$200,000 Penleigh Boyd (1890-1923), Tranquil Winter, Portsea 1922
1005 John Russell (1858-1930), Belle Ile en Mer 1904
oil on canvas, signed and dated 'JON. RUSSELL BELLE ILE . 1904' lower centre, 60 x 73cm, Provenance: M Georges Laporte, France; Australian Paintings, Christie's, Melbourne, 13 March 1975, lot 385, illustrated; Julian and Miriam Sterling, Melbourne, Exhibited: John Peter Russell: Australian Impressionist, Rijksmuseum Vincent van Gogh, Amsterdam, 10 January - 12 February 1978, University Art Museum, University of Queensland, Brisbane, 25 February - 19 March 1978, National Gallery of Victoria, Melbourne, 30 March - 6 May 1978, Art Gallery of New South Wales, Sydney, 21 May - 26 June 1978, no.
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EOR John Russell (1858-1930), Belle Ile en Mer 1904
1006 John Russell (1858-1930), Les Deux Mattiocco 1902
oil on canvas, inscribed 'MARIA PEPPA. Y. PASCAL MATTIOCCO' upper centre; signed and dated 'J. P. / RUSSELL / 1902' lower right, 51 x 61. 5cm, Provenance: Madame Lecoin, Brittany, France, 1965; Julian and Miriam Sterling, Melbourne, Exhibited: Galerie G. Denis, Paris, no. 67; John Peter Russell 1858-1931: Australian Impressionist, Wildenstein & Co.
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$60,000-$80,000 John Russell (1858-1930), Les Deux Mattiocco 1902
1 Henry Burn (circa 1807-1884), Towards Melbourne 1871
watercolour, signed and dated 'H Burn / 1871' lower left, 35. 5 x 55. 5cm, Provenance: Australian Paintings, Leonard Joel, Melbourne, 2 November 1977, lot 264, illustrated; Corporate Collection, Melbourne
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$20,000-$30,000 Henry Burn (circa 1807-1884), Towards Melbourne 1871
2 Louis Buvelot (1814-1888), Tubbutt Homestead in the Bombala District, in the Foothills of the Snowy Mountains 1878
oil on canvas, inscribed 'L. Buvelot 1878' lower left, frame: original, Isaac Whitehead, Melbourne, 39. 5 x 61. 8cm, Provenance: Mr William Whitatakers Tubbutt, Victoria; By Descent; Private Collection, Unighted Kingdom
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$80,000-$100,000 Louis Buvelot (1814-1888), Tubbutt Homestead in the Bombala District, in the Foothills of the Snowy Mountains 1878
3 Frederick McCubbin (1855-1917), Summer Morning, Kew 1890
oil on canvas, signed and dated 'F McCubbin / 1890' lower left, frame: original, John Thallon, Melbourne, 107 x 53 cm, Provenance: Mr Laurence Abrahams, Melbourne; Mrs Esther Abrahams, Melbourne; By Descent; Private Collection, Exhibited: Winter Exhibition, Victorian Artists' Society, Melbourne, 29 March 1890, no. 75, illustrated, £50. 0. 0.; Pictures of Fd.
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EOR Frederick McCubbin (1855-1917), Summer Morning, Kew 1890
4 Wilhelm Heunert (?-1907), Solitude 1895
oil on canvas, signed and dated 'Wilhelm Heunert / Sydney 1895' lower left, 74. 5 x 118cm, Provenance: Private Collection, Sydney, Exhibited: 16th Annual Exhibition, Royal Art Society of New South Wales, Sydney, 1895, no. 80, 52. 0. 0.
