Olaf Stapledon: Winner of the First Annual
Cordwainer Smith "Rediscovery" Award (2001)
Here is the award itself:
Stapledon scholar Robert Crossley accepting the
award on behalf of the Stapledon family:
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Robert Silverberg
(photo by Kelly Hart)
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The Award Ceremony: Robert
Silverberg's Remarks
Fifty years ago, when I was a teenage fan, a
story called "Scanners Live in Vain" was published in an
obscure and scruffy little science fiction magazine
called Fantasy Books, and sent a shock wave
through the world of science fiction, such as it was in
1950, a much smaller place.
Nobody there had quite read a story as strange
and wonderful as "Scanners Live in Vain," and the talk
all year was, "Who wrote that story?" The byline was
Cordwainer Smith... Nobody knew who Cordwainer Smith was.
The story didn't get a Hugo, because Hugos hadn't been
invented yet.
Word came around that Cordwainer Smith was a
pseudonym, but a pseudonym for whom? We didn't know, and
it was not for many years that it turned out that
Cordwainer Smith's real name was Paul Linebarger, that he
was a mysterious man, a scholar, a diplomat, for all we
knew a secret agent.... He had a really remarkable
background in scholarship and espionage.
Beginning in 1955 and continuing for a decade
thereafter, he brought us a group of astoundingly
original short stories and a couple of novels which
marked the world of science fiction forever. The
influence of Cordwainer Smith's stories has been
incalculable.
Well, he left us thirty-five years ago, but his
memories and his stories remain with us. The great
stories of Cordwainer Smith have been collected in a fine
fat volume by the NESFA Press called The Rediscovery
of Man. One of his great themes was that far in the
future, after many changes in the nature of the human
race, we would rediscover that which had led to the
civilization of our future.
The two daughters of Paul Linebarger, Rosana
and Marcia, have created the Cordwainer Smith Foundation,
to preserve the memory of their father and his work but
also to further the ideals for which he stood, because he
was a profoundly philosophical man who had many important
things to say. And one activity of the new Cordwainer
Smith Foundation is the Cordwainer Smith Rediscovery
Award, which is designed to focus new light on an
important science fiction or fantasy writer whose major
work has in recent years fallen into undeserved
obscurity.
The Foundation found four judges to establish
the award: John Clute, Scott Edelman, Gardner Dozois, and
Robert Silverberg. We had a lively email discussion and
arrived at a winner, and it developed after we had chosen
our winner, that Paul Linebarger, when he was 19 years
old, had written an essay on that writer's work. And I
will read an extract from the term paper that he wrote at
George Washington University:
The book has the distinction of having the
greatest cast of characters and the longest period
surveyed of any novel that I have ever read or heard
of. The cast of characters includes all men from the
present time to the death of man; and the time
covered is two thousand million years. . .
.
This romance is well worth reading if only
for the sheer novelty of it. The grandeur of its
conception, whether successfully fulfilled and
expressed or not, is not exceeded by any other modern
writing I have seen.
The theme of the book is man's search for
purpose. All the species and races of men are haunted
by the purposelessness of being; and the battle of
two billion years is only half-won when men
die.
Cordwainer Smith might almost have been talking
about his own future work, but in fact he was talking
about Last and First Men, by W. Olaf Stapledon,
who is the winner of the first Cordwainer Smith
Rediscovery award.
The Award Goes to the Stapledon Family in England
Thanks to University of Liverpool Librarian
Andy Sawyer for this report:
John Clute (left) presents the award to John
Stapledon, son of Olaf Stapledon
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On Monday November 5th, 2001, the Cordwainer
Smith Rediscovery Award was officially handed over to
John Stapledon, the son of the author of Last and
First Men, Star Maker, Odd John, and Sirius.
John Clute, co-editor of The Encyclopedia of Science
Fiction and one of the award judges, presented the
award at a gathering sponsored by the Science Fiction
Foundation at the Sydney Jones Library, University of
Liverpool, which holds the Olaf Stapledon Archive and the
Science Fiction Foundation, and hosted by Andy Sawyer. An
exhibition of books by Olaf Stapledon and Cordwainer
Smith was shown.
Mrs Serena Stapledon holding the
award
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The gathering was brought together to enable
the transfer of the award to take place in a short
ceremony which would continue the sense of how
fundamental the work of Stapledon is to modern science
fiction. John Clute said that he, as one of the judges
for the Cordwainer, "felt strongly that Stapledon had
been a central figure in the great century of science
fiction that had now passed, who used the free arena of
sf to expound a cosmogony of daunting vastness; and that
the young SF readers of 2001 should not let his memory
slide away. Hence the Award." Mr Stapledon expressed how
honoured he was to receive the award to commemorate the
fiction of his father. It is the wish of the Stapledon
family, he said, that the award would eventually join the
Stapledon Archive, which is one of the most important
archives of a science fiction writer in a British
library.
On Reading Last and First
Men
In the months between when Stapledon was chosen
for the first Rediscovery Award and the time the award
was presented, I read his most famous work, Last and
First Men. Normally, I tend to inhale books, but this
was one I savored—and skimmed. Most science fiction
doesn't make my bedtime reading pile, usually because I'm
too likely to want to know what happens next and read for
hours. This didn't have that effect on me, though I found
it a bit disquieting for bedtime. It reads more like a
history book than a novel.
