What Other Science Fiction Authors Say About Cordwainer
Smith
For more on this subject, see this panel discussion about Cordwainer Smith.
Robert Silverberg
"One essential component of great science
fiction is strangeness. The story must take the reader
someplace new and show him something he has never seen
before...
"Cordwainer Smith's 'Scanners Live in Vain,' one of the
classic stories of science fiction, provides that essential
degree of strangeness in two ways: by sheer originality of
concept, and by a deceptive and eerie simplicity of narrative.
It was the first published story of a remarkable man and a
remarkable writer, and when it appeared in 1950 - in what was
little more than an amateur magazine - it set off
reverberations that opened the way for an extraordinary
career.
"For me it was a revelation. I read it over and over,
astonished by its power. It had for me the fundamental
science-fiction quality that I had been searching for ever
since I discovered Wells' Time Machine and Lovecraft's
Shadow Out of Time, and for which I continue to search
to this day, some forty years later: it thrust me into a place
that was utterly new to me, and imbued me with a residue of
haunting images and impressions and feelings that I knew would
never leave me."
(From Science Fiction 101; Robert Silverberg's
Worlds of Wonder, edited and with an introduction by
Robert Silverberg, ibooks, New York, 2001.)
John Clute
"First, genuflect, genuflect: The Rediscovery of
Man collects between one set of covers all the short
fictions of the unmatchable, unthinkable Cordwainer Smith. All
are magnificently weird, most are plain magnificent, and one or
two are the nearest thing to perfection that you or I will ever
chance upon in our little lives."
(From Interzone)
Gardner Dozois
"If, when I was a young would-be writer, struggling for a
glimpse of the Light from out of the stifling provincial
darknessā¦, some supernatural agency had given me the chance to
put on the saffron robe of an acolyte and sit at the feet of
the writer of my choice, learning all that I could learn, I
would have, without any hesitation, picked Cordwainer Smith as
the Master at whose feet I would sit."
(From Modern Classics of Science Fiction,
edited by Gardner Dozois, St. Martin's Press, New York,
1991.)
Scott Edelman
"Sifting through tens of thousands of manuscripts in the
slush pile over the years for Science Fiction Age, what I
always hoped I would find is another Cordwainer Smith. Too many
beginning writers are timid, fearful of stepping over the
boundary separating the day after tomorrow from the vast, rich,
unexplored universe beyond. Better than any writer we've yet
seen, Smith represents the sense of awe and wonder that is the
heart of science fiction."
Barry Malzberg
"Cordwainer Smith is worth special mention . . . [Paul]
Linebarger, a mysterious and complex figure . . . wrote of his
mysterious and exotic far future, a network of civilizations
through the galaxies administered by the diabolic and
barely-glimpsed Instrumentality. Linebarger's style, a
declamatory, deliberately overblown mythic narrative, has
influenced hundreds of science fiction writers and has been
outrightly appropriated by a good number.
"No one, in or out of science fiction, wrote like
Linebarger; his work retains its mystery and power decades
later, a mystery swathed within the enigma of that style and
that never-glimpsed Instrumentality which must be the most
barbarous Civil Service ever conceived."
(From SFWA Bulletin, June-July 2001)
James Patrick Kelly
A James Patrick Kelly cover story in Asimov's a few
years ago was prefaced by Kelly's comment: "If you like
'Undone,' and I certainly hope that you do, let me commend your
attention to the work of two giants on whose shoulders Mada and
I stand -- Cordwainer Smith and Alfred Bester."
Neal Barrett, Jr
I got this email from science fiction
author Neal Barrett, Jr. in 2001: "I was so pleased to
discover your web site. I have been a writer since l960, and my
work appeared, at least once (likely more than that) in the
same issue where your father appeared (Galaxy, June, 1961-
-"Mother Hitton's Little Kittons," is the one I recall.)
"Some 50 novels and several hundred stories later (and 41
years) I can honestly say there is no one in the field of
science fiction---or out of it, for that matter---that I admire
and respect more than Cordwainer Smith. I was in awe of his
work then, and still am. He was a man way ahead of his time,
and as far as I am concerned, he is still the master."
Howard V. Hendrix
The June 2002 issue of Asimov's
carried a story by Howard V. Hendrix called "Incandescent
Bliss."
The title immediately made me wonder what was up, since my
father's name in Chinese translates as "Forest of Incandescent
Bliss."
As the story opens, we are in a hotel in Hong Kong with Dr.
Jaron L. Kwon... Soon it continues with this paragraph, the
first of three with an unmistakable subject:
Jaron doesn't care so much any
more about whether it was or wasn't a heart attack in
1966 that killed the 'old China hand.' Or why the old
hand willed The Documents--a fascinating mix of ciphers
and explications in Hebrew, Chinese, Latin, Italian, and
English--to CIA. Jaron doesn't care so much anymore that
the old hand was a professor of Asiatic studies, first
at Duke and then at Johns Hopkins. Or that the cold-war
spymaster claimed he never mastered the 'algorithm
complex' so key to understanding the documents." [page
69]
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