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$12,000-$18,000 Wilhelm Heunert (?-1907), Solitude 1895
5 Percy Lindsay (1870-1952), The Gardener 1896
oil on canvas, signed and dated 'Percy Lindsay / 96' lower right, 36 x 46cm, Provenance: Private Collection, Melbourne
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$6,000-$8,000 Percy Lindsay (1870-1952), The Gardener 1896
6 Rupert Bunny (1864-1947), St Christopher (1903)
oil on canvas, signed 'Rupert C. W. Bunny' lower left, 160 x 165cm, Provenance: Rupert Bunny, Melbourne; The Estate of Rupert Bunny, Melbourne; Mrs James R. Reid, Victoria; By Descent; Private Collection, United Kingdom; Private Collection, Melbourne, Exhibited: Royal Society of British Artists, London, 1903, no. 94, £200; Rupert C. W.
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$200,000-$300,000 Rupert Bunny (1864-1947), St Christopher (1903)
7 Percy Lindsay (1870-1952), (Mining Scene) 1904
oil on canvas, signed and dated 'Percy Lindsay / 1904' lower left, frame: John Thallon, Melbourne, 33 x 51cm, Provenance: Private Collection, Sydney; By Descent; Private Collection, Sydney
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$8,000-$12,000 Percy Lindsay (1870-1952), (Mining Scene) 1904
8 Jacques Carabain (1834-1927), King William Street, Adelaide 1907
oil on canvas, signed and dated 'Jacqs- Carabain / 1907' lower left, 96 x 125cm, Provenance: Paintings, Drawings, Bronzes and Prints of American, Australian, New Zealand and South African Interest, Christie's, London, 18 March 1969, lot 113, 'Looking South along King William Street, Adelaide', illustrated; Corporate Collection, Melbourne
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$80,000-$100,000 Jacques Carabain (1834-1927), King William Street, Adelaide 1907
9 Ida Rentoul Outhwaite (1888-1960), Dignity and Impudence
watercolour, frame: original, maker unknown, Sydney, 40 x 34cm, Provenance: Private Collection, Melbourne, Exhibited: Anthony Hordern & Sons, Sydney 
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$20,000-$30,000 Ida Rentoul Outhwaite (1888-1960), Dignity and Impudence
10 Ida Rentoul Outhwaite (1888-1960), Long Long Thoughts
watercolour, signed 'Ida Rentoul Outhwaite' lower left, 32. 5 x 23. 5cm, Provenance: Private Collection, Melbourne 
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$5,000-$8,000 Ida Rentoul Outhwaite (1888-1960), Long Long Thoughts
11 Ida Rentoul Outhwaite (1888-1960), The Mortals' Country
ink, signed 'Ida Rentoul Outhwaite' upper right; inscribed '"The Mortals' Country."' upper left, 26 x 35cm, Provenance: Private Collection, Melbourne 
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$8,000-$12,000 Ida Rentoul Outhwaite (1888-1960), The Mortals' Country
12 Grace Cossington Smith (1892-1984), St Andrew's above the Traffic 1928
pencil, pen and ink and watercolour, dated 'Sydney 1928' lower left; titled 'St Andrews above the Traffic.' lower centre; signed 'G. Cossington Smith' lower right, 19 x 17cm, Provenance: Fine Australian Paintings, Edward R. Rushton, Sydney, 7 July 1987, lot 104, illustrated; Private Collection, London, Exhibited: Personal Notes by Grace Cossington Smith, The Macquarie Galleries, Sydney, 5-17 March 1975, no.