Glorious images of various human activities or
civilizations lifted me up. Then, like a roller coaster,
a dreadful catastrophe would occur, and maybe hundreds of
thousands of years (but only a few paragraphs) later,
something else quite different would happen.
I'll quote some bits from the beginning of the
book to give you a taste. In the introduction, one of the
last men comments, from the far distant future, on the
compression in the tale:
The narrative that I have to tell may seem
to present a sequence of adventures and disasters
crowded together, with no intervening peace. But in
fact man's career has been less like a mountain
torrent hurtling from rock to rock, than a great
sluggish river, broken very seldom by rapids. Ages of
quiescence, often of actual stagnation, filled with
the monotonous problems and toils of countless almost
identical lives, have been punctuated by rare moments
of racial adventure. Nay, even these few seemingly
rapid events themselves were in fact long-drawn-out
and tedious. They acquire a mere illusion of speed
from the speed of the narrative. [page 14; all page
references are from the Dover paperback containing
Last and First Men and its sequel, Star
Maker.]
Here is a bit that makes me wonder if my
father's immersion in psychological warfare also owed
something to Stapledon. The narrator from the future is
telling of the outbreak of the "Anglo-French war" when he
says:
Then occurred one of those microscopic, yet
supremely potent incidents which sometimes mould the
course of events for centuries. During the
bombardment a special meeting of the British Cabinet
was held in a cellar in Downing Street. The party in
power at the time was progressive, mildly pacifist,
and timorously cosmopolitan. It had got itself
involved in the French quarrel quite unintentionally.
At this Cabinet meeting an idealistic member urged
upon his colleagues the need for a supreme gesture of
heroism and generosity on the part of Britain.
Raising his voice with difficulty above the bark of
English guns and the volcanic crash of French bombs,
he suggested sending by radio the following message:
"From the people of England to the people of France.
Catastrophe has fallen on us at your hand. In this
hour of agony, all hate and anger have left us. Our
eyes are opened. No longer can we think of ourselves
as English merely, and you as merely French; all of
us are, before all else, civilized beings. Do not
imagine that we are defeated, and that this message
is a cry for mercy. Our armament is intact, and our
resources are still very great." [pp
21-22]
The message, which goes on to say the English
will no longer fight, is in fact sent. But the next day a
French bomber hits a London school with particularly
gruesome results. The narrator continues a bit
later,
We have now observed in some detail the
incident which stands out in man's history as perhaps
the most dramatic example of petty cause and mighty
effect. For consider. Through some miscalculation, or
a mere defect in his instruments, a French airman
went astray and came to grief in London after the
sending of the peace message. Had this not happened,
England and France would not have been wrecked...
Indeed, so delicately balanced were man's primitive
and developed impulses at this time, that but for
this trivial accident, the movement which was started
by England's peace message might have proceeded
steadily and rapidly toward the unification of the
race. It might, that is, have attained its goal,
before, instead of after, the period of mental
deterioration which in fact resulted from a long
epidemic of war. And so the first Dark Age might
never have occurred. [p. 24]
And so it goes. The range of Stapledon's mind
is astonishing and beautiful, with wry humor and more
than a little tragedy.
--Rosana Hart, Cordwainer
Smith's daughter
Some Olaf Stapledon links... get more from your
favorite search engine...
http://ftp.logica.com/~stepneys/SF/dani/015.htm
Dani Zweig writes short reviews of Stapledon's best-known
books.
http://members.tripod.com/templetongate/stapledon.htm
Interesting one-page bio and description of Stapledon's main
works. This site has a discussion forum.
The Stapledon collection resides at the
University of Liverpool. Contact:
Andy Sawyer
Science Fiction Librarian, Special Collections and
Archives
University of Liverpool Library
PO Box 123, Liverpool L69 3DA, UK.
Reviews Editor: Foundation: The International Review of
Science Fiction
Buying Stapledon's books
Here are links to Amazon.com (the American
one) for some of Stapledon's books, as well as for
Robert Crossley's biography of him.
An Olaf Stapledon Reader, edited by Robert
Crossley For many people, this would be the best
Stapledon book to start with. Edited by Robert
Crossley, who accepted the Rediscovery Award on
behalf of the Stapledon family, it has a helpful
introduction and commentary by Crossley, along with
long excerpts from Stapledon's fiction, essays and
talks, memoirs and meditations, letters, and poems.
After I had begun Last and First Men, I really
enjoyed reading some of the items in here to get a
sense of Stapledon the man.
Odd John and Sirius, paperback
Several people have told me that both of these novels are
more accessible than Last and First Men or Star
Maker. According to the cover blurb, Odd John is
the "definitive fictionalization of the mutated superman.
After a strange birth and childhood, John is suddenly
compelled to accept the fact that he is different.
Sirius deals with a dog with a superhuman
mentality.
Last and First Men, paperback
See my notes above about
this book.
Last and First Men and Star Maker, paperback
This is the version I read;the print is quite
small.
Olaf Stapledon: Speaking for the Future, by Robert
Crossley
This biography of Stapledon was published by the University
of Syracuse Press.
Talking Across the World: The Love Letters
of Olaf Stapledon and Agnes Miller, 1913-1919, edited
by Robert Crossley
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