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$20,000-$25,000 Grace Cossington Smith (1892-1984), St Andrew's above the Traffic 1928
13 Charles Meere (1890-1961), Adelaide Park 1930
oil on canvas, signed and dated 'Meere 1930' lower left, 51 x 61. 5cm, Provenance: Private Collection, Sydney
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$8,000-$12,000 Charles Meere (1890-1961), Adelaide Park 1930
14 Clarice Beckett (1887-1935), Untitled (circa 1931)
oil on canvas on board, signed 'C Beckett' lower left, 35. 5 x 46cm, Provenance: Purchased from The Meldrum Gallery, Melbourne, on 22 August 1933; By Descent; Private Collection, Melbourne, Exhibited: The Meldrum Gallery, Melbourne, 1933
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$20,000-$30,000 Clarice Beckett (1887-1935), Untitled (circa 1931)
15 W. D. Knox (1880-1945), Moonrise
oil on board, signed 'W. D. KNOX' lower right, 39 x 49cm, Provenance: Private Collection, Melbourne, Exhibited: Art of W. D. Knox 1880-1945: A Retrospective of Landscapes and Seascapes, McClelland Gallery, Melbourne, 20 February - 30 March 1983, no. 64
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$4,000-$6,000 W. D. Knox (1880-1945), Moonrise
16 W. D. Knox (1880-1945), Landscape (circa 1936)
oil on canvas, signed 'W. D. KNOX' lower left, 45 x 56cm, Provenance: Private Collection, Melbourne
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$5,000-$7,000 W. D. Knox (1880-1945), Landscape (circa 1936)
17 Percy Lindsay (1870-1952), The Schooner
oil on board, signed 'Percy Lindsay' lower left, 23 x 30cm, Provenance: Private Collection, Melbourne
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$3,000-$4,000 Percy Lindsay (1870-1952), The Schooner
18 Robert Johnson (1890-1964), September Morning
oil on board, signed 'Robert Johnson' lower right, 45. 5 x 55. 5cm, Provenance: Mr Herbert Green, Melbourne; The Sedon Galleries, Melbourne; Private Collection, Melbourne
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$3,000-$5,000 Robert Johnson (1890-1964), September Morning
19 Arthur Streeton (1867-1943), Roses
oil on canvas, signed 'A STREETON' lower left, 60. 7 x 50. 6cm, Provenance: Australian Paintings, Leonard Joel, Melbourne, 23 May 1979, lot 49, illustrated; Joseph Brown Gallery, Melbourne; Private Collection, Melbourne, Exhibited: Spring Exhibition 1979, Joseph Brown Gallery, Melbourne, 17-30 October 1979, no. 48, illustrated
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$45,000-$65,000 Arthur Streeton (1867-1943), Roses
20 Danila Vassilieff (1898-1958), West Indian Woman 1933
oil on canvas on composition board, signed and dated 'D. I. V. / 1933.' upper right, 42. 5 x 35cm, Provenance: Elizabeth Vassilieff, New South Wales, Exhibited: Oil Paintings by Danila Vassilieff, The Macquarie Galleries, Sydney, 1-20 November 1978, no. 1, Literature: Felicity St John Moore, Vassilieff and His Art, Oxford University Press, Melbourne, 1982, cat.
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$6,000-$8,000 Danila Vassilieff (1898-1958), West Indian Woman 1933
21 James Gleeson (born 1915), Facades (circa 1942)
oil on canvas on board, signed 'GlEEson' lower right, 56 x 78. 5cm, Provenance: Gift of the artist to his sister, Belle Paul, Sydney; To her daughter, Francine de Valence, Sydney; The Agapitos/Wilson Collection, Sydney
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$40,000-$60,000 James Gleeson (born 1915), Facades (circa 1942)
22 Albert Tucker (1914-1999), Night Image 1943
oil on cardboard, signed and dated 'Tucker 43' lower left, 21 x 26cm, Provenance: Private Collection, Melbourne
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$80,000-$120,000 Albert Tucker (1914-1999), Night Image 1943
23 Grace Cossington Smith (1892-1984), Bush Road in Heat 1945
oil on pulpboard, signed and dated 'G Cossington Smith 45' lower left, 48 x 37cm, Provenance: Toorak Art Gallery, Melbourne; Private Collection, Melbourne
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$30,000-$40,000 Grace Cossington Smith (1892-1984), Bush Road in Heat 1945
24 Sidney Nolan (1917-1992), Bather (at Sunset) 1945
enamel paint on composition board, signed, dated and titled 'Bather (at sunset) / May 29th 45 / N' lower right, 63. 5 x 76cm, Provenance: Sir Sidney Nolan, United Kingdom; The Estate of Sidney Nolan, United Kingdom; Private Collection, Sydney, Exhibited: Sidney Nolan, Hatton Gallery, Newcastle-upon-Tyne, March 1961 and tour to Sheffield, Leeds, Hull, Bristol, Liverpool, Edinburgh and Wakefield, no.
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$200,000-$300,000 Sidney Nolan (1917-1992), Bather (at Sunset) 1945
25 Sidney Nolan (1917-1992), Bather (at Morning) 1945
enamel paint on composition board, signed, dated and titled 'Bather (at morning) / May 29th 45 / N' lower right, 63. 5 x 76cm, Provenance: Sir Sidney Nolan, United Kingdom; The Estate of Sidney Nolan, United Kingdom; Private Collection, Sydney, Exhibited: Rebels and Precursors: Aspects of Painting in Melbourne 1937-1947, National Gallery of Victoria, Melbourne, August - September 1962, Art Gallery of New South Wales, Sydney, September - October 1962, no.
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$200,000-$300,000 Sidney Nolan (1917-1992), Bather (at Morning) 1945
26 Sidney Nolan (1917-1992), Bather and Sandcastle 1945
enamel paint on cardboard, signed, dated and titled 'Bather & Sandcastle / May 29th 45 / N' lower right, 63. 5 x 76cm, Provenance: Sir Sidney Nolan, United Kingdom; The Estate of Sidney Nolan, United Kingdom; Private Collection, Sydney, Exhibited: Rebels and Precursors: Aspects of Painting in Melbourne 1937-1947, National Gallery of Victoria, Melbourne, August - September 1962, Art Gallery of New South Wales, Sydney, September - October 1962, no.
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$200,000-$300,000 Sidney Nolan (1917-1992), Bather and Sandcastle 1945
27 Sidney Nolan (1917-1992), Bather (at Night) 1945
enamel paint on cardboard, signed, dated and titled 'Bather (at night) / May 29th 45. / N' lower right, 63. 5 x 76cm, Provenance: Sir Sidney Nolan, United Kingdom; The Estate of Sidney Nolan, United Kingdom; Private Collection, Sydney, Exhibited: Rebels and Precursors: Aspects of Painting in Melbourne 1937-1947, National Gallery of Victoria, Melbourne, August - September 1962, Art Gallery of New South Wales, Sydney, September - October 1962, no.
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$200,000-$300,000 Sidney Nolan (1917-1992), Bather (at Night) 1945
28 Sidney Nolan (1917-1992), (Mrs Fraser) (1947)
enamel paint on composition board, 121. 5 x 90. 5cm, Provenance: Sir Sidney Nolan, United Kingdom; The Estate of Sidney Nolan, United Kingdom; Private Collection, Sydney, Exhibited: Nolan's Nolans: A Reputation Reassessed, Agnew's, London, 11 June - 25 July 1997, no. 35, '(Two Standing Naked Women)', illustrated; A Selection of Important Twentieth Century Australian and New Zealand Paintings, Martin Browne Fine Art, Sydney, 2-28 June 1999, no.
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$150,000-$250,000 Sidney Nolan (1917-1992), (Mrs Fraser) (1947)
29 Mary Edwards (1894-1988), Self Portrait 1948
oil on canvas, signed and dated 'Mary Edwards / 1948' lower left, signed, dated and titled 'SELF PORTRAIT / BY / MARY EDWARDS / 1948' on verso; frame: original, maker unknown, 100 x 76. 5cm, Provenance: Private Collection, Sydney, Exhibited: Archibald Prize 1948, Art Gallery of New South Wales, Sydney, 22 January - 7 March 1949, no.
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$8,000-$12,000 Mary Edwards (1894-1988), Self Portrait 1948
30 Mary Edwards (1894-1988), Australiana 1951
oil on canvas, signed and dated 'Mary Edwards / 51' lower right, signed, dated and titled '"AUSTRALIANA" / BY / Mary Edwards / 1951' on verso; frame: original, maker unknown, 102 x 77cm, Provenance: Private Collection, Sydney, Exhibited: 73rd Annual Exhibition, Royal Art Society of New South Wales, Education Department's Art Gallery, Sydney, 25 September - 14 October 1952, no.
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$8,000-$12,000 Mary Edwards (1894-1988), Australiana 1951
31 Mary Edwards (1894-1988), Self Portrait with a Shell 1955
oil on canvas, signed and dated 'Mary Edwell-Burke / 1955' lower left, signed, dated and titled '"SELF - PORTRAIT WITH A / SHELL" / by Mary Edwell-Burke / Dec. 1955' on verso; frame: original, maker unknown, 92 x 72cm, Provenance: Private Collection, Sydney, Exhibited: Archibald Prize 1955, Art Gallery of New South Wales, Sydney, 21 January - 19 February 1956, no.
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$8,000-$12,000 Mary Edwards (1894-1988), Self Portrait with a Shell 1955
32 Freda Robertshaw (1917-1997), The Rolling Hills
oil on composition board, signed 'F ROBERTSHAW' lower right, 31 x 47cm, Provenance: Private Collection, Sydney
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$3,000-$5,000 Freda Robertshaw (1917-1997), The Rolling Hills
33 Danila Vassilieff (1898-1958), Two Birds (1950)
lilydale marble, 15 x 20 x 15cm, Provenance: Elizabeth Vassilieff, New South Wales, Exhibited: Danila Vassilieff: Gouaches, Water Colours, Stone Carvings, Joseph Brown Gallery, Melbourne, 11-27 November 1974, no. 94; Vassilieff the Innovator: Mind in Creative Process - His Last 10 Years, The Macquarie Galleries, Sydney, 6-18 August 1975, no. 164; Vassilieff the Innovator: Mind in Creative Process - His Last 10 Years, The Macquarie Galleries, Canberra, 5-22 February 1976, no.
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$12,000-$18,000 Danila Vassilieff (1898-1958), Two Birds (1950)
34 Danila Vassilieff (1898-1958), Emus on the Murray Steppes (1948)
oil on composition board, signed 'Vassilieff' lower right, 61 x 68. 5cm, Provenance: Elizabeth Vassilieff, New South Wales, Exhibited: Oil Paintings by Danila Vassilieff, The Macquarie Galleries, Sydney, 1-20 November 1978, no. 37
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$9,000-$12,000 Danila Vassilieff (1898-1958), Emus on the Murray Steppes (1948)
35 Danila Vassilieff (1898-1958), Road to Euston (1948)
oil on composition board, signed 'Vassilieff' lower left, 45 x 61cm, Provenance: Elizabeth Vassilieff, New South Wales, Exhibited: Oil Paintings by Danila Vassilieff, The Macquarie Galleries, Sydney, 1-20 November 1978, no. 39
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$7,000-$9,000 Danila Vassilieff (1898-1958), Road to Euston (1948)
36 Danila Vassilieff (1898-1958), "Welcome to Euston" (1948)
oil on composition board, signed 'Vassilieff' lower left, 51 x 61cm, Provenance: Elizabeth Vassilieff, New South Wales, Exhibited: Oil Paintings by Danila Vassilieff, The Macquarie Galleries, Sydney, 1-20 November 1978, no. 43
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$8,000-$10,000 Danila Vassilieff (1898-1958), "Welcome to Euston" (1948)
37 Danila Vassilieff (1898-1958), Mildura and Art Students (1949)
oil on composition board, 61 x 91. 5cm, Provenance: Elizabeth Vassilieff, New South Wales, Exhibited: Danila Vassilieff, Stanley Coe Gallery, Melbourne, 1951; Oil Paintings by Danila Vassilieff, The Macquarie Galleries, Sydney, 1-20 November 1978, no. 49
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$12,000-$18,000 Danila Vassilieff (1898-1958), Mildura and Art Students (1949)
38 Sidney Nolan (1917-1992), Mother and Child 1950
ink and enamel paint on glass, signed and dated 'N/ 50' lower centre, 25. 5 x 30. 5cm, Provenance: Sir Sidney Nolan, London; Joseph Brown Gallery, Melbourne; Private Collection, Melbourne, Exhibited: Sidney Nolan: 102 Works from the First Fifteen Years (1939-53), Joseph Brown Gallery, Melbourne, 25 July - 7 August 1979, no.
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$6,000-$9,000 Sidney Nolan (1917-1992), Mother and Child 1950
39 Sidney Nolan (1917-1992), Cathedral 1950
ink and enamel paint on glass, signed and dated 'N / 9th Oct 50' lower centre, 25. 5 x 30. 5cm, Provenance: Sir Sidney Nolan, London; Joseph Brown Gallery, Melbourne; Private Collection, Melbourne, Exhibited: Sidney Nolan: 102 Works from the First Fifteen Years (1939-53), Joseph Brown Gallery, Melbourne, 25 July - 7 August 1979, no.
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$6,000-$9,000 Sidney Nolan (1917-1992), Cathedral 1950
40 Fred Williams (1927-1982), (Three Figures in an Audience, London) (circa 1952)
oil on canvas on board, signed 'Fred Williams' lower right, 59 x 71cm, Provenance: Private Collection, Sydney, Exhibited: A Selection of Nineteenth and Twentieth Century Australian Art, Deutscher Fine Art, Melbourne, 8-24 October 1992, no. 74, illustrated
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$45,000-$65,000 Fred Williams (1927-1982), (Three Figures in an Audience, London) (circa 1952)
41 Grace Cossington Smith (1892-1984), Still Life with Leaves 1953
oil on pulpboard, signed and dated 'G Cossington Smith 53' lower right, 55 x 43cm, Provenance: Private Collection; Australian Paintings and Prints, Christie's, Sydney, 14 November 1988, lot 216, illustrated, 'Still Life with Leaves and Arum Lily', illustrated; Private Collection; Modern Australian Pictures, Christie's, London, 28 November 1991, lot 49, illustrated; Private Collection, London, Exhibited: Annual Exhibition, Society of Artists, Sydney, 28 August - 14 September 1953, no.
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$50,000-$70,000 Grace Cossington Smith (1892-1984), Still Life with Leaves 1953
42 Charles Blackman (born 1928), Child with a Pram 1953
tempera and oil on composition board, signed 'BLACKMAN / B APRIL 53' lower right, 61 x 76cm, Provenance: Joseph Brown Gallery, Melbourne; Private Collection, Melbourne, Exhibited: Paintings and Drawings: Charles Blackman, New Gallery, Adelaide, 17 November 1953, no. 8, 16 gns; Autumn Exhibition 1979, Joseph Brown Gallery, Melbourne, 5-20 April 1979, no.
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$200,000-$300,000 Charles Blackman (born 1928), Child with a Pram 1953
43 Robert Dickerson (born 1924), The Waiting Room (1955)
enamel paint on composition board, 122 x 91. 5cm, Provenance: John and Sunday Reed, Melbourne; Anne and Douglas Cairns, Melbourne; Private Collection, Singapore
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$100,000-$120,000 Robert Dickerson (born 1924), The Waiting Room (1955)
44 Sidney Nolan (1917-1992), Landscape 1960
synthetic polymer paint and polyvinyl acetate on composition board, signed and dated '22nd MAY 1960 / Nolan' on verso, 121. 4 x 151cm, Provenance: The Matthiesen Gallery, London; Mr A. Choreni, London; Private Collection, Melbourne, Exhibited: Leda and the Swan and Other Recent Work: Sidney Nolan, The Matthiesen Gallery, London, 16 June - 16 July 1960, no.
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$60,000-$80,000 Sidney Nolan (1917-1992), Landscape 1960

Lots 1001-44Lots 45-83